From assembled security camera footage we witness the tragedy of Flight 780 where passengers and crew descend into madness after experiencing strange atmospheric conditions as they suspect a hidden, horrific presence may now be on board.
In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.
Jakob Yzermans is an American salesman looking for his roots in Rotterdam. He thinks his father (Hendrik Yzermans) has left Holland with the money he took from his collegues. Jakob is trying to get the money together to repay the money. While doing so he encounters more and more problems.
This unprecedented and exclusive insider's account by filmmaker James Hanlon and Gedeon and Jules Naudet of the World TradeCenter attack, which contains the only known footage of the first plane striking the World Trade Center and the only footage from inside Ground Zero during the attacks, will also include footage from events marking the 10th anniversary, as well as new interviews with many of the firefighters who were featured in the original program. They will discuss how their lives, families and the world have changed in the 10 years since the tragedy - some for better, some for worse. Viewers will also hear from New York City Fire Department health officials as they discuss some of the health issues that have plagued firefighters working at Ground Zero.
A young man slowly realizes that he has become the chosen target of an ominous supernatural presence. As he scrambles to stop it, he realizes there is more to this haunting than meets the eye.
Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.
With a lifelong mission to put soca music on the international map, Machel Montano has pioneered the evolution of the genre throughout his 34-year career.
Scenes from the Big Chair is a documentary film about the British pop band Tears For Fears. Released on home video in 1985, the 75 minute documentary was made at the height of the band's global success following the release of their multi-platinum selling album Songs from the Big Chair. It also contains the 90 minute "Going To California" concert which was recorded in Santa Barbara during the band's "Seeds Of Love" world tour in 1990.
Found footage sequences from various obscure campy Austrian films assembled together with a very dark disturbing soundtrack.
Russian president Vladimir Putin attacks the 2016 American Presidential Election in collaboration with The Trump Campaign.
Documentary footage of folk-dancers.
Exclusively utilizing footage from other Egyptian films that use the pyramids as backdrop, Domestic Tourism II explores the ways in which these iconic historical monuments can be reappropriated from the “timelessness” of the tourist postcard and reinscribed into the complex political, social, and historical moment in urban narratives.
With Tschaikowsky's music on the sound track, this parody of long-hair, temperamental orchestra conductors and concert pianists is a long string of sight gags. The pianist has a new hair-do in every scene he is in, all designed to help him see the piano. One fat musician nonchalantly wanders in in the midst of the concert, takes off his hat, coat, muffler and gloves, unpacks his instrument, a triangle, hits one note, repacks, puts on his gloves, muffler, coat and hat, and goes home.
Olive is going shopping and drops Swee'pea off for Popeye to watch. Popeye carves a sailboat for him, but the tyke spots Popeye's battleship, and the puny toy boat will no longer do. He climbs aboard, and there's the expected mayhem. Notable sequences include a stint on the ship's cannon's control board, with Popeye caught on the barrel, then in the gears; also, at the end, Swee'Pea hitches a ride atop a torpedo just as Olive is returning and Popeye's out cold.
Bluto's in the Army; he tries to sneak off base, but can't. Popeye passes by, Bluto invites him in, then swaps uniforms. Popeye ends up in a tank drill.
When enemy planes attack the battleship he's serving on, Popeye fights back.
Popeye's on a battleship, on which he's banished to the boiler room. A Japanese sub comes along. Can Popeye save his ship from the enemy?
Popeye and Bluto agree that women are too much trouble, so they agree to swear off them, which lasts about five seconds, until Olive comes on board ship for a tour. The boys vie for her attention.
Bugs Bunny is wanted "dead or alive" by the Mounted Police, led by Elmer Fudd. The "Fresh Hare" episode was banned from television for almost 30 years because it was considered too racey for the time.
An old woman has a cat, a dog, and a canary. The cat and dog fight even worse than normally. Fed up, she tells them both off, then threatens to throw them both out if there's any more trouble.