Mandela and de Klerk

A story of love and friendship set against the violence of Apartheid in South Africa. It is a story of the ups and downs of the lives of the three main characters, and how their lives intersect over the years.

A young girl from London moves to Africa with her parents where she befriends a lion cub.

South Africa, 1978. Tim Jenkin and Stephen Lee, two white political activists from the African National Congress imprisoned by the apartheid regime, put a plan in motion to escape from the infamous Pretoria Prison.

A computer chip turns an FBI agent into a lethal weapon.

During apartheid in South Africa in the 1970s, two lovers -- a 16-year-old Caucasian girl and a 20-year-old African man -- meet a tragic end.

I traveled to South Africa to find a white family living on a desolate farm. I wanted to film how they faced the new days of equality after the fall of Apartheid. But I soon lost my way both on the endless roads and in my way. Instead, the film became a story about two very different women who both experienced a tragic loss in the midst of a white community not too fond of the future.

The story begins when Toby (Ivan Jackson), a young English businessman, arrives in South Africa to take charge of a publishing firm. He knows little about apartheid and so at first sees no contradiction in developing a relationship with an elite, upper-class white woman and with a woman dedicated to fighting apartheid. But as Toby makes friends with one of the black South Africans (Zaku Mokae), and as he registers both the subtle and more obvious, deep-seated racial prejudices of the minority white population, some of the truth of the oppression here begins to dawn. That is brought to a head when tragedy strikes.

An American web designer inherits an animal reserve in South Africa. A no-nonsense ranger takes her on a safari in hopes that she will fall in love with the land, the animals and him.

Two Peace Corps volunteers in Africa are framed and put into an oppressive women's prison.

A fascinating insight into three great African predators—lions, cheetahs and leopards— and their relationship with each other, and the rest of the African fauna. Their remarkable hunting strategies ensure their survival, but in the Mala Mala, South Africa, which will will the Big Cat Challenge?

Felix in Exile introduces a new character to the 'Drawings for Projection' series: Nandi, an African woman, who appears at the beginning of the film making drawings of the landscape. She observes the land with surveyor's instruments, watching African bodies, with bleeding wounds, which melt into the landscape. She is recording the evidence of violence and massacre that is part of South Africa's recent history. Felix Teitelbaum, who features in Kentridge's first and fourth films as the humane and loving alter-ego to the ruthless capitalist white South African psyche, appears here semi-naked and alone in a foreign hotel room, brooding over Nandi's drawings of the damaged African landscape, which cover his suitcase and walls. Kentridge has commented: 'Felix in Exile was made at the time just before the first general election in South Africa, and questioned the way in which the people who had died on the journey to this new dispensation would be remembered'.

As a child, Ali Neuman narrowly escaped being murdered by Inkhata, a militant political party at war with Nelson Mandela's African National Congress. Only he and his mother survived the carnage of those years. But as with many survivors, the psychological scars remain.

South Africa, July 11th, 1963. Several members of the African National Congress, an organization declared illegal, are arrested in Rivonia, a country house near Johannesburg. The detainees, along with Nelson Mandela, imprisoned since 1962, are charged with serious crimes for their radical activism against the apartheid regime…

A petty gangster inevitably becomes involved in the growing anti-apartheid struggle and is forced to choose between individual gain and a united stand against the system.

A twisted tale of crime, trust and desire, Framed! shows three perspectives of an unconventional robbery: The Curator’s, The Ambassador’s and The Professional Thief. However, there is more to this peculiar crime than it seems...

In 1975, Ryszard Kapuściński, a veteran Polish journalist, embarked on a seemingly suicidal road trip into the heart of the Angola's civil war. There, he witnessed once again the dirty reality of war and discovered a sense of helplessness previously unknown to him. Angola changed him forever: it was a reporter who left Poland, but it was a writer who returned…

Nelson Mandela, au nom de la liberté

In 1980s Apartheid South Africa, a woman's tenuous relationship with her boyfriend is threatened by memories of a past lover, and the possibility of their re-entry into her life.

Luke Billings (Lionel Jeffries) and his family have a problem with the new police sergeant Sam Hargis (Richard Todd) so they take over a small Transvaal town with the attention of drawing Hargis into a showdown. Hargis tries to get back up from the townsfolk who do not want to know, so is forced to lay low. As things get out of hand one of the Billings boys takes an interest in the storekeeper's wife, Priss Dobbs (Anne Aubrey). Having had enough her husband, Ernie (Jamie Uys) takes up the gun and heads down the main street alone. An act that prompts Hargis to join him. Slowly, the townsfolk turn up to back them up.

A chronicle of Nelson Mandela's life journey from his childhood in a rural village through to his inauguration as the first democratically elected president of South Africa.