On a trip to Angkor Wat in Siem Reap, Cambodia in January 2000, filmmaker Anne Bass came across a sixteen-year-old boy who moved her immensely with his amazing natural charm and grace as a dancer. A longtime devotee of the world of dance, Bass felt compelled to give this young boy the opportunity to leave his home and follow a dream that he could not yet have fully imagined. From the serene countryside of Southeast Asia to the halls of New York’s School of American Ballet to the stage of the Pacific Northwest Ballet in Seattle, DANCING ACROSS BORDERS peeks behind the scenes into the world of dance and chronicles the intimate and triumphant story of a boy who was discovered, and who only much later discovered all that he had in himself.
This short documentary explores just how the film Pumping Iron revolutionized the fitness industry and created an international icon in Arnold Schwarzenegger. It also touches on what Hollywood's idea of an action star was and is.
A dance group rehearses for their latest performance Inabitáveis about black homosexuality. While the choreographer conducts research and gives guided tours, he meets Pedro, a young trans girl looking for her own means of expression. She desperately wants to be taught by him.
While most of Ken Russell's documentaries for the BBC's Monitor arts strand focused on a single creative figure, he would also occasionally make more wide-ranging surveys of the state of a particular art. The Light Fantastic (BBC, tx. 18/12/1960) was written and presented by Ron Hitchins, a Cockney barrow boy who has long been interested in a great many dance forms, and who has recently taken up Spanish dancing. Hitchins participates in some of the dance sequences, but his main contribution is an enthusiastic commentary that helps personalise what could have been simply a disparate collection of dance footage. He's not shy about expressing likes and dislikes, being none too keen on ballroom dancing (too choreographed), rock'n'roll (too monotonous) and Morris dancing (just doesn't like it), though anything genuinely spontaneous gets a thumbs up, even if it's a room full of people dressed in black swaying to the sound of a gong.
These two views were taken during the celebrations given in 1896 on the occasion of the millennium of the foundation of the kingdom of Hungary. Horsemen and men on foot parade, all dressed in historic uniforms.
Christine attends her first and last prom accompanied by Martin Fredericksen
The documentary portrayed one of the most established dance companies in Hong Kong which has a history of over four decades. With a tradition of blending Chinese dance and ballet together in the training, the dance company has set sail to re-evaluate its artistic essence by adapting new physical disciplines and philosophy, picking up different cultural traces, meditation and Chinese martial arts. Through monologues of the company members, the film unveiled their fears, self-doubts, and findings in their quest to refine their dance forms and express their cultural roots. It's an uncertain journey towards the cultivation of inner peace and the essence of movement and stillness.
At the beginning of Sumadijska street in the vicinity of Slavija Square on the 11th August 1913, the Serbian victorious army from the Second Balkan War led by the Crown Prince Alexander Karadjordjevic was given a huge welcome by the highest military and political authorities of Serbia and Belgrade, representatives of civil organizations and national institutions, as well as several tens of thousands of people from Belgrade, Serbia and Vojvodina.
Slow, une histoire d'amour
Ijó Dudu: Memórias da Dança Negra na Bahia
A group of young men waltz in pairs, balancing with a glass between their foreheads. In this captivating setting, director Albert Rask crafts a new code of conduct - an allegory reflecting the experience of growing up. A playful yet poignant exploration that reframes the burdens of responsibility, expectations and the rules of adulthood.
Samba, Popping, and Jazz. Through these dance styles and documentary interviews, Bodies That Tell Stories seeks to discuss the standardization and whitening of dances that had their roots in Black people.
A presentation of the facts and theory surrounding the astronomical phenomenon of "black holes", using the latest in computer-generated imagery. Theories regarding their origin are presented, along with speculation about what lies with and beyond them.
"Encouraged by a special encounter between myself and an animal, my research into the “humanimal” began. This is a performative exploration reflecting on the place of animals and humans in their changing relationships throughout time. The research spans from topics like the cohabitation of different human species, the prehuman, the posthuman, to domestication and the numerous animal watching webcams found in zoos and online. Missing Link reflects on the intimacy between the species and how it can be expressed through movement here and now. "
Jean-Michel Cousteau invites you to embark on a breathtaking underwater voyage to discover the ultimate predator: the shark. Experience an astonishing up-close encounter in 3D with the lions and tigers of the ocean.
Caccia nelle regioni artiche
Co-produced by the U.S. Holocaust Memorial Museum Research Institute, this Academy Award-winning documentary relates the harrowing story of Gerda Weissmann Klein and her journey of survival and remembering both before and after the war.
Miss Hill: Making Dance Matter tells the inspiring and largely unknown story of a woman whose life was defined by her love for dance. Martha Hill emerges as dance's secret weapon, someone who fought against great odds to establish dance as a legitimate art form in America. Through archival footage, lively interviews with friends and intimates, and rare footage of the spirited subject, the film explores Hills's arduous path from a Bible Belt childhood in Ohio to the halls of academe at NYU and Bennington College to a position of power and influence as Juilliard's founding director of dance (1952-1985). Peppered with anecdotal material delivered by dance notables who knew her, this revelatory story depicts her struggles and successes, including the battle royal that accompanied her move to the Lincoln Center campus.
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.