A cinematographic adaptation of the dance performance by Ann Van den Broek.
If a drum beats, a Dancer must dance.
Three beautiful creatures bathe in our eyes. Behind three windows, so many women; owners of the places, as free inside themselves as in their antics. Exhibition? No! Exposure. Besides, who's watching? And who is watched? The bodies traversed by so many mental territories, FEMALE SPECIALTIES magnifies this "Second Sex" to flush out the random, the somatic, the elusive. ... not there to be understood but to be touched! ... and hated who thinks badly!
The showman of 20th century choreography, Maurice Béjart, stages his distinctive rendering of the beloved Christmas ballet "The Nutcracker" using Tchaikovsky's entire score, supplemented with waltz and accordion music performed onstage by the renowned Yvette Horner. Béjart uses the original St. Petersburg tale as a launching point from which to evoke the recollections and feelings of his life's journey from childhood.
"II: AN UNSPOKEN NARRATIVE" tells the story about one guy going through life alone while learning the concept of balance in an unconventional way expressed by the form of movement and storytelling. We hope to take you on a journey within a story of life experiences revolving around balance where two different concepts make you realize your worst moment to make your great moments greater. Every part of this film is up for interpretation upon your lives.
Mme. Bob Walter performs the serpentine dance.
A dancer personifying Winter, dances in the snow.
A turn-of-the-last-century hand-tinted short, which features two women, Miss Lally and Miss Julyett, dancing at a ball. By the legendary French filmmaker Alice Guy.
"Danse excentrique" (Gaumont #587) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse serpentine" (Gaumont #588, the only extant film in the series), "Danse fantaisiste" (Gaumont #589) or "La Gigue" (Gaumont #590).
Based on the play A Midsummer Night's Dream by William Shakespeare, a choreographic film by Jean-Christophe Maillot. Gorgeous dancing – and wildly imaginative sets and costumes – bring to vivid life the ecstatic, elegant eroticism in Shakespeare‘s classic fantasy. Recorded at The Grimaldi Forum Monaco, 2009.
Inspired by Goethe's early romantic play Clavigo, Roland Petit's ballet recounts the agonies of a weak-willed lover torn between the contradictory promptings of his heart and his evil spirit, which urges him to serve his own interests and forsake true love in favor of a life of debauchery. Recorded live at the Opera National de Paris, Palais Garnier, October 1999.
Dancing through Slovak history of the twentieth century. Based on the Theatre du Campagnol performance "Le Bal" by Jean-Claude Penchenat, written by M. Huba and M. Porubjak. A dance locale - a place where people who are looking for partners come together. Lonely individuals become couples, people who were strangers not so long ago become partners and lovers. Outside, conditions change and regimes change, the country is overwhelmed by great history, the whirlwind of the World War, the communist coup, the hopeful spring of 1968, the fraternal occupation, the Hussite normalisation, November 1989 and the collapse of Czechoslovakia. Only those lonely dancers on the dance floor remain the same - with their human longings, their ridiculousness and their unfulfilled dreams.
Noetic, Faun and Boléro: Three elements, three visions, three journeys through dance. Choreographer Sidi Larbi Cherkaoui's show offers a profound reflection on our intimate connection with the world around us. From putting mathematics in movement to Ravel's Boléro as a dance of death, Cherkaoui transcends the boundaries of the stage to offer us a unique philosophical perception of the world.
Two ballet dancers perform a dance enhanced with surreal after-image visuals.
Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.
Inspired by a powerful involuntary mania which took hold of citizens in the city of Strasbourg just over five hundred years ago, this film is a collaboration in isolation with some of the greatest dancers working today.
A look behind the scenes with ‘TOMORROW x TOGETHER’ & ‘ENHYPEN’, two HYBE artists, as they prepare for their first joint performance.
Adaptation of the Broadway musical. The story is set in the French Antilles in the Caribbean Sea and tells of a peasant girl who falls in love with an aristocrat. Against this backdrop, social class differences play out while the island gods wager a bet of what is stronger, love or death.
At age 24, Rémi Bonnet, brilliant pianist, abandons Chopin and Toulouse to play the music he has secretly loved for years - Salsa! He heads for Paris, the salsa capital of Europe, only to discover to his great surprise, that nobody wants a white boy in Latin band! Felipe, his Cuban friend, sets him straight: " You don't have the Latino look, muchacho! Today, if your are not Cubano or Columbiano, you are out!". Undaunted, Rémi deliberately takes on the identity, accent and complexion of an unemployed alien in a city where most foreigners will do almost anything to become French. Barreto, 75, the legendary Cuban composer, who is about to close down the once famous Casa Cubana, offers Rémi a job giving dance lessons to the locals. It is here that Rémi falls in love with Nathalie. Her family's "secrets and lies" reveal parental links to Barreto. Do these links explain why this shy beauty ought to be a bomb on the dance floor?
Amidst the chaos of city life, a woman finds relief through dance.