If One Could See Into the Future

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

A nervous and unsettling young boy takes a mysterious old suitcase across London... to a twisted and surreal conclusion.

Carmen

Juma is a poor fisherman who loves telling tales. Amina is the girl who loves to hear his stories. They long to be together, but Amina's father, Ali, wants a better life for her. Ali thinks that he has found this in Yustus, a rich but self-serving young suitor.Juma must put everything on the line to save their love, but he must sacrifice more than he bargained for in order to succeed.

The young, dissolute Mathias, in conflict with his father, doesn't hesitate to set fire to his father's forge. When he returns to the farm after many years and falls unhappily in love with the maid Anna, Mathias stirs things up again...

Easy-Money Charley, the best fake crippled beggar in New York, loses his beloved dog and adopts a dying prostitute's daughter to fill the empty place in his heart. But his fellow crooks and dissemblers mock him for sentimentality, and he disowns the child in order to bring her up secretly in the safety of a distant suburb. He brings her up as a young lady in ignorance of her true history or of his; but when he discovers that her affections have taken an unexpected slant, it brings about an end to their tranquil life, a crisis of conscience, and an opportunity for the sinister 'White-Eye' to take a hand...

A knight returns home from the Crusades to find his village devastated by disease and his family gone. He roams the forest searching for them, until he finds a mysterious maiden who is being held prisoner by a black knight. In order to free her, he must confront her captor.

A two-reel adaptation of Dante Alighieri's Inferno from the Divine Comedy by Helios Film. It is less well-known than the five-reel feature produced the same year by Milano Films, but it was released earlier in 1911.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

Jackie is a boy who is so trapped by his fears and doubts that he could not communicate with anyone. Then, a magic dragon named Puff comes to help Jackie by taking his soul force on a wonderous voyage to his island of Honah Lee. Along the way, they have adventures that nurture Jackie's imagination and courage in unorthodox ways.

A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.

It was the first film version of the Hunchback of Notre Dame.

In 1908, Director/Producer Shozo Makino (father of Japanese cinema) directed and produced the first dramatic film in Kyoto. “Honnô-ji Gassen” was shot at Shinnyo-Do Temple. Considered a lost film.

Lost film directed by Tito Strozzi.

An adventure film with Benshi performers. Sometimes considered the 'first Japanese feature film', it survives today as a compilation of scenes from various different 1910s adaptations totaling nearly three hours in length. The bulk of the content comes from the 1911 adaptation by legendary Japanese filmmaker Makino Shozo.

Daughters of Today was a 1928 silent film from Lahore, in present-day Pakistan (then British India). It was produced by G.K Mehta and directed by Shankradev Arya. This was the first feature film made in Lahore, and helped to establish the city of Lahore as one of the centers of filming in India. The Lahore film industry is now known as Lollywood. Production started in 1924 and took three years to complete, mainly due to financial problems. Two participants later became prominent personalities of the South Asian film industry: A.R. Kardar was one of the most famous Bombay film directors in the 1930s, 1940s and 1950s; and actor M. Ismael's film career spanned over five decades.

German silent film

When her cotton crop is burned, Barbara Pelham, a beautiful southern girl, comes to New York to find work as a fashion designer, staying with Mrs. Kemp, a woman she meets on the northbound train. In Mrs. Kemp's house, Barbara encounters Peter Heffner, a wealthy stockbroker, and discovers from him that she has taken up residence in a whorehouse. There is a police raid, but Barbara escapes arrest and returns home. Heffner's son, Neil, goes south to inspect some family property and there meets Barbara, with whom he falls in love. They decide to be married, and she accompanies him to New York, where she meets the elder Heffner for a second time. He denounces her as a whore, but Barbara goes to Mrs. Kemp, who explains the misunderstanding to everyone's satisfaction.

A samurai returns to his homeland after a three year absence and finds his fiance is now one of the prince's concubines.

Belly