When Naples Sings

Short documentary by Karl Schedereit

Samantha Flores, an 87 year old trans woman dreams with creating a nursing home for elder LGBTTI+ community.

Chauffer le dehors

Je suis là

Good morning, Bear River High School. This documentary is made up entirely of high school morning announcement broadcasts from the 1990s.

In this short film, the French photographer, Valérie Jouve explores the way in which an era constructs countless layers of time and space without feeling any need to establish connections between them. The film is about time or, more precisely, the various times that today make up our everyday life.

Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.

The role of African Americans in the recovery years of the Great Depression is the subject of this informational short, which offers an idealized depiction of life in a segregated society. The highlight, by far, is rare footage of Orson Welles’s “Voodoo Macbeth,” produced in 1935 for the New York Negro Unit of the WPA’s Federal Theatre Project.

Investigating autumn, temporal alterations, and their effect on movement

An elderly stunt performer travels to The Arctic Circle to meet the real Santa Claus. Filmed in 1997.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

This documentary observes the conversations, primping and camaraderie that take place in the women's bathroom of a nightclub over the course of a night.

It created one of the most memorable days in grand tour history. Riders such as Andy Hampsten and Franco Chioccioli share their extraordinary experience of a day they'll never forget.

A darkly comedic, personal testimony about birth control side effects and navigating the inadequacies of women’s healthcare.

A 960-pound Elvis impersonator is absolutely convinced he is Elvis Presley's secret love child.

Daniel Pérgules, known as “Kilos” is a turtle rescuer and animal rights activist. On his journey searching for turtle nests in the most remote parts of the beaches of Tecolutla, Veracruz, he remembers the day it all began, and how his work saved his life.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A view of Sydney Harbour. Australia's feathered icon laughs the bridge into animation. The bridge dances to a rhythm created by the hype which sails beneath it. A parody of a view which people pay millions to be near.

An intimate look at cinematographic creation, this visual essay shares with us secrets of the legendary Canadian animator Norman Mclaren and his personal view of filmmaking.

10 Meter Tower is a short film taking place in a swimming pool with 6 cameras aimed at the tallest diving tower. All focus is on the 43 people between 9 and 78 years old. They have one thing in common, this is the first time in their lives they climb up to the platform to make the decision whether to jump or not. The situation itself highlights a dilemma: to weigh the instinctive fear of taking the step out against the humiliation of having to climb down.