Abolition of Property

Experimental short film based on M.C. Escher's paintings.

Things become shrouded when The Loner discovers a dead body outside his home. His mind becomes a prison of contradiction, falsification and fear when a series of dreams push him to realize the truth.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.

Niki is a child who chases butterflies through a chaotic landscape in a home-made samurai costume, and attempts to prepare for a catwalk. Niki is on a journey to find meaning, to understand a crazy world that does everything it can to get rid of anyone who doesn't fit in - an inner journey to become a human being.

Along with vegetable and sea life, the camera is but one element of a sensual ride along a coastal road and playground in this masterful short.

The man needs the trip. The job impedes him to do so. Then the man stuck to his chair! Loosely based on a short short story named "A Man Called Desk" from the book "Password Incorrect" written by Nick Name

A student movie loosely based on the short story by Sadegh Chubak

Image analysis in slow motion. Distortion and reversed reality perspective.

Executed and printed with two hands, that is to say, made using all possible means of imprinting the right and arm freshly applied ink, sand paper, stamps, etc. Everything was done on non-emulsion clear leader.

A delusional young woman mourning the loss of her cat receives a visit from an unexpected visitor.

A stranger arrives in Sarajevo and barges into Damir's reclusive world. Little by little she takes over his life. She absorbs his dreams, until finally she threaten his very existence.

“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.

Everyone has to be ready to appear before God, or it is irrevocably too late. My Lord. Save our guilty souls. Do not desert us. According to the short statement by the artist.

After having narrowly escaped an attempt on his life at the hands of a psychopath, detective inspector Takakura quits active service in the police force and takes up a position as a university lecturer in criminal psychology. But his desire to get to the bottom of criminals’ motives remains, and he does not hesitate long when former colleague Nogami asks him to reopen an old case.

Jours de mes années

A woman goes hunting night after night, looking for someone, anyone, to satisfy her hunger in an alienating urban landscape.

Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical commentary on the way the media presented the tragic event.

An abstract, minimalistic showpiece of late structuralist film made up of 360-degree pans across a children’s playground – and to one of the gods of his cinephilic pantheon, Anthony Mann. In concrete terms, he alludes here to a scene in Mann’s Glenn Miller Story in which black-and-white documentary material from the Second World War is in experimental film fashion nightmarishly intercut into a scene, breaking with Hollywood conventions.

"A Motion Selfie" is one-of-a-kind DIY filmmaking: a darkly comic chronicle following a year in the life of a washed-up viral video star and the sexually depraved stalker who becomes obsessed with his work.