Megacities is a documentary about the slums of five different metropolitan cities.
This is a film with music. Or about the music and texts that accompany, in a poetic way, a decisive battle between Unitarian and Federalists. The vicissitudes of the birth of a nation based on the play written by Mariano Llinás and Gabriel Chwojnik, whose images achieve some hypnotic strength.
Handbook of Movie Theaters' History is a documentary about the history, the development in the present days and the future of movie theaters in the city of Turin, Italy. It mixes the documentary language with comedy and fiction, and is enriched by interviews to some of the most important voices of Turin cinematography. The film follows the evolution of movie theaters by enlightening its main milestones: the pre-cinema experiences in the late 19th Century, the colossals and the movie cathedrals of the silent era, the arthouse theaters, the National Museum of Cinema, the Torino Film Festival, the movie theaters system today and the main hypothesis about its future. The mission of Handbook of Movie Theaters' History is to explore and give back to the audience a deep reflection about the identity and the value of movie theater, in its social and anthropological role and as a mass media, and to analyze the experience of the viewer.
A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.
Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.
The place is the notorious Starck Club (so called because it was the first major project designed by Philippe Starck in the US.) The Starck Club opened in Dallas in 1984 and not long after hosted the 1984 national Republican Convention. Ironically, it was actually legal to buy MDMA aka ecstasy there, people would put it on their credit cards. The DEA stepped in and made it a category 1 drug on July 1, 1985... In a time when ecstasy was legal & guyliner was cool.
'Green Lights, Blue Skies' features twenty tracks to make you want to head for the open road. Many of these videos, promotional clips and performances have never been included on a DVD. Bonus features include an introductory film by DJ and broadcaster Gary Crowley, exclusive band profiles and a new 5:1 mix.
Napalm is the story of the breathtaking and brief encounter, in 1958, between a French member of the first Western European delegation officially invited to North Korea after the devastating Korean war and a nurse working for the Korean Red Cross hospital, in Pyongyang, capital of the Democratic People’s Republic of Korea.
The long-suppressed story of 12,000 Japanese Americans who dared to resist the U.S. government's program of mass incarceration during World War II. Branded as 'disloyals' and re-imprisoned at Tule Lake Segregation Center, they continued to protest in the face of militarized violence, and thousands renounced their U.S. citizenship. Giving voice to experiences that have been marginalized for over 70 years, this documentary challenges the nationalist, one-sided ideal of wartime 'loyalty.'
The documentary Intersection presents the everyday life of Eduard Bigas, in his current residence in Berlin. The audiovisual piece goes into Bigas' way of looking, while he himself tells his story. And through the interviews with his closest circle, both the social and the professional one, it seeks to expose the way of doing things of this artist with surrealist roots.
Resorting on a vast archive material of newsreels, photographs, letters, family videos, fiction movies, diary and popular songs excerpts, the documentary reassesses the legacy of the dictatorial period of Getúlio Vargas (1937-1945). Through the comparison and analysis of these heterogeneous records, produced for different purposes, from political propaganda to family celebration, the film explores the several layers of the political web of the Estado Novo, exposing its external inspirational sources, functionality and contradictions.
JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg
Documentary about a district of Berlin
The film chronicles the story of how the Nazis and the IOC turned, to their mutual benefit, a small sports event into the modern Olympics. The grand themes and controversial issues from the 1936 Games have continued to this day: Monumentality, budget overruns, collusion with authoritarian regimes, corruption and sometimes even bribery.
A young Bulgarian girl digs into her grandfather's turbulent life in an attempt to unravel the past and find answers and explanations for the catastrophic fall of communism.
A look at contemporary Paris through the lens of theories and ideologies of the past two centuries, with a particular focus on the utopian socialist ideas of Charles Fourier.
1989, les trains de la liberté
This short-form documentary focuses on the true story of Alfons Heck, who as an impressionable 10-year-old boy became a high-ranking member of the Hitler youth movement during World War II. The story is told in his own words. This film originally aired as part of the "America Undercover" series on HBO.
Featuring Douglas Fairbanks Jr. and Diana Vreeland, La Belle Epoque evokes "the beautiful era" of 1890-1914, a time in which the wealthy upper classes of the Western world gave themselves over to a life of elegance and taste-making, their eyes closed to the increasing social and political turmoil fermenting beneath the surface of polite society. The program uses period motion pictures, photographs, and sound recordings, as well as the arts and fashions of the period to supplement the spoken memories of the participating interviewees who actually lived... La Belle Epoque.
Kathy's family left on a Saturday morning in 1965. The rumble of bulldozers echoed through the neighborhood, and her block was empty. Federally-funded urban renewal had arrived in Charlottesville, scattering dozens of families like Kathy's. The once-vibrant African American community, built by formerly enslaved men and women who had secured a long-denied piece of the American dream, disappeared.