The prodigal son of a family in turmoil returns home to his French rural home to reconnect with his family and make sense of their dysfunctions.
Sabine and Natacha are 22. They live ‘here’, in the sticks, next door to each other. One day, Natacha has an opportunity: leave ‘here’ to go ‘over there’, thus abandoning Sabine. This act of treason will prove fatal.
A Jury of Her Peers is a 1980 short film directed by Sally Heckel, adapted from the story by Susan Glaspell. A farm woman is accused of murdering her husband in early 1900's Midwest America. The film was nominated for an Oscar for Best Live Action Short Film.
Couples and Robbers is a 1981 English language comedy/crime film written and directed by Clare Peploe, starring Frances Low, Rik Mayall and Peter Eyre. Two couples -- one with all the riches that dreams are made of, the other with only dreams and schemes -- are brought together by the plotting of the poorer couple. A pair of newlyweds wander through the city streets, bickering about their poverty, until they are distracted by the opulent home of a lawyer. Impulsively, the couple makes off with the lawyer's vehicle for one night of extravagant indulgence. The film was nominated for an Oscar for Best Live Action Short Film.
To Live or Let Die is a 1982 American short documentary film directed by Terry Sanders, about the neonatal I.C.U. of the Children's Hospital in Los Angeles, where life and death decisions must be made while ethical dilemmas are also posed by new technologies.. It was nominated for an Academy Award for Best Documentary Short.
In this Oscar Winning documentary short film, students in their final year at the National Ballet School of Canada are seen learning the flamenco from Susana and Antonio Robledo, who come to the school every winter to conduct classes which are held after the day's regular schedule has ended.
A visual album. A story of falling apart and putting yourself back together again as the world does the same. It is a story about personal death and rebirth, mental health, dealing with the tragedies of the world, queer love and finding community while featuring two of the most important places to the artist, MALINDA- Brooklyn and the west coast of Ireland.
Olivia, an undocumented Filipina immigrant paranoid about deportation, works as a caregiver to a Russian-Jewish grandmother in New York. When the man she’s secretly paying for a green card marriage backs out, she becomes involved with a slaughterhouse worker who is unaware that she’s a trans woman.
In a former mining town in North Ossetia, a young woman struggles to escape the stifling hold of the family she loves as much as she rejects.
Filmmakers Sue Marx and Pamela Conn document the romance between Sue's father Louis Gothelf and Reva Shwayder, each in their mid-80s. Both artists and residents of the Detroit suburbs, they met on a group tour of England after being widowed, and quickly formed a strong connection over shared interests. The two discuss concerns over living together without being married; Louis also talks about his caring for his first wife during her ten-year struggle with Alzheimer's disease, while Reva talks about the deaths of two sons several years after her husband's death.
Silence - the stuff of assumptions and confusion - is a legacy inherited by many grandchildren of Japanese Americans interned during WWII. Shortly after Japan attacked Pearl Harbor, Masuo Yasui, a respected figure of Hood River Valley, Oregon was arrested by the FBI as a "potentially dangerous enemy alien." In A FAMILY GATHERING, Lise Yasui, a granddaughter that Masuo never knew, shows that courageous journeys into the past can bring greater understanding of family and personal history to the present.
This 1991 Academy Award®-winning documentary uncovers the disastrous health and environmental side effects caused by the production of nuclear materials by the General Electric Corporation.
A young boy with down syndrome attends his first year in a "regular" classroom. This documentary traces that year and the changes that take place for Peter, his teacher, and the other students. Oscar-winning documentary short from 1992.
Nina, Ailén and Fernando are an actress, a producer and a director who want to shoot and independent feature film in Argentina.
A young couple, Kaia and Andrew, are renovating Kaia's secluded family estate. Their lives are violently disrupted upon the unexpected arrival of Kaia's sister, Christine, and her fiancé, Ira.
Estranged from her family, Franny returns home when an accident leaves her brother comatose. Retracing his life as an aspiring musician, she tracks down his favorite musician, James Forester. Against the backdrop of Brooklyn’s music scene, Franny and James develop an unexpected relationship and face the realities of their lives.
'The subject of this film is the conversation between a man and a woman. A couple, maybe lovers, maybe married, it doesn't matter. (...) During this conversation, we do not see but the city of Rome. I wanted to transmit that what Rome provokes in me, the feeling of an intrinsic matter, indissoluble, in difference with Paris, made of small parks and open spaces, crossed by the sky and the wind. Hand in hand with the film, the difficulty of the two lovers assumes a clearer, more explicit form. But as much as, in my opinion, it is impossible to describe and film Rome, the difficulty in the love of a couple can never be totally understood.' - Marguerite Duras, Venice film festival catalogue, 1982.
Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.
When an unidentified hiker is found deceased in the Florida wilderness, authorities release a sketch. Multiple hikers call in claiming to have met the man. There's only one problem – he never told them his name. It would take two years, thousands of devoted internet sleuths, and a miracle of science to identify him, and that's when the trouble really starts.
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.