Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker "performed" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.
A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.
A documentary on the legacy of ballet in Cuba that aired on PBS in Rochester, NY. Filmed on location in Havana, Cuba July – August, 2016. Featuring Laura Alonso, the history of the National Ballet of Cuba, and interviews with staff and dancers attending CUBALLET at or studying at The Center Prodanza of Cuba.
A prominent Russian ballet dancer and teacher Alexander Shiryaev had another talent hidden for almost a century. Archive materials that date back to 1906 reveal his bold experiments at stop-motion and paper animation.
Upon hearing that farmers in Indiana had taught their llamas to participate in an informal square dance, filmmaker Cevin Soling decided to raise the bar and see if llamas could be trained to perform in a major theatrical production of Swan Lake. The performance fuses high and low brow forms of art including a new rendering of the Tchaikovsky score. The vision takes Soling on a journey to the world of ballet, llamas, and jug bands.
From grueling rehearsals to the world premiere, Romeos & Juliets offers an unprecedented behind-the-curtain look at the National Ballet of Canada as ten dancers vie to perform the lead roles on the coveted opening night of "Romeo and Juliet," as envisioned by acclaimed choreographer Alexei Ratmansky in celebration of the company's 60th anniversary.
“Raised by Krump” explores the LA-born dance movement “krumping,” and how the dance has helped the lives of some of the area’s most influential dancers.
This Christmas, step into the magical world of The Nutcracker. For the first time in many years, the Royal Ballet has given full access behind the scenes for a landmark 90-minute documentary as they prepare for this season's yuletide production.
Follows the young people of Selma, Alabama's RATCo (Random Acts of Theatre Company) as they journey to New York City to share their story of hope, resilience, and overcoming.
Ballet Boys takes you through disappointments, victories, forging of friendship, first loves, doubt, faith, growing apart from each other, finding your own way and own ambitions, all mixed with the beautiful expression of ballet.
Join Dance Moms stars, Kendall Vertes, Chloe Lukasiak, and Kalani Hilliker as they perform on The Irreplaceables Tour. Watch along as the girls tour around Peru and perform their world-famous dances for eager fans.
Documentary following the actors playing the role of Billy in Billy Elliot the Musical as they prepare for their West End debut.
A testimony to the performance of ritual dances. Although they were performed only during the so-called “unbaptized days”, the 12 days between Christmas and Epiphany in the Orthodox Christianity, these dances are associated by some researchers with the Roman rosaries, the cult of the dead. Ritual clothing and the use of wooden swords to disperse the demons are important props in the dances that are believed to protect the folks from temptations and demons until they are baptized.
Giulia Tonelli, principal dancer at the Zurich Opera House, returns from maternity leave. She has to fight to find her place and a new balance, between the competitive and extremely demanding world of an elite ballet company and her new family life.
Suffering debilitating grief from the passing of his best friend who introduced him to the world of dance, Derrick must confront a monster that seeks to separate him from everything he loves.
She now lives many miles away from her mother, who is waiting to hear from her. It is a bittersweet, restless, nostalgic moment, and she remembers those vanished years.
Acclaimed dancer Carlos Acosta introduces a new generation of film makers who use b-boying, ballet and contemporary dance to tell their stories. Subjects range from dancing in a bingo hall, acid attacks, body image and wellbeing and the mystical world of baby eels. Each is a remarkable fusion of dance and film. Anatomy of a Crooked Spine; Blast; Elver; Full House; I Am Soldier; I Dance Best with You; Inside; Inside We Break; Manmade; Petals and Pain; Scapelands; We Are Ready Now; We Are Always Here; Do I Have Free Will?
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.
During his thirty-year career, Walter Hus, a Belgian composer and pianist, has taken a thousand musical faces. While he wanted to compose a new work, a crisis blocked his creation. During an exchange with his therapist, he comes to an existential question: "Who am I musically? » Through the portrait of this composer, as abundant as it is fascinating, the film aims to give access to his creative process and thus to the endurance and beauty of creation.