The Woman with Two Heads

A high school student attempting to complete his musical opus keeps getting distracted by the intense fights of his mentally imbalanced father and overly doting mother.

A wealthy real estate investor is forced to watch the rape of his girlfriend and then is sent a film showing the fact. He hires a hitman, Sho, and shows him the film, so that the detective can get rid of the criminals. But the boss of the criminal band is Ko, Sho's archnemesis, who raped and murdered his girlfriend.

Through lucid dreams, Chiaro uses his subconscious as a form of escapism from his mundane life with his aunt and indolent father. However, memories from his forgotten childhood resurface as his subconscious reveals an aching truth about his past.

The tragicomedy of the absurd, is based on the works of Daniil Kharms (1905-1942). Trying to recreate reality 30s, who came to the flowering of creativity Harms, the director plays the style of filming, acting at that time and enters into the picture, "the aged" sound. Thus, it is possible to achieve maximum reliability of the author's text and sound to help the viewer to immerse themselves in the atmosphere in which he lived and worked classic absurdity. This is - a world of illusions, allusions and associations, reflecting a stream of consciousness of the creator living in an era of silence.

Big dreams, big blunts, big rims, and big guns. It's time to get gangsta gangsta. Ninja and Yo Landi are wheelchair-bound lovers and real gangstas. They live in the outskirts of civilization, they shoot guns for fun, smoke massive joints, and sleep in the woods. They don't have any bling to show for their gangsta cred, but the world deserves to know who they are. They're tramps, and their wheels are starting to fall off. Ninja become despondent over their vagabond existence, but Yo Landi won't let him give up. What ensues is straight up gangsta mayhem, the realist of the real, true gangsta shit.

A short film by John G. Avildsen.

Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.

Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a face and genitalia; strips of celluloid with lines and squiggles scratched on them; and, close-up shots of what appear to be the insides of living bodies - a heart beating, muscle and sinew and tissue wet with fluids. The exterior and interior of desire.

A man is supine on a mountain side. Images rush past of nature and a stained glass saint. An infant is born. We see a lactating nipple. Images include a mountain peak, farm buildings, a tree stump, a fire, a crawling baby, and the sun. The man falls and rolls. Then, later, he swings his ax.

A lonely spinster's failed attempt at arranging flowers summons an ominous shadowy figure who sends her into a psychedelic netherworld to confront her own mediocrity.

A sarcastic, improvisational film, with anarchic origins, strongly cinephile flavor, and largely autobiographical in nature and content. A film director strives to escape alienation, while, at the same time, expressing his intense feelings for his wife, cinema and Greece during the restoration of democracy.

Collective experimental film by Team 8mm TENGOKU.

Bert Deling's surreal, button-pushing and hallucinogenic paean to the emerging possibilities of avant-garde and homemade filmmaking. Telling the tale of a violent ex-cop searching for the man who killed his partner, the film takes an unexpected turn when he encounters drug lord Plastic Man and a tribe of LSD enthusiasts. What follows is both literal and metaphorical mayhem as the boundaries of the film start collapsing and our idea of what's real is pushed to its very limits.

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.

In a dystopian near future, a class of people are vaccinated with Anhedonia, a vaccine that causes the loss of pleasure and feelings in order to keep a population focused on farm work.

Between 1652 and 1657, 58 girls were devoured by a wolf in the Essonne, France. Four centuries later, in the same place, young girls vanish.

The initiation of a young Jewish child into Guernica's world.

A vicious maniac has claimed the life of gorgeous exotic dancer Paula and it isn't likely before police single out her lover Paula as the likely killer. As the investigations get underway, detectives find themselves thrust into a treacherous world of lust and perversion

Korea, the now: A young man makes a fateful encounter with a stranger he passionately falls in love with. When Unk rides his scooter through the night he fails to notice a drunk pedestrian, a man called Boaz, and hits him. The accident has unforeseen repercussions since shortly afterwards Unk and Boaz start an intense relationship that leads into a gradually worsening dependency.

A man steadily bashes through the snow. He disappears and the trees, covered in white, shift and show a beautiful array of hidden colors. A poetic, meditative short film about letting go of the past and embracing the unknown future.