Chilly Chums

Chilly, Maxie, and Gooney go to the store owned by Smedley

A timely storyline has planes menaced by flocks of Gooney birds! When a crazed hunter is hired to get rid of the birds, Chilly adopts one of the eggs left behind...

Chilly Willy can't afford any food, so he looks for a job. That doesn't go so well since Willy has no apparent skills... other than stealing. So he just does that with successful results.

Chilly's nemesis as usual is Smedley who's a worker at the aquarium where the penguin is catching fish. Smedley tells him he's not allowed to do that but of course Chilly just does what he wants to which leads to another chase between him, Smedley, and a porpoise Smedley feeds.

In the Antarctic Ocean, the icebreaker USS Icepick is busy clearing the sea lanes.

Smedley is guarding his master's estate when he receives a package in the mail containing Chilly Willy. Chilly immediately sets his sights on devouring the master's stuffed barracuda which Smedley does everything in his power to prevent...

Wally Walrus is the keeper of a fish hatchery in which trout are incubated and raised.

Chilly Willy's on a wharf fishing, using his accordion as a sea bag. As he catches a fish, he puts it in the sea bag.

More adventures of Chilly Willy and his quest to stay warm.

Smedley is the manager of Balancing Rock Canyon where various boulders are perched atop high poles. As Smedley explains, the slightest noise is enough to send the rocks tumbling ("You gotta be quieter than a goldfish in a sound-proof aquarium") so it's hardly a surprise that he panics when Chilly Willy arrives selling various loud noisemakers among them firecrackers, a "boomerang brick", a joy buzzer, novelty gun, and exploding telephone.

Chilly Willy and his friend the polar bear play rock music, which disturbs a ship's captain.

A schooner anchors at the South Pole, and the skipper goes ashore and leaves the ship's mascot, a St. Bernard dog, to stand watch and guard the ship. A small penguin, Chilly Willy (the only penguin not equipped for cold weather...anywhere), sees the ship and tries to get warm by its stove. The watchdog attempts to get rid of him, but Willy manages to get the dog drunk from the rum in its own cask. The captain returns to find Willy saving the ship from sinking, while the dog is found sleeping it off. Willy is made mascot and the dog is tossed in the ship's brig.

The old fishing boat captain tells the story of Chilly Willy, a singing polar bear and a bulldog who quickly falls asleep when he hears a lullaby.

Chilly Willy is freezing in his igloo home (he lives in Coldernell, Alaska) and burning everything he owns in the fireplace to keep warm

“Our family is special”, says filmmaker Lei Lei’s father Lei Jiaqi. On the audio track of this inventive, poignant essay film he starts to talk about the struggles of his family, amid China’s troubled times of the 1960s. When his own father, Lei Ting, is sent to the countryside, he stays behind with his sister and his ill mother. When Mum passes away, and the system forbids Ting to come back to live with his children, the kids are kept in an orphanage.

Captured

Rainer Kohlberger is prepared to go far when it comes to the physical experiences he evokes with his work. Answering the Sun demands the utmost from its audience. The invitation is to squint our eyes and allow the most amazing trips to unfold – just like when we were children letting the sun come in. However, the work is simultaneously a 60-minute bombardment of coloured fields and a wall of sound, followed by a hallucinatory, silent inky-black sequence.

"Constant" is a journey through the social and political histories of measurement. For most of recorded history, the human body was the measure of all things. “Constant” asks what led measurement to depart from the body and become a science unto itself. The film explores three shifts in the history of measurement standardization, from the land surveying that drove Early Modern European land privatization, to the French Revolution that drove the Metric Revolution, to the conceptual dematerialisation of measurement in the contemporary era of Big Science. Each chapter traces the relationship of measurement standardization to ideas of egalitarianism, agency, justice, and power. Cinematic and technical images that begin as products of measurement systems are stretched beyond their functions to describe the resistance of lived experience to symbolic abstractions.

After a man down on his luck comes looking for a rabbit's foot, Bugs Bunny embarks on a campaign of terror that eventually provokes him to jump off the Brooklyn Bridge.