Strictly Dishonorable

This first film of Cyprus' first director, Giorgios Filis, depicts music and dance customs in the form and style of a folk opera, with traditional Cypriot dances and songs. The film consists of a folkloric inventory based on the folk culture of Cyprus, as well as on similar ritual happenings. The narration and dialogue are entirely in the Cypriot dialect and are characterized by a rhetorical and poetic mood.

In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.

A group of merchants and vikings navigate dramatic events both within and without in this epic musical based on the Icelandic Vinland sagas. As secrets are exposed, two women (Freydís and Gudrid) have a reckoning.

This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.

In the midst of a nasty public breakup of married movie stars, a studio publicist scrambles to put a cap on the escalating situation as the couple's latest film has found it's only print kidnapped by the director.

"Pag-puti ng Uwak, Pag-itim ng Tagak" is a pulsating love story that recaptures the nostalgic fifties, the exciting era of mass hysteria, and the golden years of the rock and roll fever inflicted by screaming, wiggling hip-shaking foreign pop idols dominated by Elvis Presley, Bill Haley, Little Richard, Pat Boone, Doris Day and the Platters. It is more than a love story. It is also a commentary - a satire rich with humor injected into a moral, psychological, sociological, and cultural aspect, outlook, and values of the said bygone era. It is a poignant rich-girl-meets poor boy love story of Julie Monserat and Candido Ventura - two love-struck starry eyed youths who fought for their right to love each other, here is a story that touches social conflict - the perennial clashes and discrimination between the rich and the poor.

A writer attempts to raise some cash by writing a book about the Loch Ness Monster. No publisher will take it because they all think there isn't really a monster. The writer and some of his friends make a fake monster and take photographs and then travel to Scotland to see if they can convince the locals.

Vienna, 1906. A passionate love story develops between Franz Lobheiner and the young Christine. Lobheiner is, however, currently seeing the married Baroness von Eggersdorf. Upon learning of his wife's infidelity, the Baron von Eggersdorf provokes a duel with Lobheiner. But the former is no longer a real threat to the Baron. Lobheiner is now passionately in love with Christine. How will this love quartet end?

Mikhail Ivanovich Glinka's magical masterpiece in its entirety, inspired by Alexander Sergeyevich Pushkin's poem of a Russian tale. An evil sorcerer Chernomor casts a spell over wedding celebrations for Ruslan and Lyudmila at the court of Svetozar, the Prince of Kiev. Lyudmila vanishes and her father promises her hand and half his kingdom to the knight who rescues her. Ruslan on this quest of rescue encounters the knights Ratmir and Farlaf, the wise wizard Finn, the slave of Ratmir, Gorislava and sorceress Naina before confronting Chernomor in his magic garden. After all the challenges for Ruslan, true love prevails.

Diana Damrau, Ildebrando D'Arcangelo, Pietro Spagnoli, Marcella Orsatti Talamanca, and Monica Bacelli star in this La Scala production of the Mozart opera conducted by Gerard Korsten and directed by Giorgio Strehler.

France, 1914, during World War I. On Christmas Eve, an extraordinary event takes place in the bloody no man's land that the French and the Scots dispute with the Germans…

37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.

A video essay about a conversation the director had with a friend about a particular picture of a cat sitting in front of a plate of blins.

Kouzelný strom

Pushkin folk tale as comedic opera whose sultry elements expand an Oriental influence. Korsakov portrays the story of Tsar Nicholas II, punished for his cowardice and despotism, using satire to condemn Russia's autocratic ruler.

I Promessi Sposi - Opera Moderna

In 1960s China, French diplomat Rene Gallimard falls in love with an opera singer, Song Liling – but Song is not at all who Gallimard thinks.

An aged father and his younger, mentally challenged son have been working hard every day to keep the bathhouse running for a motley group of regular customers. When his elder son, who left years ago to seek his fortune in the southern city of Shenzhen, abruptly returns one day, it once again puts under stress the long-broken father-son ties. Presented as a light-hearted comedy, Shower explores the value of family, friendship, and tradition.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.