Popular Science J-7-1

Tobacco, climate change, pesticides,... Never has scientific knowledge seemed so vast, detailed and shared. And yet it appears to be increasingly challenged. It is no longer surprising to see private corporations put strategies in place to confuse the public debate and paralyze political decision-making. Overwhelmed by excess of information, how can we, as citizens, sort out fact from fiction? One by one, this film dismantles the workings of this clever manoeuvre that aims to turn science against itself. Thanks to declassified archives, graphic animations and testimonies from experts, lobbyists and politicians, this investigation plunges us into the science of doubt. Along with a team of experts (philosophers, economists, cognitive scientists, political men, or even agnotologists), we explore concrete examples of doubt making and try to understand the whole process and the issues behind it.

Wildlife photographer Richard Sidey joins an international team of whale research scientists in Antarctica to document their work on how Humpback Whales are adapting to a changing ocean.

Several little boys run along a pier, then jump into the ocean.

A man, holding a baby up in his hands, is standing next to a fishbowl. The baby is trying, in vain, to catch a goldfish with her bare hands.

While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on an anvil, then plunges the shaft into a tub of water, causing a cloud of vapor in the process.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Part 6 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century

Part 5 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.

Part 7 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.

Part 8 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.

Fake documentary, inspired by Igor Stravinsky's text “Noise pollution not only transforms nature, but also its ruler, Man”. The director and scriptwriter wonder to what extent man is capable of adapting to the abundant noise he is exposed to. At the centre of the film is the Schokker family. When their son Rudy cries, he produces the sound of a fighter jet.

For a few years now, scientists have known about the existence of another brain within our bodies. This second brain, or "brain down below" is none other than our stomach. The stomach's intelligence is a new avenue of research that is fascinating research teams the world over.

In the late sixties, the American saxophone player and living jazz legend Ben Webster lived in Amsterdam for a year. Webster, who was born in Kansas City in 1909, was a unique personality in the world of jazz and blues. In the thirties, he played with all the great names. During his Amsterdam period, he stayed with an elderly landlady, Mrs Hardloper, with whom he appeared on a national talk show. In conversations with Van der Keuken, he muses on the past; on the fantastic experience of playing in the renowned Duke Ellington band; or on one of his best friends, who was so deft at eating with a knife and fork. Short, fragmented remarks, which Van der Keuken has edited in a loose, improvised editing style.

In Rembrandt, Haanstra shows that it is possible to make a fascinating film only with images from paintings. He had to travel though all over Europe to numerous museums and private owners in order to film the works of art. In the work of the great painter, Haanstra recognizes his particular interest in man as an individual human being, cutting straight through all the religious motives. And Haanstra also wants to see Rembrandt as an individual.

A short documentary filmed in 1957 at the Covent Garden fruit, vegetable and flower market, then located in the Covent Garden area of East central London. It was directed by Lindsay Anderson and produced by Karel Reisz and Leon Clore under the sponsorship of Ford of Britain, the first of the company's "Look At Britain" series.

A montage of the night-life of Piccadilly Circus across the hours, from early evening to the last lingering passers-by.

A short film by Albert Watson from 1997 starring Henry Rollins as himself, doing his spoken word bit "I Know You" from the album The Boxed Life.

Drawing on the book of the same name, League of Denial crafts a searing two-hour indictment of the National Football League’s decades-long concealment of the link between football related head injuries and brain disorders.

Conceived as an electronic road movie, this documentary investigates cutting edge technologies and their influence on our culture as we approach the 21st century. It takes off from the idea that mankind's effort to tap the power of Nature has been so successful that a new world is suddenly emerging,an artificial reality. Virtual Reality, digital and biotechnology, plastic surgery and mood-altering drugs promise seemingly unlimited powers to our bodies, and our selves. This film presents the implications of having access to such power as we all scramble to inhabit our latest science fictions.