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Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

In a world divided by the Iron Curtain, East Germany sought to carve its niche in the technological race. Enter "Robotron" - a name that seamlessly blended "robot" and "electronics." This wasn't just a brand; it was an ambitious answer to the West's technological advancements, a testament to the GDR’s drive to match, if not surpass, Western innovation. Drawing inspiration from the corporate giants of the West, the GDR‘s government merged various businesses to form this tech behemoth. With 16 major hubs in Central Germany alone, it was clear: "Robotron" was to be the DDR's technological crown jewel. But what was the Socialist Unity Party (SED), the GDR's ruling party, envisioning with this grand venture? How did "Robotron" navigate the challenges of operating within a socialist planned economy, while striving for global excellence? And as it grew to dominate East Germany's tech landscape, why did it always seem to be one step behind the leading global tech powers?

Driven by extensive archive material and interviews with those who know her, this is the astonishing story of how a triple outsider – a woman, a scientist, and an East German – became the de facto leader of the “Free World”, told for the first time for an international audience.

For more than a decade, Reichsmarschall Hermann Goering, Adolf Hitler's right-hand man during the infamous Third Reich, assembled a collection of thousands of works of art that were meticulously catalogued.

The film talks about the rise and fall of the two most influential protagonists in GDR-politics. In succession, over long stretches even together, Ulbricht and Honecker determined the course of the GDR, of course without ever getting out of being a satellite state to the big brother in Moscow. The film looks for the caesura and crucial points in the power game between Ulbricht and Honecker.

In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.

Hard, harder, hardest! This film orders you from the start to turn up the volume and pay attention. "Look out! We're Coming to Get You!" is a flood of images driven by a tempest of guitars. The film's creators jam 20 years of German music history into 120 minutes of film. Musicians from BLIND PASSENGERS, DIE SKEPTIKER, SANDOW and other bands explode their way through the film. Fans of the DEFA documentary "Flüstern und Schreien" ("Whisper and Shout") already know the stars of that film, Aljoscha, Paul and Flake of the band Feeling B. Here they have a chance to see how these musicians survived the period after the fall of the Berlin Wall and the "escalation of possibilities" that came with it. And you're allowed to laugh, too!

The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.

Cem Kaya’s dense documentary essay celebrates 60 years of Turkish music in Germany. An alternative post-war history that is at the same time a musical Who’s Who – from Yüksel Özkasap to Derdiyoklar and Muhabbet.

Emma Freese is desperate when her husband Alfred falls ill at the Howaldtswerke in Kiel. How is the family supposed to get by without their wages? The war has scarred this generation, but now things are supposed to be looking up. The workers want their fair share and are fighting for an income that also gives them room to live. In October 1956, 34,000 metalworkers in the shipyards and factories of Schleswig-Holstein walk off the job to fight for justice and their dignity. This strike is still regarded as the toughest and longest in Germany. Employers and politicians stand in the strikers' way.

The Stammheim trial against the leadership of the first generation of the RAF was one of the most elaborate in the Federal Republic of Germany. Through this trial, Stammheim also became a place of identity for the RAF. The docudrama uses the perspective of Horst Bubeck, who as a prison officer in the cell wing had the most intensive contact with the prisoners, to shed new light on the history.

Six million Jews died during World War II, both in the extermination camps and murdered by the mobile commandos of the Einsatzgruppen and police battalions, whose members shot men, women and children, day after day, obediently, as if it were a normal job, a fact that is hardly known today. Who were these men and how could they commit such crimes?

JUNI 53

The destruction of the traditional legal system is probably one of the lesser-known yet essential goals of the Nazi state. The aim was to establish the supremacy of the "people's community" over the individual by subjugating the judicial system. The documentary looks at the careers of four people who were actively involved or became victims.

Documentary reports on the annual icing of the Oder in the 160-kilometer border area between the GDR and the People's Republic of Poland. Icebreakers from both countries with experienced skippers join forces to make the international waterway between Frankfurt and Szczecin navigable again. Everyone works hard as a team and even a broken-down ship cannot stop them from achieving their goal. A look back at the winter of 1947 with its flooding shows what the freezing of the river and the subsequent thaw can do if the ice floes are not drained into the Baltic Sea via Lake Dammsch in good time. The skippers from both countries have known each other for years and trust each other; the camaraderie that has developed on the Oder unites the people, they control the river in winter for the common benefit of all.

This documentary gives a voice to organizers, DJs and party guests. Through their memories and confessions as well as unpublished videos and photos 20 years of history come back to life.

On February 26, 1920, Robert Wiene's world-famous film The Cabinet of Dr. Caligari premiered at the Marmorhaus in Berlin. To this day, it is considered a manifesto of German expressionism; a legend of cinema and a key work to understand the nature of the Weimar Republic and the constant political turmoil in which a divided society lived after the end of the First World War.

In 1981, a film about the misadventures of a German U-boat crew in 1941 becomes a worldwide hit almost four decades after the end of the World War II. Millions of viewers worldwide make Das Boot the most internationally successful German film of all time. But due to disputes over the script, accidents on the set, and voices accusing the makers of glorifying the war, the project was many times on the verge of being cancelled.

Documentary about Kurt Landauer, the long-time Jewish president of FC Bayern München, who led the club to its first German championship, was persecuted and forced out of office by the Nazis, and rebuilt the club after the war.

The documentary shows historical film footage from the workers' and farmers' faculties (ABF) of the GDR, which existed until 1962 and were intended to help level out class differences in the education sector by preparing mainly workers' and farmers' children for a university career.