Green Lights, Blue Skies

A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.

In this crime drama, a young woman leaves her unhappy life at home to become a sophisticated night club singer. Her first job is nearly fatal when she entangles herself with the mobsters who own the joint and learns too much about their operation. Her boss decides to kill her and make it look like suicide. An intrepid reporter disbelieves the report and exposes the truth to the public.

The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).

It's five years later and Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenger yet - making it as a dancer on the Broadway stage.

Chronicles the rise and fall of 1970s New York City nightclub Plato's Retreat.

A simple filmed performance featuring Cantor, done up in his stage minstrel makeup, allegedly at the Ziegfeld Theatre Roof Garden, but actually filmed on a soundstage at the Paramount Astoria studio.

Despite being well into adulthood, brothers Doug and Steve Butabi still live at home and work in the flower shop owned by their dad. They exist only to hit on women at discos, though they're routinely unsuccessful until a chance run-in with Richard Grieco gets them inside the swank Roxbury club. Mistaken for high rollers, they meet their dream women, Vivica and Cambi, and resolve to open a club of their own.

"Let's Scuffle" is a short subject -- a single song-and-dance number -- that appears to have been cut from a feature-length movie: to be precise, a 'race film'. (This was the term used by American cinema exhibitors in the 1940s and earlier for any movie with an all-black cast, intended primarily for distribution in black neighbourhoods at a time when many American cinemas were segregated.) The song-and-dance performer here is none other than the great Bill Robinson.

The scene is set at Billy Rose's Casa Manana Revue, filmed at the Fort Worth Frontier Fiesta (1937), an enormous production created as part of the Texas Centennial civic celebrations. The opening song, "The Night Is Young And You're So Beautiful" emanated from the first edition of the Revue and became a hit song on two continents in 1936.

Leon Gast's musical documentary reveals New York City's Latin culture and features live performances of salsa greats The Fania All Stars and The Spanish Speaking People of New York. A document of urban American Hispanic culture, Gast's film captures the rhythms of New York's Spanish Harlem, from illegal cockfights and Santeria rituals to the rooftops and backstreets of El Barrio and the legendary musicians performing at the Cheetah club.

From 1973-1981, bartender Sheldon Nadelman shot over 1,500 black and white photographs of his customers at the Terminal Bar, located in midtown Manhattan. These are their stories as recollected by Sheldon 25 years after the bar closed its doors for good in 1982. Last Call examines a broad swath of the bar's clientele, some of them regulars, some of them one-offs and uncovers these never-before-heard stories of a bar community that would otherwise be forgotten.

When reporter Jean Craddock interviews Bad Blake—an alcoholic, seen-better-days country music legend—they connect, and the hard-living crooner sees a possible saving grace in a life with Jean and her young son.

A Broadway choreographer gets drafted and coincidentally ends up in the same army base as his object of affection’s boyfriend.

Não tem um Boteco nessa cidade em que eu não tenha falado de você

Joan Jett and Cherie Currie, two rebellious teenagers from Southern California, become the frontwomen for The Runaways -- the now-legendary group that paved the way for future generations of female rockers. Under the Svengali-like influence of impresario Kim Fowley, the band becomes a huge success.

Supper club restaurants were the hot dinning trend in the mid twentieth century. They provided a place for people to spend their evenings enjoying cocktails, home cooked, high quality food and entertainment. The supper club scene slowly faded from the rest of the country, but kept a strong hold in Wisconsin due to a culture that allowed it to thrive. Around for decades, supper clubs in Wisconsin have been able to hold their own style and traditions. While chain restaurants continue to expand and threaten their future, supper clubs are fighting to survive while continuing to offer the same exceptional dinning experience and a personal touch that is not seen in the modern lifestyle of dine and dash. Old Fashioned: The Story of the Wisconsin Supper Club takes you into this uniquely Wisconsin institution.

Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through sheer force of will, all the tensions and pitfalls of life on the road come bubbling to the surface.

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.

Writes Shimizu: "I used to work as a photographer hired by a website to promote NYC and the Hamptons nightlife. The promoters would hire the people I worked for to send me over to their party to take photos of the people there. I would go to 2-3 different clubs a night, 4 nights a week. The range in partygoers was pretty big. During my final few months with the company, I was mainly assigned to an after-party spot on Broadway called Pangaea. At Pangaea, I photographed Ice T, Sting, among others. The job, for the most part, was really fun. I drank so much Red Bull vodka."

A janitor at an alien night-club gets his wish to be a singer.