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The Metalheadz Documentary is an intimate and immediate account of a Drum & Bass label poised for world domination. DJs and producers talk openly of the artistic freedom they enjoy, how the label has evolved to represent such a diverse musical scene and why moving forward and pushing the boundaries is so vital. These names have created a global phenomenon and here talk for the first time of how it was achieved, where it's at and what the future holds.

This French-produced 1996 documentary is an hour-long piece covering the history of techno music from Detroit to Berlin Sheffield.

A history of the UK Garage music scene

This lost classic, shot on 16mm in a wintry Berlin in 1993, explores the origins of the German trance scene. Featuring interviews with fresh-faced selectors including Laurent Garnier and MFS Records founder Mark Reeder, the documentary also feature footage from the city's iconic Love Parades in 1991 and 1993.

Party auf dem Todesstreifen - Soundtrack der Wende

The film follows the inception of the movement, a meeting between ravers and the new age travellers during Thatcher's last days in power, and the explosive years that followed, leading up the infamous Castlemorton free festival in 1992 - the largest ever illegal rave, which provoked the drastic change of the laws of trespass with the notorious introduction of the Criminal Justice Act in 1994.

In a mockumentary style reality show, we follow X-Coast aka Bojan Cizmic going over the world and marketing his X-Coast Deejay Academy. On his travels he meets various known alumni from the techno scene. But when trouble starts, return to homeland is the best solution.

Featuring the pioneers of techno music Juan Atkins, Derrick May, Carl Craig, and Jeff Mills, Never Stop takes us into the fascinating universe of techno labels in Detroit. This film highlights the deep roots of the creation, more than thirty years ago, by each of the African-American pioneers of techno music, of their own record labels.

Since 2013, the Casual Gabberz collective has been storming dancefloors and the stages of the biggest festivals with its gabber surge, that hardcore techno sound born in Holland in the 90s. Until a virus causes the planet to go haywire. And triggered an existential crisis within the collective.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

Dance music has spread across the world transcending religious & racial barriers connecting to the hearts and souls of millions. People have always felt the rhythm of music and have as a result evolved countless dance styles throughout the ages. Beginning in the late 80's in Melbourne's underground dance music party scene, a revolutionary freestyle dance began to grow and has now developed into the most unique and robust underground dance style since the birth of Breakdancing. The Melbourne Shuffle has no set steps but encourages individuality and imagination, incorporating dance moves from numerous styles such as miming, popping & locking, liquid and breaking.

New Order's Stephen Morris and Gillian Gilbert unpack a playlist of electro, pop and new wave classics spanning four decades. Stephen and Gillian have been married for 24 years and have been in New Order together for even longer, but they still manage to surprise one another with their musical tastes. While Stephen declares Captain Beefheart an early influence, Gillian confesses her teenage love for a disco classic. During an hour of top tunes, Stephen also reveals the moment he was mistaken for Stevie Wonder, and Gillian recalls how her Dad was a fan of punk. From Kraftwerk to Can, David Bowie to Kate Bush, Magazine to Grace Jones and many more, this stellar playlist by Stephen and Gillian is brimming with iconic performances.

The concept for the film was developed based on sociological research conducted as part of the Youth Subcultures conference in collaboration with the Institute of Sociology of the Slovak Academy of Sciences. The film’s core value lies in its ability to provide an inside look at selected subcultures, achieving an exceptional level of engagement with their members. The filmmakers managed to break through the participants' initial reluctance to openly discuss their experiences. The documentary directly addresses key aspects of these subcultures, including drugs, faith, and personal beliefs. It focuses on six specific groups: the techno scene, graffiti artists, antifascists, religiously oriented youth, skinheads, and young people inspired by Eastern spirituality. The film includes footage from illegal rave parties, graffiti sessions, and other underground activities. Overall, the documentary serves as an insightful map of Bratislava’s contemporary alternative scene.

At the end of the Cold War, something new arised that should influence an entire generation and express their attitude to life. It started with an idea in the underground subculture of Berlin shortly before the fall of the Wall. With the motto "Peace, Joy, Pancakes", Club DJ Dr. Motte and companions launched the first Love Parade. A procession registered as political demonstration with only 150 colorfully dressed people dancing to house and techno. What started out small developed over the years into the largest party on the planet with visitors from all over the world. In 1999, 1.5 million people took part. With the help of interviews with important organizers and contemporary witnesses, the documentary reflects the history of the Love Parade, but also illuminates the dark side of how commerce and money business increasingly destroyed the real spirit, long before the emigration to other cities and the Love Parade disaster of Duisburg in 2010, which caused an era to end in deep grief.

In the final days of the yuppie decade, the summer of ’89 saw a new type of youth rebellion rip through the cultural landscape, with thousands of young people dancing at illegal Acid House parties in fields and aircraft hangars around the M25. Set against the backdrop of ten years of Thatcherism, it was a benign form of revolution, dubbed the Second Summer of Love – all the ravers wanted was the freedom to party… The rave scene, along with the drug Ecstasy, broke down social barriers and even football hooligans were ‘loved up’, solving a problem the government had never managed to crack. But lurid tabloid headlines and cat-and-mouse games with the police eventually turned the dream sour, as the gangster element moved in at the end of the summer.

A documentary that explores the challenges that a life in music can bring.

A dreamlike and hallucinatory dive into the depths of the human psyche.

'Looking for the Perfect Beat' is a cinema verite immersion inside the unique Los Angeles 'beat-scene' music community centered around the world famous Low End Theory club night. Filmed over the Summer of 2013, a climatic point in this particular music scene's trajectory, we are given the opportunity to elegantly lift the veil on the personal creative processes of the internationally-acclaimed pillars of the scene. Indie music luminaries such as Flying Lotus, Thundercat, Gaslamp Killer, Daedelus, Nosaj Thing, Ras G, Teebs, D-Styles, TOKiMONSTA and Matthewdavid are all featured in vivid detail. The soundtrack for the film creates itself live on camera as the film elapses. This avant-garde visual angle on each subject in their respective creative spaces provides for an introspective glimpse into what would otherwise be unseen.

From Dr Who to The Dark Side of the Moon to modern day dance music, the pioneering members of the Electronic Music Studios radically changed the sound-scape of the 20th Century. What the Future Sounded Like tells this fascinating story of British electronic music. What The Future Sounded Like mixes experimental visual and sonic techniques with animation and never-seen-since archival footage. A sonic and visual collage, this documentary colors in a lost chapter in music history, uncovering a group of composers and music engineers who harnessed technology and new ideas to re-imagine the boundaries of music and sound.

"At the beginning of the 19th century there is no Chicago. There was a fort that was set on fire by Indians shortly thereafter. Later, the turbulent expansion of a settlement began, which became a center for the immigrant workforce, traditional industry, slaughterhouses, and, in 1941, armaments for war. The Windy City on Lake Michigan is the fastest changing city in the world. This 35mm Arriflex film time-lapse footage is annotated with classic techno cuts and information about the tunnels under Chicago, the slaughterhouses, organized crime, Sears & Roebuck catalogs and other peculiarities of this strange city."