Same Player Shoots Again

A couple, Vlad and Sophy, navigate their relationship as well as their own struggles with mental health in the context of a highly connected, politically uncertain modern world while on a trip to a remote Canadian island in this avant-garde feature film. PREFACE TO A HISTORY, created with a tiny crew of four people, represents an experiment in using minimalist tools to create an overwhelming aesthetic experience in service of a simple, but specifically contemporary, story about two people attempting to navigate a fraying relationship amid all the anxieties and external pressures of modern adulthood in a technologically-interconnected and politically unstable era.

A man who is paranoid and deluded by his own conspiracies that someone out there is after him must come to terms with the root of his suffering.

Nina is 35 years old; her husband is 53. She loves him so much that she longs to have a child with him... Max also loves her. He is even flattered that Nina is very jealous, but he does not want a child because he is afraid that the child will call him grandpa... The real reason for the conflict is that Max will soon be killed and only he knows that fact. The film is a reflection of the emotions and experiences of two lovers, inspired by real events that happened in a provincial town in 2007.

She plays an actress. He works as a filmmaker. We are making a film in Xining, Qinghai, China. She says that this is the furthest place that she's ever been from home. As days go by and under the pressure from the production, we start to wander on the border of life and fiction.

A woman must safe herself and escape from a bizarre black room where she waltz with her biggest fear and trauma. A Choreography of Violence is a short experimental film that tells a story about love gone wrong, domestic violence, and freedom. The story is told through contemporary dance, with no dialogue, for the entirety of the film.

In this cyclical fever dream, a woman struggles to win over the crowd.

A man and a woman quarrel in the street. Others take sides, and a brawl begins. The police finally intervene and justice is carried out in a manner befitting this stylised, slap-stick satire. - MIFF

This film is a rare glimpse into one of the most secret places of the world, Pyongyang, the capital of North Korea. Slowly, an unexpected natural phenomena devours this strange city. But the city's atmosphere of eternal celebration never changes no matter how obvious the nearing end is. The people keep absurdly demonstrating the same preset patriotic behaviour.

Meet Shavon O'Brien: Her family doesn't understand her, her church ignores her, even Jesus forgets about her. With only the spirit of Sinead O'Connor to guide her, Shavon battles institutional child abuse, narcissistic group think, a talking stomach and a singing poop bucket! Shavon goes from Catholic to Crusty Punk in this very, very, very, dark musical comedy!

A Polish folktale set in the Middle Ages, tells the story of a man, whose eyes, or the gaze of them, brings upon death.

A countryman kills his father and heads for the big city. On his way, he meets the most bizarre and allegorical types: a robber, a drag queen who thinks he's Carmen Miranda, a black king, a fallen black angel, a priest, two whores, a pregnant cowboy, among others.

“For my film portrait of Sasha Grey, I wanted to focus on her expressive and psychological transformation into a cinematic actor, separate from the cues that have associated Sasha with her previous career as a performance artist working within the adult film world.” – Richard Phillips

An instructional guide through the afterlife.

You want a story ? Put two girls on a train and imagine that one of them is a redhead.

A man invites a woman to share his room in a hostel and gradually falls in love with her.

An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-life-of the eponymous Ángel, a kid who's a shoe-shiner.

A BFI production from 1964, directed by David Gladwell, who is best known as an editor of films like Lindsay Anderson's If.... (1968) and O Lucky Man! (1973). This short was shot at 200 fps, depicting a series of pastoral scenes from a British farm, edited to produce a suggestion of violence in contrast to its visual beauty.

Mid-summer heatwave. Nikos and Alain, two male prostitutes and a female pimp, Monica, get tangled in a peculiar relationship after meeting in a dark street called POUTANA. They fall in love, play with guns and talk about card games, money and theatre castings. Is this a game of role playing the three of them have invented to pass their time in a remote, empty summer house? Have they been reading Jean Genet? Whether a mirror image of the characters’ reality or an elliptic depiction of their distorted, dream-like perception of it, I Afroditi Stin Avli, by juxtaposing disparate literary and art references, leads its isolated characters towards dissolution. And yet, in its strange language, it presents this dissolution as a triumph.

A stream of mysterious rituals and symbols are encountered as a young boy journeys to school in the fantastical world of Kshya Tra Ghya.

Covering the first half of Anger's career, from his landmark debut FIREWORKS in 1947 to his epic bacchanalia INAGURATION OF THE PLEASURE DOME, Fantoma is very proud to present the long-awaited first volume of films by this revolutionary and groundbreaking maverick, painstakingly restored and presented on DVD for the first time. Contains the films: Fireworks (1947) Puce Moment (1949) Rabbit's Moon (1950, the rarely seen original 16 minute version) Eaux d'Artifice (1953) Inauguration of the Pleasure Dome (1954)