My Grandmother Ironed the King's Shirts

A stop motion film about an oddball felted character who slips through floors into the past and the deepest parts of his psyche in his pursuit of self-understanding.

An Austrian teenager marries the Dauphin of France and becomes that country's queen following the death of King Louis XV in 1774. Years later, after a life of luxury and privilege, Marie Antoinette loses her head during the French Revolution.

A large group of children from different countries sail to the Black Sea port, heading for the international pioneer camp "Artek". Two stragglers of foreigners meet local teenagers who arrange a tour of the port for them.

Lou Andreas-Salomé, the woman who enraptured 19th century Europe’s greatest minds, recounts her life to Ernst Pfeiffer in this German film directed by Cordula Kablitz-Post. A published novelist, poet and essayist, Salomé’s desire to live a life free from convention scandalized society but spurred genius and passion in others, including Friedrich Nietzsche, Paul Rée and her lover, the poet Rainer Maria Rilke. Under the tutelage of Sigmund Freud, she became the first female psychoanalyst.

To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.

Parabola is a celebration of film’s ability to create new ways of seeing the forms around us. Creating juxtapositions between light/shadow, stasis/motion, and form/music, this black-and-white short invites us to see the parabolic curve, or “nature’s poetry,” as both invigorating and beguiling.

For this austere, clear and sharp telefeature, Judit Elek focused on the last months of Martinovics’ life: his interrogation by the Austrians, the examining Magistrate Schilling in particular, shown as a battle of wits as well as delusions – on both sides. Elek had wanted to make this film in the early 1970s, but wasn’t allowed to. When she finally got the chance, the reactions were predictable, as the parallels with recent Hungarian history were simply too obvious for officialdom not to feel anxious. History may not repeat itself, but the variations look eerily similar...

A precocious young girl makes a new friend when a tiny boy pilot drops out of the sky on a broken flying machine. Now she must race against time to return him home, before her new friend becomes stranded on Earth forever.

While meeting a new friend, Gerald is abducted by aliens and whisked to the planet Moo. The king of Moo mistakenly thinks that all Earthlings - like Gerald - speak only in sound effects, and he attempts to converse with Gerald. Hoping to lure Earth tourism to his planet, the king brings the boy back to Earth in the hope of establishing good relations, but Earth diplomats are puzzled by the king's unusual language

Seasick is a meditative exploration of ones love of the sea to the soundtrack of traditional Croatian music.

Gifted animator Leslie Supnet collaborates with Winnipeg storyteller Glen Johnson for this contemplative comic fantasy about a time-obsessed squirrel.

While the Chipmunks are working at the amusement park, Majestic Movie Studios, in a singing attraction. Little do they know that the real Dr. Frankenstein are in a new attraction called, "Frankenstein's Castle". After Alvin drives a crazy bus ride, they miss their next performance and get locked in the park after closing time. Dr. Frankenstein figures that the castle isn't scary enough and re-creates the real Frankenstein and after the monster finds the boys, it starts a wild and wacky adventure!

An unexpected love story set in WW1 France between a young Australian baker who has deserted the front line, and a grieving French woman, who puts her own life at risk by sheltering him from the authorities.

Pineapple Calamari dreams of being a horse racing champion. He lives with two inseparable women who share a very special connection. But when tragedy befalls this happy family, their social dynamic takes a drastic turn to the unexpected.

A unique, engaging film that combines documentary footage with narrative cinema to tell the story of four generations of a Latvian family. Sixteen year-old student Jānis has been given an interesting homework assignment – to draw his family tree and explain it. The story of his family begins with his great-great-grandfather who burned down the manors of German landowners during the 1905 revolution. My Family Tree takes us on a journey to various countries and political regimes, showing Jānis’ ancestors to be people of diverse fates and life stories. A rich Latvian trader, a red rifleman loyal to Lenin, a carpenter with the KGB and war refugees in Sweden are only a few branches on his family tree, and the boy has heard something unusual and unforgettable about each and every one of these people.

On their way home by bike through a deserted industrial area, a mother and her son starts to talk about what happened when our dream of eternal economic growth collided with the peak, and following decline in global oil production. In a sad but quite plausible picture of the near future, our children make us accountable for today's irresponsible way of living.

A woman and her daughter struggle to make their way through the aftermath of the Balkan war.

Two tree-creatures hibernating underneath the bark of their trees wake up by the quakes produced by a snowfall outside. After going out, they become friends and delight at playing with the snow.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.