A romantic drama about two couples shifting sexual dynamics over one night in a music bar.
No Me Digas Wey
In this 100% fictional-plot short a fictional freshman, played by an actor named Don Tomkins), becomes smitten with and writes letters to a singer, Ruth Etting (Ruth Etting), on a fictional radio station. His fictional 1930s nerdy friends take her answering letters in return and torment him about no response. The fictional Ruth Etting (played by the real Ruth Etting) meets him and helps him turn the tables on his tormentors.
At Apple Music, the new album is accompanied by a short film directed by Singh Lee, highlighting multiple songs from the new project as part of an Apple Music Film Edition of Imploding the Mirage.
In 1986 Terri had a hit record. Still touring - same tune, same band - she longs for new material, but Paul her guitarist and boyfriend, can't see it. When teenage musician Jack can, she flees her gig on Canvey Island for a one night adventure, and finds her voice at last.
During a game of catch-the-boy-and-kiss-him, Emmy, a precocious ten-year-old, kisses another little girl, Alice.
Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.
Walter Winchell meets a budding country journalist and shows her around the Biltmore Hotel.
All aboard. Let’s get this holiday show on the road. Just as Queen Poppy and Cloud Guy take the Snack Pack on their latest musical tour, Branch finds out he might just have to share the spotlight with some unexpected talent…
On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.
With one coin to make a wish at the piazza fountain, a peasant girl encounters two competing street performers who'd prefer the coin find its way into their tip jars. The little girl, Tippy, is caught in the middle as a musical duel ensues between the one-man-bands.
The demons of hell play music for Satan, whose delight turns to wrath when an insubordinate refuses to become food for Cerberus.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
Past her prime and afflicted with a severe case of writer's block, a veteran songwriter finds new inspiration in a bird that takes up residence outside her home.
A sheltered boy with a dream of starring on Broadway survives day-to-day life by imagining the world as a musical.
A short film exploring queerness, blackness and religion.
CREMASTER 1 (1995) is a musical revue performed on the blue Astroturf playing field of Bronco Stadium in Boise, Idaho - Barney's hometown. Two Goodyear Blimps float above the arena like the airships that often transmit live sporting events via television broadcast. Four air hostesses tend to each blimp. The only sound is soft ambient music, which suggests the hum of the engines.
After a disagreement with her mom, 8-year-old Natalie runs away — all the way to her backyard, where she meets a family of rabbits and decides to move in with them. Songs are sung and friends are made in this sweet, funny short film about building trust, overcoming fear, and connecting across difference to make room for everyone.
Amidst many distractions, Samantha struggles to find her voice recording a new song. She encounters a mysterious stranger who reminds her of why she loves to create music.
When you’re young, some of your strongest and most rewarding relationships are with your friends. The kind who support you to become who you really are. Inspired by U-turn and classic girl crew nostalgia, we want to celebrate those kinds of bonds with this short film from director Emma Higgins.