Do Not Disturb

An independent horror anthology with segments by some of the most twisted minds in the U.K.'s independent horror scene.

A sequel to "Trash Arts Killers", containing more twisted genre shorts from independent U.K. creatives.

H.P. Lovecraft anthology is divided into four segments: "The Library" which is the wraparound segment involving Lovecraft's research into the Book of The Dead and his unwitting release of a monster and his writing of the following horror segments "The Drowned", "The Cold", and "Whispers".

An Asian cross-cultural trilogy of horror films from accomplished indie directors: "Dumplings", directed by Fruit Chan of Hong Kong; "Cut", directed by Park Chan-Wook of Korea; "Box", directed by Miike Takashi of Japan. The first film "Dumplings" was extended and turned into a full-length theatrical film of the same name.

Exploitation anthology from the twisted minds of established and up and coming directors from across the globe.

Thirteenth installment of the Tokyo Videos of Horror collection.

Five new stories of grueling horror: A Christmas Haunting, Zombie Office, Undone, Unchangeable and The Psychomanteum - ghosts, zombies and bloody revenge.

Six new and original tales of horror and terror!

A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.

A woman working the late shift at a gas station while a killer is on the loose; a man who can't stand the thought of losing his hair; a baseball player that submits to an eye transplant. An anthology of terror.

Bubny

Deals with the vivid everyday life horrors that can be easily encountered in familiar places around subjects like noise between floors, secondhand furniture, mannequins, and social media.

Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.

An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.

Professor Philip Goodman devotes his life to exposing phony psychics and fraudulent supernatural shenanigans. His skepticism soon gets put to the test when he receives news of three chilling and inexplicable cases -- disturbing visions in an abandoned asylum, a car accident deep in the woods and the spirit of an unborn child. Even scarier -- each of the macabre stories seems to have a sinister connection to the professor's own life.

Anthology series centered on teens facing supernatural threats, many based on the books by R.L. Stine.

An anthology of four short horror tales.

In these sexy, fun and darkly entertaining boys shorts, we see the hilarious terrors of gay childhood, an Internet hook-up with unexpected motivation and what happens when you hate musicals. You might wonder if theres hope for a gay Lothario, and sometimes you'll see that when you go home, the end is just the beginning.

Four stories where an app will open the doors to horror. A young woman in the hands of a sinister network dedicated to the online transmission of abuse for high spheres of power. A voyeur will discover that his neighbors are hiding dark secrets that he wishes he had never heard. A little boy, used by his father to find dates online, will discover an enormous power within himself. A group of friends on their way to a beautiful cabin rented online, will fall into the hands of a sinister occult group.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.