Šmejdi

Ni una sola palabra de amor

Lonely. It could be you. It could be me. There are millions of us out there. The headlines call this 'The Age of Loneliness'. They say it's a major public health issue. A silent epidemic that's starting to kill us. But we don't want to talk about it. No-one really wants to admit they are lonely. Award-winning film-maker Sue Bourne believes loneliness has to be talked about. It affects so many of us in so many different ways and at so many different stages of our lives. So she went out to find people brave enough to go on camera and talk about their loneliness. The Age of Loneliness has people of all ages in it, from Isobel the 19-year-old student to Olive the feisty 100-year-old, Ben the divorcee, Jaye the 40-year-old singleton, Richard the 72-year-old internet-dating widower, to Martin, Iain and Christine talking about their mental health problems. Everyone talks with such remarkable honesty and bravery that you can't help but be touched by their stories.

You arrive at a secret location at a precise time, prompted by a mysterious email. You must follow the instructions closely. Once inside, disturbing visions begin. Unspeakable acts befall you—often frightening, sometimes sensual, possibly painful—each stimulating your deepest fears. And when it's over, you are changed, abandoned, and left wondering what is real and what was merely a game.

Mom and Me is a personal and intimate documentary about a young filmmaker coming of age in extraordinary circumstances. It follows the complicated relationship between director Lena Macdonald and her mother, who was once a filmmaker herself, but ended up homeless, crack-addicted and on the streets. For ten years Lena filmed in the cold, hard streets of Toronto’s inner city and her story is raw, honest and unforgettable. Mom and Me is about addiction, prostitution and despair but it is also a story about family, the power of hope and the tenacity of love.

“Phototaxis” draws parallels between Mothman, a prophetic and demonized creature in West Virginia lore, and Narcotics Anonymous, the main treatment program in West Virginia’s addiction epidemic.

In the Espinhaço Mountains one winter, a group of small-town Brazilian girls are experiencing the end of their youth. Impossible romances leave marks on their bodies and the surrounding landscape. Each of the friends finds her own particular way to overcome the loneliness and to live within a tangle of uncertainty.

The story of five lesbian and gay seniors in the Northwest Florida region as they navigate coming out, identity, politics, and the challenges and victories inherent in the gay experience. The film weaves together interviews with fictionalized interludes of magical realism that capture their feelings and experiences.

An unflinching look at alcohol use disorder and it’s impact. Conversations between a father and daughter.

Second Skin takes an intimate look at three sets of computer gamers whose lives have been transformed by online virtual worlds. An emerging genre of computer software called Massively Multiplayer Online games, or MMOs, allows millions of users to interact simultaneously in virtual spaces. Of the 50 million players worldwide, 50 percent consider themselves addicted.

A poetic look at the life and legacy of legendary author Philip K. Dick (1928-1982), who wrote over over a hundred short stories and 44 novels of mind-bending sci-fi, exploring themes of authority, drugs, theology, mental illness and much more.

In this brand new episode, master illusionist and showman Derren Brown plans to pull off the perfect crime. He’s bet renowned art collector Ivan Massow that he can steal a painting from right under his nose. In true Derren style, he will tell Ivan exactly which painting he plans to target – a work by Turner-nominated British brothers Jake and Dinos Chapman no less – as well as what time the theft will happen. He’ll even give him a photograph of the person that’s going to take it.

Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.

A documentary crew films a young man, whose eyebrow started thinning a year ago, trying to reflect on everything in his life as he is having traumatic day to day experiences in which he is a victim of social exclusion.

This documentary by Leo Regan follows the life of his friend, photographer Lanre Fehintola, as he becomes part of the hard drug scene through researching it for his book ("Charlie Says: Don't Get High On Your Own Supply"). It shows Lanre as he becomes a character in his own book through his heroin addiction.

Leo Regan follows his friend, photographer Lanre Fehintola, as he tries to go cold turkey (detox) from heroin in his council flat and without medication.

Danusia and her daughter Basia live far away from the modern world, in tune with the rhythm and laws of nature, among animals and the spirits of the dead. The peace and sense of security offered by their enclave come at a price - the women increasingly long for contact with other people. Bucolic is an affectionate observation of people who live in a different way. It evokes a curiosity about their world and a desire to take a closer look.

During the rice sowing season, Jun, a young Catalan of Chinese origin, works as a seasonal worker in the Ebro Delta. This ancient labour will make him confront his own roots and the distance that separates him from his family.

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

"He was attractive, cultivated, very sensitive, very empathetic". Lawyer Astrid Wagner's first impression when meeting the serial killer Jack Unterweger. As a young law student she had close contact with him: "It was a nice feeling to be needed." On June 28, 1994 Unterweger is convicted for the murder of nine prostitutes. Six hours later, he hangs himself in his cell. Twenty years later, Thema unrolls the incredible story of the woman murderer and asks former friends and other companions how Jack Unterweger influenced their lives.

Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.