Aral, Fishing in an Invisible Sea

Two friends travel across Uzbekistan and Kyrgyzstan on the search for Eagle Hunters.

Having gone to Samarkand in search of traces of colonial culture, of which there were quite a few left there, having carefully photographed them, we suddenly discovered that it was not the dead buildings that were much more interesting, but the living carriers of this very colonial culture. The result is a film about people who live on the ruins of an empire.

About Russians living in Fergana, why they are not going to leave and what they see as the meaning of their presence on the land of Turkestan

Portrait of a typical European feminist - Olga Lipovskaya (1954-2021), journalist, translator, poet, founder of the women's non-profit organization St. Petersburg Center for Gender Issues (an educational and resource center for women and women's organizations), editor of the samizdat magazine Women's Reading.

Chronicles of the cultural life of Tashkent (2007 – 2015). From the murder of Mark Weil to the wedding of Alisher Usmanov. Tashkent Biennale, apartment buildings, video art festival, conversations about nothing, amateur performances and operational shooting, advertising and much more. Tashkent, which no longer exists, just as these people are no longer in it.

Tashkent: The End of an Era reconstructs the complex history of Tashkent by means of archive footage which has never been shown before and the testimonies of its inhabitants.

The tragic story of the greatest soccer player the most have never heard of.

A biographical film about one of the greatest Medieval scientists and scholars, Al-Biruni.

Documentary highlighting clips and providing historical context to surviving silent films from Uzbekistan.

Pokser TV short-film

Uzbek youth confess their dreams, take flight, and negotiate the reality around them. Directed by Kirill Kulagin. In this documentary directed by Kirill Kulagin, Uzbek teenagers share their innermost dreams. And rather than talk of only fantasies, these dreams unearth the reality these youth face and how they negotiate with it. In Central Asia, talking about oneself can seem impolite. From an outsider perspective, emotions in this culture are only spoken about indirectly, lest they “air [their] dirty laundry in public.” But talking about dreams can break through this social barrier. For the film, Kulagin ran filmmaking labs with Uzbek youth to explore their real stories and real feelings surrounding dreams. These dreams served as jumping-off points to discuss deeper fears and desires, which turned into metaphors and a visual language based on how they navigated the boundaries of intimacy.

Beautifully shot in black and white, and scripted by Tarkovsky's collaborator Andrei Konchalovsky, this powerful melodrama tells the story of a young boy who undertakes the perilous journey to Uzbekistan's capital Tashkent, to earn some money for his hungry family. Filming in the periphery of the Soviet Union, in a time of relative political relaxation, director Shukhrat Abbasov actually dared to depict the poverty and famine that resulted from the Bolshevik Revolution.

In the early morning of September 11, 2001, a Boeing 757 aircraft belonging to Uzbekistan Airways takes off from the Uzbek capital Tashkent. This is the final flight of experienced pilot Zarif Saidazimov prior to retirement. 101-Flight is in transit through London Birmingham International Airport to John F Kennedy International Airport in New York.

In the 14th-century, as the Silk Road crumbles and rival factions tear the land apart, fearless warrior Timur emerges from exile. Stripped of everything, he fights to unite the fractured kingdoms, using strategy and sheer will to carve an empire from chaos. Undefeated in battle and widely regarded as one of history’s greatest military leaders and tacticians, not to mention one of its most brutal, Timur would found the Timurid Empire, which ruled over modern-day Afghanistan, Iran and Central Asia.

Set in the rural village of White Storks, the story tackles the taboo subject of an extramarital affair. Strong-willed Malika, married but childless, is openly consorting with another man with whom she shares a seemingly tender bond.

Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left -- the seventh, and he must not miss his target!

Biographical drama about one of the most famous Uzbek poets of the 15th century, Alisher Navoiy.

To Be Added soon

A subtle lyrical story about youth, the search for truth, the first painful experiences of love. The film features three heroes who live in Tashkent. Rodin — a kind and whole man — finds it difficult to live with a girl who doesn't love him, and he himself saves her from the need to lie and suffer... Rustam's life is different. He is loving, talented... The third hero Thassos — a Greek by birth — returns to his homeland, where his mother and sister were found, but there flashed a junta of "grey colonels"...

The intertwined lives of several villagers unfold through love, personal struggles, and life's unexpected twists.