Crossing Victoria

Saturated colors and X-ray imagery swirl and bounce through wide eyed and frantic characters in a play of animation techniques, video overlays and stylized trippy imagery. An original experimental animation utilizing both stop motion and digital techniques to create mesmerizing sequences.

An early experiment in employing computers to animate film. The result is a dazzling vibration of geometric forms in vivid color, an effect achieved by varying the speed at which alternate colors change, so producing optical illusions. In between these screen pyrotechnics appears a simple line form gyrating in smooth rhythm. Sound effects are created by registering sound shapes directly on the soundtrack of the film.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

On the cold outskirts of town, something is about to happen. In our own way we are all waiting for something to happen.

This metaphorical surrealist tale is an allusion. NIGHTINGALES IN DECEMBER is a trip into the memories, and the fields of the current realities. What if the Nightingales were working, instead of singing and going south? Is the innocence the only savior of birdsongs? There are no Nightingales in December... What is left, is only the history of our beginning, and our end.

Experimental narrative animation using hobbyist 3D animation and inspired by niche genres of computer-generated erotica.

A reminder of the colourful, boundlessly animated exo-imagery that forms the DNA of the world we live in.

This dazzling stop-motion animation provided Vorkapich with a forum to demonstrate complex perceptual theories related to the persistence of vision and phi phenomenon. The dance of objects and their movements before the camera lens–somewhat similar to Oskar Fischinger’s abstractions–illustrate many visual sensations playfully executed by Vorkapich.

This video art experiment and survey on human's visual and sound perception which have an influence on the way of life, national integration, and people's belief in fact. The video changes the way of human's usual perception by using a Thai ancient tale read by a calm voice, along with the annoying visual and sound.

Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.

Krešimir Zimonić's take on the underlying nature of a hard-fought soccer game.

When taking a microscopic view of a dot of the printer ink, it begins to transform into unstable forms. The other sphere/eyeball which appears when moving away from the dot, suggests the overlay of the swaying of the retina that occurs when staring, and the motion within animation.

16 mm, color, 3:35 or 10 min. Study for No. 11. "An exposition of Buddhism and the Kaballah in the form of a collage. The final scene shows Agaric mushrooms growing on the moon while the Hero and Heroine row by on a cerebrum."

Of late, Kago has also taken to posting his even less-known video work to his YouTube channel. In these jokey short films, many of them crudely animated, Kago's sick sense of humor reaches its full heights of absurdity. There's a playful surrealist sensibility to Kago's work, as well as a tendency to revel in the ridiculous, the crude and the disturbing. His work straddles a weird boundary between avant-garde experimentation and low-brow fart jokes — the punchline of one of these films is literally an oozing torrent of shit — although, admittedly, his videos seem to lean a bit more heavily towards the fart jokes than his comics. But hey, who doesn't appreciate a good fart joke once in a while?

The bridge as the channel between worlds: between the living and the dead, between male and female, between sacred and profane.

The experimental animated short is a collaborative work between Keiichi Tanaami and Nobuhiro Aihara.

The human eye, a well-known psychedelic motif, is multiplied and sharpened in Keiichi Tanaami's film trip 4 Eyes. Using his experience designing nightclubs, Tanaami projects two copies of the same film with a slight delay, so that it appears as if the ghost is losing consciousness. (IFFR)

The experimental animated short is a collaborative work between Keiichi Tanaami and Nobuhiro Aihara.

Landscape

Dramatic story of a man and a woman that had a short but passionate love story.