Based on the Novel

Dani and Michael, two down-on-their-luck filmmakers, decide to craft and film their own independent movie despite their tumultuous lives begging them to give up their passions.

Teenager Deacon works at a video shop, and his buddies, Fred and Matt, sell the bootleg porno films he acquires. Deacon gets fired, but the pals have the bright idea of filming their own Internet porn flick in order to make money and become more popular at school. Hijinks ensue as they cast and create their movie, but porn industry player Vic Ramalot grows jealous of their burgeoning success and tries to put a stop to the project.

The making of the latest masterpiece - Crest of Senses - by renown cult film director Jack Gattanella. It's getting weird, and only weirder still, as the weeks go on and Zack and Hayley hold on for dear life. Maybe the dolphins will help.

Malcolm and Haze are together. They can’t stand each other. They have a school year to go, as classmates.

As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.

Tony has recently been released from a sentence for violent behaviour. He promises to improve his ways and is finally granted a few hours alone with his two children. They celebrate the reunion by going to the movies to see a new film by the famous, critically acclaimed Danish director Claus Volter. But the film is not the masterpiece it is said to be on the poster; the children are crying and Tony cannot get the money back he spent on tickets and candy. Tony does not give up; he seeks out Claus Volter in order to get an explanation and a refund. It is however easier said than done to get money out of a world-renowned filmmaker.

Dorothy’s a film director and a bit of a loser. One night, after a few beers, she lets loose on her script when a call from her producer kills her buzz: enough with the queer comedies, it’s time to start making mainstream films. To avoid sinking to the deepest depths of despair, Dorothy seeks comfort in her favorite TV show "Romy the Vampire Slayer". Unfortunately, her own demons show up.

A budding director endeavors to research a merciless gangster for making a film on gangsterism. But his secret attempts to conduct the research fail when he gets caught for snooping.

Cemetery caretaker Burke Sawyer and his deceased father, Pop Sawyer, team up to investigate a creature feeding on the dead underground.

When a Hollywood star mysteriously disappears in the middle of filming, the studio sends their fixer to get him back.

Haru, a bookstore clerk, talks to Yukiko pretending to ask for directions. Haru has detected deep sorrow on Yukiko's face. Meanwhile, Haru has been spending days following Tsuyoshi discretely and checking his expressions.

A film student from Long Island, who cut his dying father’s cough out of the home movies at thirteen, spends four years filming everyone but himself — until one festival slot, a rival’s film, and the footage he’s been cutting force him to choose between the safe version and the true one.

Things go badly for a small film crew shooting a low-budget zombie movie when they are attacked by real zombies.

A film student at Ryerson University struggles to complete her thesis project.

Hollywood producer Alexander Meyerheimer has hired drunken writer Richard Benson to write his latest movie. Benson has been in Paris supposedly working on the script for months, but instead has spent the time living it up. Benson now has just two days to the deadline and thus hires a temporary secretary, Gabrielle Simpson, to help him finish on time.

A small-time thug who collects debts for the local triad is torn between his criminal aspirations and his devotion to family.

In the sweltering heat of a indie film set, Molly, a dedicated young actress, endures a relentless barrage of misogynistic slights from her domineering director co-stars and ex love interest. As subtle condescension—dismissive comments, unwanted touches, and endless “adjustments” to her performance—escalates, the grueling shoot drags on take after take. The air grows thicker, bodies slick. Pushed to her absolute limit, Molly snaps. In a raw, explosive outburst, she unleashes the feral rage she’s bottled up for too long—shattering the facade of polite tolerance that women are expected to maintain. Chaos erupts on set, but in the aftermath, Molly stands unapologetic, reclaiming her power and proving a searing truth: a woman’s fury doesn’t diminish her humanity—it affirms it. This unflinching drama exposes the toxic underbelly of an industry built on silencing women, delivering a cathartic reckoning that lingers long after the credits roll.

Filmmaker Kailee McGee’s world turns sideways with a late-stage breast cancer diagnosis. She’s in the middle of treatment but just beginning to reevaluate reality, love, and identity while being sick. Kailee loses track of where her cancer journey ends and her life begins. As the voice inside her head toggles between existential crisis and self-actualization, Kailee resorts to the only way she knows how to heal: figure out a way to watch a version of her journey unfold on a screen.

Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.

The main character has a dream: he wants to become a director. On his way to achieving it, he faces many challenges, and the hardest one is his divorce from his family. But he doesn’t give up and finally reaches his dream. Now, he must win his family back!