Ludwig: A Journey to the End of the Night
Emerging from the depths of the film industry, the Mad Max saga became an instant cult classic after the release of the first film in 1979. These five critically acclaimed films have continued to captivate audiences. They shaped the identity of Australian cinema, launched a movie star – Mel Gibson – and propelled George Miller as one of the greatest directors of his generation. Above all, Mad Max has left an indelible mark on our collective unconscious, redefining our vision of the apocalypse and human civilization. This documentary tells the story of this phenomenon, from the small production of the first film to the monumental later installments, drawing on interviews and rare archives.
Chronicles the making of director Werner Herzog’s 2009 feature, My Son, My Son, What Have Ye Done, providing profound insight into the director and his craft. My Son, My Son, What Have Ye Done was inspired by the true story of an actor who committed in reality the crime he was supposed to enact on stage: murdering his mother. With longtime friend Herbert Golder behind the lens, Herzog reveals the privacy and deep solitude that defines the director and his art.
Making of documentary on the set of New Zealand's first epic Utu (1983), working with little money and dealing respectfully with matters of cultural protocol. Merata Mita discusses complex issues of inter-cultural conflict.
Split into three parts and featuring interviews with the crew of SOUTHLAND TALES, including Richard Kelly, the story of how this film was made, screwed over in post-production and still technically is unfinished is told.
Chess på svenska: The Musical That Came Home
Behind the scenes in the making of “The Wizard of Oz on Ice”.
BTS 5th Muster: Magic Shop was BTS's 5th Muster concert and fan meeting event. It took place from June 15, 2019 to June 23, 2019 in Busan and Seoul, South Korea.
For the first time, audiences get a behind-the-scenes glimpse into NYC's famed improv show by UCB: Asssscat.
Jason Bateman, Laura Linney and other cast members open up about the show's characters and creators, plus what they'll miss most.
The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.
The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.
Director Guy Hamilton and several of the stars of Agatha Christie's "Evil Under The Sun" walk you through the making of the film.
A look at the necessity of shooting in Sweden, with emphasis on the country's culture, history, climate, and politics as they play central to the story-line. Also examined is the country's film industry. The supplement offers viewers a glimpse into shooting at the end of the process in Sweden and provides a very brief glimpse into the celebration that followed. It discusses the casting Armansky of actor Goran Visnjic playing the role of Salander's employer at Milton Security. Goran Visnjic works with David Fincher in shaping the character and his performance. additionally this supplement combines a look at the work and style of David Fincher along with the process of shooting some of the scenes in Martin Vanger's house.
BTS 2021 MUSTER: SOWOOZOO
Wicked Wishes: Making the Wishmaster
An examination of the choreographed fight scenes and bizarre costuming.
Features the editing and scoring processes, a proposed narration by Orson Welles, and some of the controversies inherent in the film's release.
BTS perform their New York concert at Citi Field Stadium during their Love Yourself World Tour.
In the spring and summer of 1977, the musical television film "Miracle Story" was filmed on Toomemäe in Tartu. Despite the fact that all the shots in the film are documentary, you may not see a documentary in "Dream". It is not a reportage about making a film, but rather a vision, an echo that has disappeared but has been.