The Last Of The Blue Devils - The Kansas City Jazz Story

Going To California is a concert performance video by the British pop group Tears For Fears. Released in 1990, it is a recording of the band's show at the Santa Barbara County Bowl in May 1990 during their "Seeds Of Love" World Tour.

Atlanta musicians behind some of the biggest names in music embark on an uncertain journey into the spotlight with a new genre of music that fuses trap music with jazz.

A documentary about Cairo Jazz Festival's Amr Salah and his struggle every year to bring people and arts together in a country where 70% of people are under 30 and the Officials do not care about culture too much.

At the beginning of the 20th century, a new direction in music appeared in America. Although the word "jazz" came into use only in 1913, this music, distinguished by its loudness, audacity, and riot, was heard on the streets of New Orleans at least ten years earlier. Jazz possessed special rhythmic energy never seen before in folk music. In addition, jazz was bold and unpredictable - the same song sounded different with each performance, and this only made jazz attractive. The musicians improvised, following the inspiration and adapting the melody to the sounds of other instruments playing with them on stage.

An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.

1–2-tip für immer - Disko in der DDR

Playing For Change 3 - Songs Around The World

"Comping (an abbreviation of accompanying) is a term used in jazz music to describe the chords, rhythms, and countermelodies that keyboard players (piano or organ) or guitar players use to support a jazz musician's improvised solo or melody lines. The term is also used for the action of accompanying, and for left hand part of a solo pianist."

In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.

Directed by Hugo Conim and Miguel Newton, "Enterrado na Loucura – Punk em Portugal 78-88 - A 2ª Vaga" (“Buried in Insanity – Punk in Portugal 78-88 – The second wave”), continues a history that started to be told in “A Um passo da Loucura - A 1ª Vaga" (“One Step from Insanity – The first wave”) a documentary first screened in 2015. The two documentaries are a faithful and realistic portrait of the first decade of Punk in Portugal. This second documentary starts in 1982 with the birth of a second wave – more combative and involved with the punk scene - of Portuguese punk bands like ‘Crise Total’, ‘Grito Final’, ‘Kú-de-Judas’, Mata-Ratos or Peste & Sida and ends around 1988. The history is told not only by the musicians but also by anonymous punk’s or even concerned parents. It’s an interesting narration that evolves around music but also around aesthetical, political, educational, legal and ethical dimensions of Punk.

Documentary that addresses the phenomenon known as the "destroy route" or the "bakalao route" that placed the city of Valencia in the social and musical vanguard of the late 80s and early 90s.

An unprecedented collection by Afrobeat legend Femi Kuti, Live At The Shrine includes both a concert film/DVD documentary and a live concert CD, singularly conveying the beauty and joy of Afrobeat music – a combustible cocktail fusing jazz, funk, and traditional African music – while also communicating it’s fascinating roots and politics which began with Femi’s father Fela Kuti, the creator and godfather of Afrobeat. Live At The Shrine takes place in the Kuti family’s hometown of Lagos at the Africa Shrine, where every Sunday Femi plays to a packed house of revelers. With music as his weapon of choice and the Africa Shrine a temple of protest song, Femi continues his father’s fight, railing against the corrupt Nigerian government and staunchly defending PanAfricanism. Capturing this experience through interviews, street scenes, and the music itself, Live At The Shrine captures the spirit, passion, and hope, of a man and a people who are fighting.

When the Lutheran pastor Roland retires, the young priest Roll shall replace him. He plays the trumpet, loves Jazz and his methods are unconventional: From the first day on he offends the village's notables, but he doesn't care so much since he especially targets the youths, wants them to get back to the church again. However the mayor agitates against him, manages to endanger Roll's success. The conflict leads to vandalism and open violence against Roll.

In the early 1980's, The Cardiac Kidz became one of the most famous local San Diego punk bands ever. This is their story.

One of the greatest jazz trumpeters of all time, Dizzy Gillespie dazzled the world with his talent as one of the pioneers of be-bop and Latin jazz, but with his puffed-out cheeks, bent trumpet and quick wit, he also was a great showman.

Motian In Motion is a documentary film about iconic jazz drummer Paul Motian, with rare footage of Paul playing and recording at the world renowned Village Vanguard, Birdland and other venues.

A vibrant tribute to one of America's legendary bandleaders, charting Glenn Miller's rise from obscurity and poverty to fame and wealth in the early 1940s.

Chart-topping jazz trumpeter Chris Botti and special guests performed two star-studded concerts at the historic Boston Symphony Hall with Keith Lockhart and the Boston Pops on September 18 and 19, 2008. Special guests include Josh Groban, Yo-Yo Me, John Mayer, Katharine McPhee, Lucia Micarelli, Sting and Steven Tyler.

A look into the birth of the soul music scene on Beale Street in Memphis, Tennessee. Chronicles the rise of soul music, the creation of many iconic songs, and the effect that the genre would have on generations to come. Featuring interviews with B.B. King, Isaac Hayes, Steve Copper, and many other legendary artists.

Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.