Crossing Victoria

Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

A short movie about a guy living in his own world.

During an ordinary visit to the library, a young girl pulls out a not-so-ordinary book from the shelves. As she turns the pages in this book about coral reefs, the city around her slips away and she finds herself surrounded by the coral cities of the sea and the mysterious plants and animals that live, hunt, and hide there.

While enjoying a date in a park, a man carelessly tosses an empty bottle onto the ground. His selfish littering promptly summons an imposing figure wearing a white hockey mask. The gruesome events that follow tell an admonishing tale about the importance of preserving the outdoors and defending the environment from the ugly menace of litter. The short was made for the tve YouTube Relay project, but wasn't included because it's too violent.

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

Expeditious.

Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.

An animation mixing hand-drawn and cut-out techniques depicting the daily rituals of weekday morning that is occasionally interrupted by flights of fantasy delivered in stroboscopic flashes. Showing scenes of brushing teeth and face washing, Tanaami describes the film to be like a self-portrait on his favorite day of the week.

A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.

A boom operator attempts to record the noise mushrooms make in this semi-experimental animation inspired by the world of sounds.

Inspired by the Greek myth of Prometheus, a Titan who created the first mortals from clay and stole fire from the gods, Prometheus' Garden immerses viewers in a cinematic universe unlike any other. The dark and magical images of this haunting film unfold in a dreamlike stream of consciousness revealing an unlikely cast of characters engaged in a violent struggle for survival.

Initially commissioned to accompany a Danish production of Alban Berg’s LULU, Lewis Klahr’s cut-out animation refigures the opera's themes in a torrent of images. With an ever-inventive approach to color and symbol, Klahr distills the title character's moral predicament, along with a great many of German Expressionism’s characteristic motifs, in the span of a pop song.

Sam, a shy young man, finds himself in a slow-motion world. Trying to restore the time, he fails. The circumstances bring him to rescue his coworkers, and Nathalie, the girl he secretly loves.

Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.

Untitled / Aubrac

Claire is composed of digital scans and blow-ups of a series of three ink-on-paper artworks created in 2012 by French-Spanish researcher, publisher and artist Claire Latxague. While collecting drawings, written documents and other printed materials for a (yet unreleased) project called Un film de papier, I’ve stumbled upon Latxague’s artwork, entitled À la renverse. The blow-ups were made in an attempt of unearthing cartographic imagery in abstract compositions.

Bill struggles to put together his shattered psyche.

Stochastics investigates the possibility of making a primitive film, using a flea market Rolleiflex from 
the fifties, shooting on 120 (6 X 6) black and white film on which each roll takes twelve pictures.