Laura

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).

Through a structuralist and simultaneously ambiguous form, the image's reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image's gloaming, it reveals its true eye: reality's pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown.

The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.

A simple funeral turns a man's world Topsy turvy. He wakes up in a posh hotel room, totally clueless about how he got there. Slowly, he recalls what happened a day before.

Tracy Flick is running unopposed for this year’s high school student election. But Jim McAllister has a different plan. Partly to establish a more democratic election, and partly to satisfy some deep personal anger toward Tracy, Jim talks football player Paul Metzler to run for president as well.

The last day of creation. A stranger arrives in London. No one knows who he is or where he has come from. By the time he leaves, the entire universe will have been erased.

A mother and son head to a retreat to move past a family tragedy. Soon truths are revealed that start to make it clear that the help they need is not there.

Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.

Radio personalities Larry Abbot and Vickie Pearle are stars of a mystery show. Since they announced their engagement, Larry has been plagued by speech problems and, seeking out an unconventional cure, he returns to his boyhood home, a mansion in the countryside, bringing Vickie along. Larry reunites with numerous family members, but discovers that there are sinister things afoot within the walls of the creepy estate.

Sienna struggles with dreams of an unknown and scary place after receiving a dress that belonged to her late grandmother, who commited suicide years ago

A psychiatrist with intense acrophobia (fear of heights) goes to work for a mental institution run by doctors who appear to be crazier than their patients, and have secrets that they are willing to commit murder to keep.

Noite de Lamentações (Night of Wails)

Men and dogs move dreamily through a room. In this hostile environment, their attitudes and reactions lead to irritated moods.

Within a single space, the director treats the sorrows of two people married to each other.

A surreal satire about a philosophy student who takes a job as a gravedigger while suffering an existential crisis.

Tensions spark within the community of a small high school when a senior, Tayla Henderson, goes mysteriously missing. A social media account called "beautiful.missing.people" sparks out of nowhere, posting a strange picture of Tayla, claiming that "She's not missing. She's right here. With me."

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

Mona relates her dream. Crawling through an apparently endless wooden crate, she encounters diverse characters while the crate itself is moving towards a fiery destruction.

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

A woman is plagued by her overactive imagination.