Kamarinskaja

An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.

Swinging and twirling Dorothy Toy Fong the legendary tap dancer is still exciting at 99 years old. Award-winning reporter Rick Quan traces Fong’s journey as a famous duo with Paul Wing and exciting run with her Oriental Showgirl group. Fong’s wondrous spirit dances off the screen and into your heart.

The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

In 1791, in Haiti, Dutty Boukman presided over a Vodou ritual in Bois-Caïman that led to the creation of the first Black republic. Since then, rituals of transformation and artistic expression have been at the core of a thriving culture as the country faces oppression, poverty, and natural disasters. "Kite Zo A” (Leave the Bones) is a sensorial film about rituals in Haiti, from ancient to modern, made in collaboration with poets, dancers, musicians, fishermen, daredevil rollerbladers, and Vodou priests, set to poetry by Haitian author Wood-Jerry Gabriel.

Two eighth graders doing an assembly on cleanliness and neatness seek underclassmen. A look into Don and Mildred's hygienic endeavors.

Join Dance Moms stars, Kendall Vertes, Chloe Lukasiak, and Kalani Hilliker as they perform on The Irreplaceables Tour. Watch along as the girls tour around Peru and perform their world-famous dances for eager fans.

A serpentine dancer is bathed in alternating hand-colored frames underneath an elaborate archway.

Sainte-Marie-aux-Mines, in rural Alsace. A vocational high school. A class of year 12 ASSP (Assistance, Care and Service to Person) pupils experience contemporary dancing based on improvised contacts for the first time.

A documentary following the conscious evolution of electronic music culture and the spiritual movement that has awakened within.

Biocénose

Documentary capturing the rise of all-male dance company, BalletBoyz from first auditions to a performance in Addis Ababa City Hall, Ethiopia.

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

Bon Odori dives into the world of karaoke and the ways this Japanese tradition has taken root and evolved in Brazil. Through an event that brings together young Japanese-Brazilian descendants and participants with no prior connection to Japanese culture, the documentary reveals encounters, memories, and exchanges across generations. Amid touching stories, striking voices, and charismatic personalities, the film crafts a sensitive portrait of belonging, respect, and cultural preservation—celebrating the power of the connections that emerge when differences are embraced.

This Christmas, step into the magical world of The Nutcracker. For the first time in many years, the Royal Ballet has given full access behind the scenes for a landmark 90-minute documentary as they prepare for this season's yuletide production.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Bubble is a short film performed by Zeena Parkins and the Plastic Girls, Eleanor Hullihan and Erin Cornell in a public park in Brooklyn, NY.

An analysis of the controversy over the participation of women in the Irun and Hondarribia festivity known as Alarde. It is divided into three parts: in the first part, the history, structure, and characteristics of the Alarde are explained; in the second part, the beginning of the conflict and its development in the 1990s; and in the third part, the present situation, reflecting on the present and future of the festival.

At age 20, Guillaume Diop risked his career to sign a manifesto against racism at the Paris Opera. But just three years later, he was named a Danseur Étoile — a star dancer — in the Paris Opera Ballet, one of the world’s most prestigious companies. As the first Black Danseur Étoile, Guillaume is thrust into becoming a role model and a national symbol for diversity. But, as YOUNG, BLACK AND GIFTED shows us, in intimate conversations with family and friends, he sometimes questions whether he is ready for this responsibility.