I Was a Soldier

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.

Drawing on real-time, firsthand accounts and using official bodycam and audio, FRONTLINE, ProPublica and The Texas Tribune reconstruct the chaotic response to the Uvalde school shooting and examine the missteps.

Filmmaker S.R. Bindler profiles Texas contestants trying to win a truck by keeping one hand on it longer than everyone else.

"Stolen Education" documents the untold story of Mexican-American school children who challenged discrimination in Texas schools in the 1950s and changed the face of education in the Southwest.

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.

On call 24/7 for the past six years, three senior citizens have made history by greeting nearly one million U.S. troops at a tiny airport in Maine. Filled with unexpected turns, their uplifting and emotional journey demonstrates the meaning of community at a time when America needs it most.

In Saigon, family culture carries on as it has for centuries, even when blood ties are broken. Through a mosaic of intimate portraits, Má Sài Gòn explores humanity’s universal desire for love, acceptance, connection and belonging through an LGBTQ+ lens. The film is a love letter – a bittersweet ode to a comforting yet disturbing mother, to a city that is as liberating as it is oppressive.

During the chaotic final weeks of the Vietnam War, the North Vietnamese Army closes in on Saigon as the panicked South Vietnamese people desperately attempt to escape. On the ground, American soldiers and diplomats confront a moral quandary: whether to obey White House orders to evacuate only U.S. citizens.

With a movie camera mounted in the passenger seat of his car, Andy Anderson drove around filming his local neighbourhood of Fort Worth, Texas. The procession of sunny lawns and quiet houses has a day-dreamy innocence, however on the soundtrack, a narrator recites from the police records of over 600 crimes committed in the area. Domestic violence, petty theft, drug related assault; the list of vicious and hapless actions unfolds randomly, "a woman said her husband punched her in the face when he asked her for ten dollars and she didn't have the money. theft; two lawnmowers.." In a powerful counterpoint of sound and image Drive By Shooting creates a two hour-long surveillance film that misses all the action, yet evokes a sense of vulnerability on the streets and violence behind closed doors.

A portrait of three single mothers living in Hanoi who are bringing the very first changes to the core values in the development process of the Vietnamese culture.

In Texas, construction workers face the deadliest conditions in the country. This documentary follows three immigrant families who are rising up to seek justice and equality in an industry rife with exploitation.

Five friends embark on a 1,200 mile journey along the US-Mexico border from El Paso to the Gulf of Mexico to learn first hand what effect a border wall will have on the natural landscape and the wild animals roaming the land.

Errol Morris's unique documentary dramatically re-enacts the crime scene and investigation of a police officer's murder in Dallas.

Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.

Made in 1982 but banned until 1987, "Hà Nội trong mắt ai" is a Vietnamese documentary film using historical figures and stories intertwined with the history of the city to reflect its citizens' views on society at the time.

Best friends Silvia and Beba record their lives as they dance, make music, and face an uncertain immigration process in Texas near the Mexican border.

Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.

Hunting in Wartime profiles Tlingit veterans from Hoonah, Alaska who saw combat during the Vietnam War. The veterans talk about surviving trauma, relating to Vietnamese civilians, readjusting to civilian life, and serving a government that systematically oppresses native people. Their stories give an important human face to the combat soldier and show the lasting affects of war on individuals, families and communities.

Thirteen veterans are given an opportunity to reveal their experiences in Vietnam and to talk about the frustrations they have encountered upon returning home.