That Girl from Paris

O Rei da Pilantragem

The Narrator tells us how the radio influenced his childhood in the days before TV. In the New York City of the late 1930s to the New Year's Eve 1944, this coming-of-age tale mixes the narrator's experiences with contemporary anecdotes and urban legends of the radio stars.

When Zaza, headliner of a weekly drag show, 'CHERRY POP', refuses to come out of her dressing room, all hell breaks loose backstage. A young newcomer, The Cherry, is hiding a huge secret from the girls while getting ready for his debut performance.

Les Franglaises - Le Viens-Retour

After the PTA of a conservative high school in Indiana bans same-sex couples from attending the annual prom, a gang of flamboyant Broadway stars try to boost their image by showing up to support two lesbian students.

Harbans Rai and Ranjit Rai are two wealthy businessmen who absolutely *loathe* poverty and poor people . As fate would have it , Harbans Rai's daughter Madhu falls for a poor mechanic Raja while Ranjit Rai's son Ajay romances a poor girl Kajal . When Harbans and Ranjit come to know of it they try various ways to separate the lovers.

British secret agent 007½ is sent to Rio de Janeiro to recover the plans stolen from a new metal alloy. His contact is a taxi driver, who ends up being murdered by enemy agents.

Tristezas Não Pagam Dívidas

Tonya Korovyak dreams of being a superstar. Dreams of fame, fans, applause and a white limousine became her obsession. If at one time ambitious girl mastered the basics of noble manners at the guest house, now to achieve this goal Tonya's going to go to study on "Factory of stars." Her father Korovyak - the owner of a large supermarket chain - he is crazy about the "creative ideas" of his little daughter, that will not tell about the aunt.

Performed at the Pleasance 1 Theatre for the Edinburgh Festival Fringe, 11th August 2009.

A seductive dancer (Marika Rökk) helps her uncle to fight against the closing of his casino. Through her feminine charm she achieves diplomatic success.

Rudolph must find Happy, the baby new year, before the midnight of New Year's Eve.

A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.

Once upon a time, in the kingdom of Fortunia, a noble king and his lovely young queen lack but one blessing to make their joy complete. The queen gives birth to a daughter named Snow White, but dies soon after. The king mourns her, but in time, he remarries because of the pleading of his people. His new queen is a beautiful, but evil woman who soon becomes jealous of Snow White's beauty.

Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.

At Salzburg Festival, Cecilia Bartoli shines as Ariodante with her dazzling coloratura in a highly acclaimed new production by the German director Christoph Loy, who is known for his clever psychological stagings. Loy turns Handel's splendid baroque opera into an exciting and differentiated reflection on gender roles.

Stephen Wadsworth’s production of Mussorgsky’s epic masterpiece brilliantly captures the suffering and ambition of the Russian people at a critical time in their nation’s history. René Pape is riveting as the Tsar of the title, giving a commanding and charismatic performance of one of the greatest bass roles in the repertoire—his Boris is dominating, tortured, flawed and utterly unforgettable. The extraordinary cast and the Met Orchestra and Chorus are led by Russian maestro Valery Gergiev, the foremost Mussorgsky interpreter of our time.

A retelling of the classic Dickens tale of Ebenezer Scrooge, miser extraordinaire. He is held accountable for his dastardly ways during night-time visitations by the Ghosts of Christmas Past, Present and Future.

Stowing away after a failed con, a pair of swindlers end up on El Dorado, the fabled "city of gold", where they quickly get in over their heads when they are mistaken as gods by the inhabitants.

A stage performance of the Shostakovich opera, filmed at the Gran Teatre del Liceu in Barcelona.