Koolhaas Houselife

"Chair Times" charts a course through an ocean of chairs. In the focus are 125 objects from the Collection of the Vitra Design Museum. Arranged according to their year of production, they illustrate development from 1807 to the very latest designs straight off the 3D printer, forming a timeline to modern seating design. The film features many people whose vocations involve design and who are experts in the field, such as designers Hella Jongerius, Antonio Citterio and Ronan Bouroullec, architects and collectors Arthur Rüegg and Ruggero Tropeano, architect David Chipperfield, Director Emeritus of MAK Vienna/Los Angeles Peter Noever, Mateo Kries, Director of the Vitra Design Museum, Vitra Design Museum curators Amelie Klein, Jochen Eisenbrand and collection curator Serge Mauduit. And your guide through the history of chairs is Rolf Fehlbaum, Chairman Emeritus of Vitra.

Comprising new and archival footage, this film observes rituals performed by the South Asian, African, and Caribbean diaspora in Britain, demonstrating an appreciation of land, community values, and the universe we share with other species and planets.

Naissance d'un hôpital

5000 years ago the ancient Elamites established a glorious civilization that lasted about three millennia. They created marvelous works in architecture and craftsmanship. These works of art depict the lifestyle, thoughts, and beliefs of the Elamites.

A travelogue celebrating the 1939 Golden Gate Exposition and highlighting its exhibition of classical paintings and stunning lighting effects.

Invisible Water Layers discusses and questions the origins of Teresina and its urbanization over the years. The film deals with the move from the capital of Piauí to Oeiras in 1852, the ideas of modernity at the time and the problems that resulted from this process in people and in the city. Along with the idea of ​​progress of the railway, factories and steamboats, many families and workers were relocated from the central areas of the city to more distant parts. The traditional ways of life of these people coexisted, not free from conflict, with the will of civility of the local elites. With 4 interviewees, including architects, historians and researchers, the film also brings a rich set of images from different places in the city, such as the Center, the Parnaíba riverbank and the Poty Velho neighborhood.

Pessac, Quartiers Modernes Frugès: The camera goes from living room to living room, from yard to bath, kitchen to balcony, strolls through a typical day at the row houses built by Le Corbusier in the 20s. This film focuses on the question of how the residents have departed from Le Corbusier’s original concept in the intervening decades so that they feel at home within their own four walls.

Vertical Expectations is a documentary that explores the nexus between architecture, development and society through an ethnographic analysis of the current building of the Shard.

In 1950 architect Anthony B. Almeida was one of the first to introduce modern architecture in Tanzania. At that time architectural modernism was the preferred expression of the intended colonial welfare state. After Independence in 1961 Nyerere’s African socialism used the same architectural style to convey the hope and strength of the new African nation. Following Almeida and some of his colleagues, the film questions what is left of the dreams and ideals of this first generation. It searches for new definitions of happiness in booming African cities like today’s Dar es Salaam. The film documents the everlasting human pursuit of modernity, not only in architecture but also in contemporary urban life.

The life of a couple is observed through the home they have left behind.

A group of young architects, confined to a forest in Barcelona during the COVID crisis, explore the problems generated by the ambition of wanting to be completely self-sufficient.

Heralded as a palace among minor and major league baseball stadiums, Silver Stadium set a standard of excellence from opening day. From May 1929 through the 1990s Silver Stadium served as home to Rochester's historic baseball team, The Rochester Red Wings, as well as many other sporting teams. When not being used as a baseball stadium, the space served as center stage for a variety of traveling acts. Hear from the people closest to the history of this magnificent facility as they take you on a journey through The Memories of Silver.

The Spirit in Architecture examines the work of John Lautner, one of the most visionary and profound architects, who began his career in Los Angeles in the 1930's. This illuminating journey into Lautner's world features never before seen footage from his apprenticeship with Frank Lloyd Wright at Taliesin; extensive documentation of his extraordinary buildings; and interviews with historians, critics, collaborators, clients, and Lautner himself, which put his achievements in perspective. his building's use in feature films and his Googie's coffee shop design demonstrate his contribution to popular culture.

A silent documentary film about the history and the architecture of the town of Erlangen in the Middle Franconia region in Bavaria, Germany.

A documentary about the history and the urban development of the city of Erlangen in northern Bavaria, Germany.

Aalto is one of the greatest names in modern architecture and design, Aino and Alvar Aalto gave their signature to iconic Scandic design. The first cinematic portrait of their life love story is an enchanting journey of their creations and influence around the world.

A documentary film about Seoul City Hall Construction. The construction project has a hard going in every way. A city plan, excessive administrative notions, a design and all got mingled up. Can the project sail, yes?

Having previously investigated the architecture of Hitler and Stalin's regimes, Jonathan Meades turns his attention to another notorious 20th-century European dictator, Mussolini. His travels take him to Rome, Milan, Genoa, the new town of Sabaudia and the vast military memorials of Redipuglia and Monte Grappa. When it comes to the buildings of the fascist era, Meades discovers a dictator who couldn't dictate, with Mussolini caught between the contending forces of modernism and a revivalism that harked back to ancient Rome. The result was a variety of styles that still influence architecture today. Along the way, Meades ponders on the nature of fascism, the influence of the Futurists, and Mussolini's love of a fancy uniform.

Paris, les grands travaux de Napoléon

L'île de la Cité, le cœur de Paris