El pericón nacional

Russian president Vladimir Putin attacks the 2016 American Presidential Election in collaboration with The Trump Campaign.

Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.

This unprecedented and exclusive insider's account by filmmaker James Hanlon and Gedeon and Jules Naudet of the World TradeCenter attack, which contains the only known footage of the first plane striking the World Trade Center and the only footage from inside Ground Zero during the attacks, will also include footage from events marking the 10th anniversary, as well as new interviews with many of the firefighters who were featured in the original program. They will discuss how their lives, families and the world have changed in the 10 years since the tragedy - some for better, some for worse. Viewers will also hear from New York City Fire Department health officials as they discuss some of the health issues that have plagued firefighters working at Ground Zero.

With a lifelong mission to put soca music on the international map, Machel Montano has pioneered the evolution of the genre throughout his 34-year career.

Found footage sequences from various obscure campy Austrian films assembled together with a very dark disturbing soundtrack.

In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.

A young man slowly realizes that he has become the chosen target of an ominous supernatural presence. As he scrambles to stop it, he realizes there is more to this haunting than meets the eye.

Near the end of the 20th century on Tokyo's Chuo train line, just before Hong Kong's return to Chinese control, masses of people go on a rampage, and love runs wild.

Jakob Yzermans is an American salesman looking for his roots in Rotterdam. He thinks his father (Hendrik Yzermans) has left Holland with the money he took from his collegues. Jakob is trying to get the money together to repay the money. While doing so he encounters more and more problems.

From assembled security camera footage we witness the tragedy of Flight 780 where passengers and crew descend into madness after experiencing strange atmospheric conditions as they suspect a hidden, horrific presence may now be on board.

Scenes from the Big Chair is a documentary film about the British pop band Tears For Fears. Released on home video in 1985, the 75 minute documentary was made at the height of the band's global success following the release of their multi-platinum selling album Songs from the Big Chair. It also contains the 90 minute "Going To California" concert which was recorded in Santa Barbara during the band's "Seeds Of Love" world tour in 1990.

Exclusively utilizing footage from other Egyptian films that use the pyramids as backdrop, Domestic Tourism II explores the ways in which these iconic historical monuments can be reappropriated from the “timelessness” of the tourist postcard and reinscribed into the complex political, social, and historical moment in urban narratives.

A person is heard fleeing an angry mob – yet the uncannily empty streets show no sign of the chase. A never-ending nightmare. Sound reveals the hidden history in an imagined place.

This documentary draws on new evidence to reveal that a fire was raging in Titanic's boiler rooms before she left port, that it was kept secret and, it's now believed, that it led to the tragedy

This intimate documentary follows a group of Syrian children refugees who narrowly escape a life of torment and integrate into a foreign land.

BRICKS IN MOTION is a feature length documentary that explores the lives of individuals involved in the hobby of creating stop-motion animated films with LEGO® bricks and other building toys. Filmed in five countries around the world, the film is a journey through the creative life and struggles of a diverse community of storytellers as they bring their spectacular visions to life.

This film details the hacking of the Ashley Madison "extramarital affairs" website and the fallout from the public release of its users' emails.

The 2016 Reebok CrossFit Games were a grueling five-day, 15-event test to find the fittest man and woman on Earth. "Fittest on Earth: A Decade of Fitness" follows the dramatic story of the top athletes who qualified and competed and offers an inside look at what it takes to be among the world's elite athletes, both in training and on the competition floor. The CrossFit Games challenge competitors to perform intense physical tasks, but the hardest part is sometimes mental. Athletes often learn the details of the events only minutes before they begin, and everyone handles the pressure differently. Which of these fierce competitors will rise to the top and earn the title of Fittest on Earth?

Filmed on location in Harlem and in Monet’s historic gardens in Giverny, this multi-textured cinematic poem meditates on the bodily integrity and creative virtuosity of black women.

Artist and filmmaker Eric Baudelaire spent four years interacting with the pupils of a film class, at a secondary school in the Parisian suburb of Saint-Denis. Keeping himself on the sidelines, he gives way to the children to express their thoughts and dreams. Their remarks are intuitive, inquisitive, yet passionate and surprisingly mature, concerning rocky and complicated issues, ranging from racism, immigration, and identity, all the way to the possibilities of film as a medium. As time flows almost unnoticed, it is evident that these children have not only become the co-directors of this film but also the heroes of their own lives.