Beyond The Edge

Told with heart, humor, and a little bit of magic, Dragonfly is a female led feature film about homecoming and healing for a Midwestern family divided by divorce and illness. Struggling artist Anna Larsen’s mother has never understood her. When her mom is diagnosed with early onset Alzheimer’s, Anna returns home to help but brings years of family baggage with her. As she unpacks her past, Anna rediscovers a mysterious mailbox from her childhood and embarks on a search to solve its mystery. What she learns along the way may just be the key to rekindling her own magic.

This documentary follows two Mohawk girls on their journey to become Mohawk women. Friends since childhood, Kaienkwinehtha and Kasennakohe are members of the traditional community of Akwesasne on the U.S./Canada border. Together, they undertake a four-year rite of passage for adolescents, called Oheró:kon, or "under the husk." The ceremony had been nearly extinct, a casualty of colonialism and intergenerational trauma; revived in the past decade by two traditional leaders, it has since flourished. Filmmaker Katsitsionni Fox has served as a mentor, or "auntie," to many youth going through the passage rites.

When lapsed Jew and former cardiologist Harry suddenly decides to spend his retirement as a pig farmer in Nazareth, Israel, the move deeply shocks his family and his new neighbours. Back in New York, Harry’s ex-wife Monica is trying to manage the lives of their adult children, Annabelle and David, as well as her own.

This feature documentary is an exploration of the concept of dirt and impurity. From the slums of Kolkata to Vancouver's Downtown Eastside to a barbeque joint in Central Texas, Dirt digs deep into the webs of meaning and feeling attached to that deceptively simple 4-letter word. An odyssey into all things unclean, the film features animation to make Hieronymus Bosch blush and music from Godspeed You! Black Emperor.

Cavaliers Seuls

A woman's tranquil day at the beach turns tumultuous when she is forced to confront a sudden, new reality concerning her mother.

At a party with diverse guests are dealing with the events os August 23rd, 1944. Guests are serving as metaphors for different parts of society.

Struggling but unapologetically living on her own terms, Inez is moving from shelter to shelter in mid-1990s New York City. With her 6-year-old son Terry in foster care and unable to leave him again, she kidnaps him so they can build their life together. As the years go by, their family grows and Terry becomes a smart yet quiet teenager, but the secret that has defined their lives threatens to destroy the home they have so improbably built.

Noah, an insecure middle schooler, struggles to make sense of a momentary blackout she suffers from. Her mother who has already made her own assumption of the incident, seeks the help of Noah's sister.

A widower and her daughter witness the retirement of a colleague of his and the closing of her department at her university.

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

An orphan falls for the son of her benefactor, and decides to poison her rival for his affections.

Mayan Renaissance is a feature length film which documents the glory of the ancient Maya civilization, the Spanish conquest in 1519, 500 years of oppression, and the courageous fight of the Maya to reclaim their voice and determine their own future, in Guatemala and throughout Central America. The film stars 1992 Nobel Peace Laureate and Maya Leader Rigoberta Mencu Tum. All of the images, voices, expert commentary and music in the film come directly from Central America, the heart of the Mayan World.

Two teen track stars discover first love as they train for the biggest relay race of their young lives.

Mahaleos voices and music have accompanied the people of Madagascar ever since the collapse of the colonial regime. Yet, even after 30 years of success, the groups seven musicians still keep their distance from the world of show-business, and remain deeply committed to helping their countrys development; their professions range from surgeon to farmer, physician to sociologist and member of parliament. Accompanied by the groups rhythmic melodies, the film follows the singers through their daily lives, giving us a glimpse of the far-reaching social and economic problems of the Malagasy people. The combined talents of the Brazilian, Cesar Paes, and the Malagasy, Raymond Rajaonarivelo, have produced a work that is both ethereal and concrete, poetic and political.

"What if someone wrote your biography? Would there be horns and halos involved?"

While celebrating their reconciliation and six years of marriage, the American actress Sally Nash and the British novelist Joe Therrian receive their close friends, some colleagues and their next door neighbors in a party. Under the effect of Ecstasy, revelations are disclosed and relationships deteriorate among the group.

Elijah has been bounced from group home to group home throughout his turbulent young life. What has sustained him is his art. After a promised scholarship is taken away, Elijah ends up in a fight that result in the death of another boy. Now, sentenced to a minimum of fifteen years, the young man must find a way to keep his soul alive behind bars or turn into a hardened bitter criminal.

Following her parents' wishes, spirited seventeen-year-old Effi Briest marries Baron von Innstetten – a former admirer of her mother – who is twenty years Effi's senior. This marriage of prudence heralds the beginning of a humdrum life, far from home, for Effi. Innstetten devotes himself entirely to his political career, and the sleepy small town of Kessin has very little to offer in terms of variety. But then, one day, Innstetten's old regimental comrade, Major Crampas – a charming womanizer – arrives on the scene.

Soon to be a father, Mark feels the pressure of domestic responsibility closing in, so he is more than happy to accept when his old friend Kurt proposes a camping trip in the Oregon wilderness. During their time together, the men come to grips with the changes in their lives and the effect on their relationship.