Pop-Pie a la Mode

New York City, October 10, 1965. A group of wooden giant figures from Pamplona, representing Basque culture and traditions, parade down the street; but the local authorities have not allowed the appearance of all of them: due to the racial prejudices that persist in many sectors of society, the participation of two black giants has been banned.

Max Fleischer considers hiring a new cartoonist. While the new guy draws Max's portrait, Koko gets into a fight with a cartoon Chinese man.

Mickey Mouse and his friends stage their own production of Harriet Beecher Stowe's Uncle Tom's Cabin.

Felix gets into trouble with a tribe of Indians out west, and is chased by a bear.

Piggy and Fluffy have adventures on a riverboat and Uncle Tom is chased by skeletons promising to take him to Hallelujah Land.

Several Chinese residents play music. A dragon frees himself from a cage and goes after them, but fireworks are shoved down the dragon's throat. This causes him to explode and turn into a walking dragon skeleton.

Aided by powers from a little red hat / A deplorable fellow named Kyle MaGatt / Goes hunting for Covid to save the economy / To become the hero Americans should see. / But will he succeed in this arduous task? / Or will he be forced to wear a mask?

The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the film. It depicts black men working in a field, walking in chains, sitting behind bars, and being executed in an electric chair. In most scenes, a white authority figure is seen whipping or guarding the men.

Betty Boop and friends meet Louis Armstrong on a jungle safari.

Bugs fights stereotyped Japanese during World War II.

Using innovative animation and expert insights, this documentary based on Ibram X. Kendi's bestseller explores the history of racist ideas in America.

A fragmented portrait of a moment, a person, and a place, seen through the subjective memories of a young Black girl, Imani, and a rookie police officer, David, who both have wildly different recollections of the same fateful moment in a corner store that will leave their lives altered forever.

Johnny Smith enters an America where the Indians behave like 1930s average Americans. When he is arrested, the girl Poker Huntas rescues and elopes with him.

A visual journey that challenges us to think about a universal belonging that doesn’t confine itself to a city, region or national boundary, in an age in which xenophobia, nationalism and intolerance are a daily occurrence.

WARNING This cartoon features ignorant racial stereotypes and is NOT meant for children or the sensitive.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

When Lawrence III's scheme to capture the Legendary Pokémon Lugia upsets the balance of nature, it is up to Ash Ketchum and his friends to save the world.

The story begins in the basement of a worn-out blues bar in Louisiana in the 1980s. A few regular customers are having a drink. A guitarist gets on stage and everybody comments on the newcomer. The guitarist draws the attention of the audience by tapping the microphone. He introduces himself. He will tell them the true story of Blind Boogie Jones.

Sanctuary Hills is a 24-minute animated machinima drama created using Fallout 4 and Blender. Set during the final hours of the Sino-American War, the film follows the Washingtons, the only Black family in a gated community, who are denied access to the nuclear vault they paid for due to government-enforced racial discrimination. As the bombs fall, they are left to die—only to survive through a horrific mutation caused by radiation. Transformed and enraged, the Washingtons return to claim vengeance on the community that betrayed them.

Bugs Bunny heckles a black hunter and escapes from a bear. One of the “Censored 11” banned from TV syndication by United Artists in 1968 for racist stereotyping.