Transfer

A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Colossal explores the complexities of grief and the process of grieving as understood through the myth of a Man as he ventures through shifting landscapes ruminating.

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

A distraught squatter tries to cope with his werewolf nature through drugs and music.

A middle aged woman is desperately wondering in the streets looking for her daughter. A man finds her before she does.

The main protagonist is a young fellow who tries to live his life within 30 frames. He's a person suitable for any atmosphere, which makes him different from the rest. He's like a plant that differs from others, an informer who wants to escape out from his skin. This man loves, hates, eats, drinks, lies ill, laughs, cries, kisses, plays... These are agonies of a contemporary man.

A short film by John G. Avildsen.

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...

A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.

Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005

This is a time when we learn afresh that nothing lasts forever and that the variability is an integral part of everyday life. What is a river today does not mean that tomorrow will not become a sea. Life itself is one large metamorphosis, and the human being is its variable shape...

Rosso Fiorentino's painting "The Deposition of the Cross" comes to life. The Christ is gradually removed from his cross by the biblical characters who surround him.

The man needs the trip. The job impedes him to do so. Then the man stuck to his chair! Loosely based on a short short story named "A Man Called Desk" from the book "Password Incorrect" written by Nick Name

A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.

This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape, color, opera music and atmosphere to explore the Freudian truths about men's fear of women that Wedekind powerfully exposed. A kinetic melodrama of the rise of a femme-fatale and her fate at the hands of Jack-the-Ripper. Rethinking Pabst's silent film and Alban Berg's opera.

A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.