A surrealist home movie, filmed by Luis Buñuel in Cadaqués in 1930, focusing on Salvador Dalí's father and his wife.
Surrealist master Luis Buñuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre.
The documentary proposes an exhaustive journey through the life and work of Salvador Dalí, and also of Gala, his muse and collaborator. It starts in 1929, a crucial year in Dalí's career and life, as he joined the surrealist group and met Gala, and advances until the year of the artist's death in 1989.
Spanish scientist Tomeo L'Amo bought a painting in 1989 that he believed to be an original Dalí. After 25 years of searching for the truth, an art expert in Paris changes his life.
The old Spanish filmmaker Luis Buñuel (1900-83) imagines a movie plot, set in Toledo in the future 2002, about the fantastic adventure of three actors, who play him and his friends, the painter Salvador Dalí (1904-89) and the poet Federico García Lorca (1898-1936), and their search for King Solomon's table, a mythical artifact capable of revealing the past, present and future.
Paris, 1930. Luis Buñuel is penniless after the scandal surrounding the release of his last movie. Sculptor Ramón Acín, a good friend, buys a lottery ticket and promises Buñuel that he will pay for his next movie if he wins the prize.
In 1973, a young gallery assistant goes on a wild adventure behind the scenes as he helps aging genius Salvador Dali prepare for a big show in New York.
Salvador Dali seeks psychoanalysis from Sigmund Freud.
Inspired by Salvador Dali’s Meditative Rose (1958)
A brand new retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with cinematographer Dean Cundey, production designer/editor Tommy Lee Wallace, photographer Kim Gottleib-Walker, make-up effects artist Steve Johnson, Carpenter biographer John Muir, music historian Daniel Schweiger, visual effects historian Justin Humphreys and assistant Larry Franco
A brand new retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with writer Nick Castle, cinematographer Dean Cundey, composer Alan Howarth, production designer Joe Alves, special visual effects artist/model maker Gene Rizzardi, production assistant David De Coteau, photographer Kim Gottleib-Walker, Carpenter biographer John Muir, visual effects historian Justin Humphreys, and music historian Daniel Schweiger.
A brand new retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with Associate producer Sandy King, cinematographer Gary Kibbe, actor Peter Jason, actor Robert Grasmere, composer Alan Howarth, stunt coordinator/Ghoul Jeff Imada, author Jonathan Letham, music historian Daniel Schweiger, Blumhouse editor Rebekah McKendry, and visual effects historian Justin Humphreys.
A brand new retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with Cinematographer Gary Kibbe, actor Peter Jason, actor Alice Cooper, composer Alan Howarth, script supervisor Sandy King, visual effects supervisor Robert Grasmere, stunt coordinator Jeff Imada, Carpenter biographer John Muir, film historian C. Courtney Joyner, music historian Daniel Schweiger and Producer Larry Carpenters.
Cast and crew offer up a nice overview piece, discussing the picture's authenticity, real life in the time of "Boyz n the Hood," the parallels between Singleton's real life and his film, the process of making the film, the casting process, the quality of the script, the film's reception, its Oscar nominations, and its legacy.
Documentary purporting to expose the cover-up of the JFK assassination conspiracy.
A wonderful retrospective supplement that features much of the primary cast cast as well as Writer/Director John Singleton looking back at the picture's history and legacy. They speak on the themes of the film, the casting process, its importance then and now, its reception upon release, the project's novelty, its placing in the National Film Registry, and more. There's no shortage of good insight here and the piece does a fine job of encapsulating what Boyz n the Hood is all about.
Building Brick is the Behind the Scenes documentary for the film Brick (2006). Brick was written and directed by Rian Johnson in San Clemente, CA in 2003. The film stars Joseph Gordon-Levitt, Nora Zehetner, Lucas Haas, Noah Segan Building Brick was filmed and edited by L Jean Schwartz (Disclaimer: I shot most of this footage when I was 17 with my family camcorder, edited it when I was 19, and this is not a very high res version, but it has only been available on the German DVD so I wanted a way that my friends could see it) Also, I am endlessly immensely grateful to Rian Johnson for giving me the opportunity to be part of Brick.
Portland, 1988. Filmmaker Gus Van Sant shoots Drugstore Cowboy, the project that will bring he and his collaborators a formidable burst of mainstream attention. Starring Matt Dillon, Kelly Lynch, and Heather Graham, the film follows a roving quartet of drug addicts — and, consequently, drug thieves, especially from the businesses of the title — who wash up in Portland's then-gritty Pearl District. A death among their own spooks the leader of the pack into trying to clean up, and an encounter with a sepulchral junkie priest does its part to convince him further. Or maybe we should call him a Junkie priest, portrayed as he is by a controversial cameo from writer William S. Burroughs. "I'm going back to the old days," Burroughs says of his role early in the above documentary on the making of Drugstore Cowboy. "The old days when they used to give people morphine in jail. The old days before the methadone programs."
This fascinating making-of documentary investigates the controversy and political atmosphere surrounding the production of Salt of the Earth, movingly chronicling the filmmakers' defiance of the blacklist. (BAM) Preserved by the Academy Film Archive in 2015.
Behind the scenes documentary of Gus Van Sant's "Paranoid Park." Felix Andrew: director, cinematographer, editor. Dane La Chiusa: titles and original drawings. Joel Shelton, composer. Additional music: "Songs" by Ethan Rose, "Sangue de Bairro" by Chico Science e Nacao Zumbi. Made in 2006. Length: 27 minutes