Dupe

Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.

A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.

A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…

Grandmother Koba has to take care of her grandchild Emma's digital horse farm.

Thelma and Patsy find themselves in a spooky house inhabited by a nut who is a mechanical genius and has made a robot who does everything. The inventor manipulates the robot's control board from a hidden room. The girls are soon in a panic. Patsy gets into an argument with the robot and loses the match of wits. Blackie Burke, an escaped convict, is using the house as a hideout, and this adds to the problems the girls already have.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

At Thanksgiving, a tramp arrives in a homeless-hostile town.

Believed to be the first film to feature cannibals.

A deer, disillusioned by the consumerism that defines his life. A lizard, ostracized from society, forever wandering. A chance meeting in the middle of a field. Who will survive? And who will transcend existence? Preserved by the Academy Film Archive in 2009.

Sid the Sloth takes a school of children out on a camping trip from home, only to find that in typical Sid style, he is not a very good guide and the children he takes with him don't have a very good time.

Bernie Cates requests the services of the most absent-minded waiter he's ever seen, who pours water before setting the glasses, endlessly repeats questions, brings wrong orders, and ruins everything- but the bill.

A girl has to decide who to marry: a poor country boy or a rich nightclub owner.

Kick the Cock is an old Dutch saying, meaning Peek in the Kitchen.

Scrat tries to finish his rather large collection of acorns when things start going nutty.

An unnamed man is house-sitting for his friend Imogen. Imogen calls to remind him to take her dog Rothko for a walk, but Rothko takes him for a walk instead.

The world-famous Cockettes enact Tricia Nixon's wedding to Edward Cox on June 11, 1971. Hurtme O. Hurtme, television correspondent, covers the wedding and interviews celebrities in attendance such as Golda Meir, Indira Gandhi, Jacqueline Onassis, Queen Elizabeth, and Elizabeth Taylor. Coretta King sings. During the reception, Eartha Kitt puts LSD in the punch. All hell breaks loose.

The Smith's visit San Francisco to attend a horse show only to have their precocious daughter cause some minor comical mishaps and their over-sized canine refusing to obey commands.

A group of young boys develops a crush on a girl, leading to jealousy toward her boyfriend. They scheme to disrupt their relationship, and when the boyfriend catches one of them spying, he punishes him harshly. In retaliation, the boys attempt to make the girl doubt her boyfriend's love.

A six years spent in a bedroom with a computer. It began in 1998 as a proposed showreel piece, but then escalated into an unstoppable monstrosity that continued to absorb my life (and savings) until 2006. I created all sound, music and vision for the film.

Mr. Snookie steals an umbrella and then, while trying to help a woman to cross a puddle, the Tramp appears and intervenes.