Phantom

Mozart's genius in setting to music da Ponte's comic play of love, infidelity and forgiveness marks COSI FAN TUTTE as one of the great works of art from the Age of Enlightenment. Nicholas Hytner's beautiful new production, with its sure touch and theatrical know-how, lives up to its promise to be "shockingly traditional" as Iván Fischer teases artful performances from an outstanding international cast of convincing young lovers.

Edmond Dantes, a young sailor from Marseille, is being dragged in chains to the Chateau d'If, a state prison. He protests his innocence, but the jailors laugh and torment him before locking him up in solitary confinement. A few short hours before, Dantes had returned to Marseille from a voyage at sea and been reunited with his fiancée, Mercedes. Her father, Pierre Morrel, promoted Dantes to captain as a wedding gift to the couple. Into the middle of this celebration came the soldiers to arrest Dantes. He is sure he has done nothing that is against the law, and promises Mercedes he will return soon...

As renowned for its harmonious overture as for its romantic storybook characters, this three-act masterwork features some of the composer’s most groundbreaking and unforgettable music, as well as a theme the young Wagner would revisit again and again later in his career—the redemptive and transcendent power of a woman’s love. The enchanting plot harks back to medieval history: Wolfram is a lovesick troubadour who desires the virtuous Elisabeth. She, however, has eyes for another: the rebellious knight Tannhäuser, who in turn cannot get over an overwhelming sensual experience in the realm of the goddess Venus, and is banished for singing her praises at court. Only saintly Elisabeth’s death can atone for his misdeeds.

Xerxes is one of Handel’s latest and most frequently performed operas, famous for its marvelous opening aria ‘Ombra mai fu’. At the centre of the confusing tragicomedy, very loosely based upon the life of Xerxes I of Persia, is a powerful and lovesick royal eccentric, King Xerxes. Rising opera star Gaëlle Arquez in the title role of Xerxes ‘scintillates with her nimble, luminous mezzo-soprano’, singing ‘irresistibly beautiful, impassioned, furious – but never mean’ (Frankfurter Rundschau). Frankfurt’s excellent Opera and Museum Orchester contributes ‘all sorts of refinements’ to this ‘musical smash hit’ (Deutschlandfunk) and ‘In Frankfurt Tilman Köhler ensures a three-hour short abundant and furious banquett … a great evening of opera’ (Deutschlandfunk).

Verdi: Falstaff - Teatro Real

Takarazuka Star Troupe, 2015. Since Columbus had discovered the New World, the Caribbean became a part of the European history, and the pirates helped incorporate the Caribbean into the European sphere of influence with their art of navigation. One day lately in the seventeenth century, Spanish Santa Catalina Island is assaulted and its town is burnt down by the English pirates headed by Edgar. The governor and his wife are killed. However, the governor's son, Emilio, manages his escape and dives alone into the sea...

Takarazuka Star Troupe, 2015. A Musical Fable of Broadway Based on a story and characters by Damon Runyon. Music and Lyrics by FRANK LOESSER Book by JO SWERLING and ABE BURROWS

The setting is Hotel Edler, a long-established four-star hotel in Vienna. Josi Edler, the heir to the family-owned hotel, has been actively involved in the hotel's management and seeks to reform the hotel to make it fit with the times, as opposed to his parents who lean towards tradition and formality. Today, Hotel Edler is preparing for the reception of a coming guest: Emma Carter, the famous Austrian-born Hollywood star, who will stay at the hotel incognito. Unfortunately, a hotel employee has already revealed the top-secret news of Emma’s arrival through social media, and it causes chaos at the hotel...

This new production of Norma, directed by Grammy Award-nominated opera, theatre and film director Kevin Newbury (winner of the Irish Times Theatre Award 2010) and starring Sondra Radvanovsky as a "powerful, elegant" Norma (New York Times) and Gregory Kunde as Pollione, is "something very special. The word 'historic' is used perhaps a little too often but tonight there really is no other adjective to describe the sensational performances offered to us by Sondra Radvanovsky and Gregory Kunde."

Edmond Dantes, a young sailor from Marseille, is being dragged in chains to the Chateau d'If, a state prison. He protests his innocence, but the jailors laugh and torment him before locking him up in solitary confinement. A few short hours before, Dantes had returned to Marseille from a voyage at sea and been reunited with his fiancée, Mercedes. Her father, Pierre Morrel, promoted Dantes to captain as a wedding gift to the couple. Into the middle of this celebration came the soldiers to arrest Dantes. He is sure he has done nothing that is against the law, and promises Mercedes he will return soon. Then abruptly we realize that the story is being narrated by a bunch of high school kids, who are studying the book "The Count of Monte Cristo" in order to do a play. In their squabblings about dramatic interpretation, the kids summarize the more complicated parts of the story.

Eitoku Academy is a high school that caters to rich, high-society families. Among the students who attend there are four young men who have the adulation of the entire school, the "Flower 4" (F4). There is spoiled Doumyouji Tsukasa, cool and mysterious Hanazawa Rui, playboy Nishikado Soujirou, and "madam killer" Mimasaka Akira. If these four show any signs of disliking someone, a red tag is put on the locker of that student and they become a target of bullying for the entire school. Makino Tsukushi is from a middle-class family, attending because her parents asked her to. Her goal is to keep her head down until she can graduate, but her plans are soon made impossible as she is thrown into the world of the F4. Doumyouji falls for Tsukushi for her fierce independence and willingness to stand up to him, but Tsukushi likes the quiet Hanazawa Rui....

The Ballet de l'Opera National de Paris mounted this production of the late Pina Bausch's dance-opera Orpheus und Eurydike, which Bausch had adapted from composer Christoph Willibald-Gluck and Ranieri de' Calzabigi's 1762 opera Orfeo ed Euridice. As the title suggests, it takes its basic narrative from the myth of Orpheus, and his courageous but ill-fated attempt to rescue his lover Eurydice (also known as Eurydike) from the jaws of the underworld. This particular production finds Yann Bridard dancing as Orpheus and Marie-Agnès Gillot dancing as Eurydike , with mezzo-soprano Maria-Riccarda Wesseling accompanying Bridard and soprano Julia Kleiter accompanying Wesseling. Pina Bausch did the choreography and stage direction, while Rolf Borzik designed the sets, costumes and lighting. The Balthasar-Neumann Ensemble & Choir, under the direction of Thomas Hengelbrock, lend musical accompaniment.

Loosely based on the story of the singer Nellie Melba...

2006 Takarazuka Revue Flower Troupe production of Maury Yeston and Arthur Kopit's "Phantom."

Besides the landing on the moon by the Apollo 11 mission in 1969, Richard Nixon’s meeting with China’s leader Mao Zedong in February 1972 then represented one of the biggest media spectacles in history. Nixon himself established the reference between the two events: “We came in peace for all mankind” not only marked the lunar module Eagle’s landing spot – Nixon also spoke of it into the microphones just before his departure to China. It was not John Adam’s aim to create a superficial or even a caricaturing representation of Nixon’s visit when composing his opera. He attempted to create a “heroic opera” about the construction of modern myths by using archetypical characters and situations. Director Marco Štorman stages Adams’ minimal music opera as a deconstruction review about the power of images, the politics of staging and the staging of politics.

The most popular Czech comic opera, with a libretto by Karel Sabina, marking the 200th anniversary of the birth of Bedřich Smetana, in the current production of the National Theater in Prague. For more than 150 years, The Bartered Bride has dominated Czech opera. No one else, not even Smetana himself, has managed to surpass its popularity, which over the years has become part of our national DNA, so to speak. At the time of its creation in the 1860s, however, The Bartered Bride was actually quite a bold experiment – Bedřich Smetana and librettist Karel Sabina masterfully mocked all those who imagined "national opera" as an idyllic picture of the Czech countryside, where national virtues reign supreme.

From the first steps of an emerging singer to the final bow of a celebrated soprano, 'PRIMADONNA OR NOTHING' follows three relentless women who sacrifice everything to be an opera star.

Erich Wolfgang Korngold's "Die tote Stadt" in a Bayerische Staatsoper production from 2019, directed by Simon Stone. Kirill Petrenko is conducting Jonas Kaufmann and Marlis Petersen.

37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.

Richard Wagner called Die Walküre the “first evening” of the Ring of the Nibelung; he called Das Rheingold the prologue or Vorabend. Musically and dramatically, we are introduced to a radically new and different world when the opening bars of Die Walküre resound. A fully developed orchestral palette of Leitmotivs paints a wild storm scene, and the curtain rises on a modest dwelling: a fully human scene that has nothing to do with the gods, dwarves and nymphs of Das Rheingold. At the same time, however, the way Die Walküre portrays radical beginnings reveals some telling reminiscences of the unfolding of Das Rheingold. Die Walküre is exciting and deeply feeling drama.