The Pig

Superman's pal Jimmy Olsen gets his own story. Boy meets girl. Boy loses girl. Boy meets boy!

More than a dozen shots, some less than a second, of people wearing roller skates in various settings: a young man in skates sits on a low guardrail next to a city sidewalk reading, a woman with a child shoots by, a constable skates gingerly, a man skates by in suit and vest, another cleans front steps, children skate into a room where papa and siblings sit, someone slips at the base of stairs, a man in a cowboy hat moves fast, two jovial chubby women shake hands, our man in the hat trips over a wheelbarrow, then falls again as he rounds a corner, then down goes the constable. It's a crazy day on the city sidewalks.

Max is a stage struck youth, and because of a deep-seated desire to go on the stage, refuses to consent to a marriage his father has planned for him. The girl, whom Max has never met, is also stage struck, and entertains no wish of marrying him, though her mother is anxious to see her make the alliance. The parents finally manage to bring the young people together, and they, in turn, exert all their skill in an attempt to disgust each other. An accidental meeting between the two when they are off guard causes them to change their minds.

African animals, including a lookout monkey, await with trepidation the arrival of big-game hunter Theodore Roosevelt.

Woman Draped in Patterned Handkerchiefs is a 1908 British short silent documentary film, directed by George Albert Smith as a showcase his new Kinemacolor system, which features a woman displaying assorted tartan cloths, both draped on her body and waved semaphore-style. The patterned handkerchiefs are, according to Michael Brooke of BFI Screenonline, “presumably the same cloths featured in Tartans of Scottish Clans (1906), this time shown from various angles.”

On a particularly nondescript weekend afternoon, Edison must deal with his exasperated mother, who is bearing down on him like a force of nature; the looming deadline of a paper on the philosophical writings of Immanuel Kant; and a persistent, insidious force that aims to destroy the tranquility of his existence.

A high-speed drive through the streets of Paris.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

Claire Blanchet directs this visually stunning stereoscopic animation, adapted from Heather O’Neills eponymous slice of Montreal noir.

A dog decides to quit the slapstick comedy of cartoons and go to his country home to concentrate on Shakespeare, but two troublesome yet polite gophers foil his grand plans.

A man visits the panels of a comic page-like world in search for his loved Gloria.

Consisting of a single shot, Spiders on a Web is one of the earliest British examples of close-up natural history photography. Made by one of the pioneers of the British film industry, G.A. Smith, this short film details spiders trapped in an enclosure, and despite the title, does not actually feature a web.

Duke Freed is an alien who has escaped to Earth after his home planet was invaded by the armies of Great King Yarban. Five years have passed and now Yarban's daughter, Princess Teronna, is on a mission to find both Duke and his spaceship Grendizer by invading our planet with their fleet of flying saucers. The pilot movie of Grendizer. It is about Duke Fleed, a fugitive of the planet fleed, who was kicked out of his planet by the Armies of Vega. Fleed and the daughter of the king of Vega we in love before the war between their planets. The armies of Vega continue their fight with Duke Fleed.

A short documentary about the work of the National Trust in Great Britain

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

High speed film and time-lapse photography combined to create breathtaking images of the night sky and Halley's Comet in this astronomical short subject. Currently lost media.

The Boxing Kangaroo is an 1896 British short black-and-white silent documentary film, produced and directed by Birt Acres for exhibition on Robert W. Paul’s peep show Kinetoscopes, featuring a young boy boxing with a kangaroo. The film was considered lost until footage from an 1896 Fairground Programme, originally shown in a portable booth at Hull Fair by Midlands photographer George Williams, donated to the National Fairground Archive was identified as being from this film.

Josef Sváb-Malostranský unrolls a poster in front of a mill with the words Czech Cinematograph. All the actors in the film gather around him. An old philanderer meets up with the miller's wife in front of the mill. He is about to embrace her when her husband appears. The philanderer gets a good hiding.

A lost film. Georges Méliès also directed a film entitled Faust aux enfers in 1903 that is frequently confused with this one, but it has little to do with the story of Faust.