Jasmina

Bullied at school and ignored and abused at home by his indifferent mother and older brother, Billy Casper, a 15-year-old working-class Yorkshire boy, tames and trains his pet kestrel falcon whom he names Kes. Helped and encouraged by his English teacher and his fellow students, Billy finally finds a positive purpose to his unhappy existence—until tragedy strikes.

Chicken Boy is a dark coming-of-age story in which a lonely boy recognizes parallels between the bullying he endures at school and the neglect he experiences at home.

West Texas, in the 1960's. A tale of two 12-year-olds who embark on an adventure to find new parents in order to escape their unhappy and emotionally unsatisfying family life.

15-year-old Rocks fears that she and her little brother Emmanuel will be taken into care and forced apart if anyone finds out that their mother has left them. Against all odds, and with the help of her loyal friends, she evades the authorities and navigates the most defining days of her young life.

Two married couples cruise from town to town along the Adriatic coast. While men are occupied with booze and sea, their wives are more interested in the young "skipper", who seems to be a virgin. Frivolous flirting evolves into drama when one of the wives and the skipper start feeling something that appears to be love.

Mladen (44) Belgrade born, is a timeshare salesman at Montenegrin Holiday resort. He is having an affair with his colleague, Sonja (40), who is married to Metod (50) the chief sales manager who learns about his wife's infidelity. He assigns Mladen the toughest client - Omer, a Bosnian war veteran, who doesn't try to hide his aversion to Mladen. Everything becomes hopeless when Omer's three year old son Svendy falls over the edge of the hotel terrace and ends up in a hospital. Grim mood that prevails among the potential buyers is about to ruin the sales. Sonja and Metod blackmail Mladen to continue the sales at the hospital while Omer and his wife are waiting for their son's operation.

The first-ever Moroccan feature film tells the story of a boy who becomes a delinquent due to his parents' negligence.

A city with its problems. A gang of abandoned children provide for themselves and pose as heroes. The police are on their backs day and night. They are enterprising, energetic, and full of fresh vitality. Despite the fact they are rejected by their parents and ignored by the world, they form among themselves a powerful example of solidarity. Ablakon is something of a different order. He is an adult delinquent and a swindler. Posing as a businessman, he has deceived a countless number of people. When he and his accomplice return to the village, his extravagant behaviour is mistaken for a sign of success. Following his example many young people leave for the city. But they will soon understand their mistake...

After being neglected by her mother, a little girl is taken in by her uncle and his transgender girlfriend, who create a loving home for her.

After twelve years of imprisonment by their own parents, two Iranian sisters are finally released by social workers to face the outside world for the first time.

The movie is based on the fascinating, true story of a feral boy whom hunters found among wolves in a forest in the mountains of Bosnia-Herzegovina (BiH) in the mid-1980s. The boy was sent to the institution for children in an attempt to socialize him and got the Muslim name – Haris. Contrary to most predictions, he was developing and making friends quickly. When the war in BiH broke out in 1992, Haris got the letter from local Bosnian authorities which asked for his immediate return. Upon returning to BiH, he had nowhere to go. While wandering aimlessly, he came across a group of soldiers that gave him a gun and took him with them

Julia, an impaired elderly lady left to take care of her grandson as her daughter goes to work, faces a big decision when accidentally dropping her grandson’s only edible food: help the starving toddler using her new crutches to find food outside or in her selfishness, refuse to use them out of shame.

A young women is hired by a woman to seduce her son and convince him to return to home from his self-induced exile.

The video installation entitled Partenza (Italian for departure, and used in many of Croatia’s island and coastal dialects) express the global insecurity of contemporary society and the fragility of human existence. Metaphorically, they address a story about departure, waiting and separation, dictated by migrations. In the early 20th century, it was usual yet traumatic for men to leave Croatian islands (mostly bound for the countries of South America) due to poverty and hunger. One of these tragic stories is weaved into the author’s family history. The installation is inspired by the life story of Renata’s great-grandmother who lived on the island of Brač, whose husband went to Chile looking for work in order to secure his family’s future. Like many of the island’s women, she waited for her husband who, like many of the men, never returned.

In Crossbow the spoiler is right in front of you, there in the title. A crossbow is an anachronistic device and does not, at least in my mind, lend itself well to analogy or metaphor. In spite, or, more accurately, precisely because this ominous title hangs over the very start of viewing, the short film remarkably sustains a growing dread throughout its languid narration and slow-moving, though arresting visuals; maximizing its force not through the promise of surprise but through the inevitability of its conclusion.

A 12-year-old boy and his single mother live separate lives. The boy spends his days alone while his mother works and goes out with her friends. The boy’s solitude is both a source of freedom and a cause for grief. His explorations slowly bring to light the dark contrast between the rules of society and the laws of nature. And before long, the delicate balance of his inner world becomes shattered by unforeseen events.

On the outskirts of Birmingham and the margins of society the Billingham family perform extreme rituals and break social taboos as they muddle through a life decided by factors beyond their control. At times shocking and laced with an unsettling humor, three episodes unfold as a powerful evocation of the experience of growing up in a Black Country council flat.

The film offers several variants of growing up at the Mediterranean coast.

Infant Dédé is lonely at school and is hardly noticed in the busy family where noisy babies rule the roost. When he becomes friends with a dog, he finally feels recognised. From then on, he barks all day long. Nobody understands why. After a while, his father thinks of an inventive way to make contact with his son.

Desperate to be rid of her toddler, a dissatisfied Beverly Hills housewife hires a stranger to babysit and ends up getting much more than she bargained for.