Hollywood Rhythm

Fleischer Studios 'Screen Song' with Ethel Merman singing the songs.

Animated film by Kouji Nanke.

A history of rock music during the 1960s, covering everything from the British Invasion that began with the Beatles to the psychedelic sound from San Francisco.

'SIGN' is a short film that tells, through vignettes, music, and sign language, the story of a relationship between Ben, a hearing man, and Aaron, who is deaf.

Otto Baxter, a filmmaker with Down's Syndrome, directs and stars in this musical horror-comedy short based on his life, set in Victorian London.

A series of short vignettes set in a Berlin Mietskaserne (rental barracks for the poor), framed by Schönberg's atonal piece Pierrot Lunaire.

Musical short about a fraternity and a sorority that call a halt to dating between their houses to improve their grades.

They connected through music. Now, with Yujia gone, Jiankai plays his heart to bring him back.

A Salesman tries to locate a notorious Mexican bandit.

Whilst doing their last concert before the Christmas Holidays, Busted find that their guitars have all disappeared mysteriously. With their only clue to there where-abouts being a mysterious note signed by 'Sinister Santa' the band take on London in hopes of finding their Guitars but learn the true meaning of Christmas along the way.

In this short animation film we see a world, where the monkeys are music-lovers. As two young chimpanzees are separated by a musical dispute.

Alan Ladd was discovered by Sue Carol for his incredible voice in radio. And then she married him. In I Look At You, he is sweet and graceful. And at the very beginning of his career in film. He sings and leads Rita Rio's all-girl band while she dances around him.

Cole Porter times three! Al Kemp and His Orchestra swing "Begin the Beguine," Emil Coleman and His Orchestra sell us "Just One of Those Things," and Skinnay Ennis and His Orchestra love some "(Let's Do It) Let's Fall in Love."

"Not a documentary but the the ruins of an attempted documentary." - Grashina Gabelmann Nico’s solo concert in West Berlin 1986. She’s high, giggly, not entirely there but her voice is still haunting and raspy and her presence still the one of a star. We see short clips of an interview held the same year in a hotel – an interview Gaul found somewhere, where he can not remember. We see footage borrowed from Andy Warhol’s estate. Footage of factory parties and screen tests.

In late 18th century Scotland, Annie Laurie and William Douglas love each other, but their clans are on opposite sides of the country's civil war. Their love is made immortal through the title song of this film.

The courtship between the dilatory Mose and the diligent Hattie amid the general ferment of a "rent party" aboard a Mississippi river steamboat.

'Blind Bob' has written a song and the folks at the music publishing company think that Joe Frisco, his old friend from the Bowery is just right for it. So we see Joe at stage doing his peddler routine. He goes over to the publishing company, where he flirts with a girl act, and then tries out some eccentric dancing to the new song, which happens to be 'Get Happy.'

In 1986 Terri had a hit record. Still touring - same tune, same band - she longs for new material, but Paul her guitarist and boyfriend, can't see it. When teenage musician Jack can, she flees her gig on Canvey Island for a one night adventure, and finds her voice at last.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

CREMASTER 1 (1995) is a musical revue performed on the blue Astroturf playing field of Bronco Stadium in Boise, Idaho - Barney's hometown. Two Goodyear Blimps float above the arena like the airships that often transmit live sporting events via television broadcast. Four air hostesses tend to each blimp. The only sound is soft ambient music, which suggests the hum of the engines.