Culpables

Celebrate the 50th anniversary of the groundbreaking sketch comedy with appearances from Burnett, original cast members Vicki Lawrence and Lyle Waggoner, costume designer Bob Mackie, and a slew of special guests.

A true story of politics and art in the 1930s USA, centered around a leftist musical drama and attempts to stop its production.

In order to win the respect of her friends and family, divorced housewife Sabine decides to perform Wilhelm Tell with a group of Asylum seekers in the Swiss mountains.

Burgtheater recording, based on Shakespeare's play.

Hèdre is queen but doesn't love the king. She prefers his son Hippolytus, whom he had from a first marriage, to Theseus. A guilty love, hidden by feigned hatred, that makes her suffer and perish, and that she can't keep from confessing as soon as she hears of the king's death. But Hippolyte doesn't love her. And the monarch is only wounded. Ashamed, the queen can no longer look at him. Oenone, her confidante, tries to save her by making the king believe that the outrage comes from his son. Fanned by Theseus, the fury of the gods strikes Hippolytus. The adulteress kills herself.

The journalist Don Davis becomes involved in a murder case, where Chrystal Malone is part of it. Davis follows Chrystal to China. When Chrystal arrives in China, Davis has to save her from an execution.

A professional killer with no missing target climbs to the rooftop to get the job done. With no target in sight, he gets a phone call from the client. “The target is late. And with all due respect, Mr. Killer, could you give me a discount please?” The killer gets upset with the unreasonable proposition, but he knows that he needs to compete with others who take the job at lower prices.

A powerful portrait of the American spirit and a heartbreaking testament to the bonds of friendship.

A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?

In the artist colony Rocket Perelman ten people strive to live their version of freedom and independence - everybody for themselves and all together. But that's hard work, since the joined theatre production puts the groups' idealism to a hard test.

Wealthy writer Stephen Byrne tries to seduce the family maid, but when she resists, he kills her. Long jealous of his brother John, Stephen does his best to pin the blame for the murder on his sibling. Also affected by Stephen's arrogant dementia is his long-suffering wife Marjorie.

When Detecive Max Garrett is assigned to protect the sultry photographer Laura Cross from a ruthless killer, he has no idea what he's in for. The more involved Garrett gets in the case, the more attracted he is to Cross, but as they get closer, so does the killer.

A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.

After a chance encounter, a Dubliner is stalked by a murderous facsimile of himself.

The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...

Finnish period comedy set to the times of WW I. Based on a play by Maria Jotuni.

Young Africans in Paris face insecurity and vague future. Should they stay in France, or return to their homes?

Sometimes the drama backstage is better than anything on it... Sometimes the drama backstage threatens to destroy everything on it.

A stage play by John Murrell, adapted by Eric-Emmanuel Schmitt, performed to perfection by Fanny Ardant and Robert Hirsch about the last days of Sarah Bernhardt. The play concentrates on an uneasy relationship between Sarah and her servant to whom she dictates her memoir, as well as a fragile relationship between her memories, actual history and reality.

Based on the Mario Mendoza's book and inspired by true events, tells three interconnected stories happening in the eve of the infamous Pozzetto Massacre.