Butterfly of Love

Constructed from personal and public collections, this video is a moving back and forth in memory.

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

Noise, static, channel change...

Optical art with camera movement.

Time lapse of clouds and a mimosa tree to the silhouette at dusk.

La dissolution du paysage

A "glitch" is a malfunction in a system. Glitch art takes these errors and uses them as moments of aesthetic revelation. Interruptus is a glitch film, comprised completely of strategically halted downloads of digital videos. These broken files are then transformed into a stunning fugue of abstract texture. (Selected Exhibitions: In Media Res, Glitch Media Theme Week, Dramatic Chromatic, International Video Exchange (US Delegation, Trømso, Norway), GLI.TC/H at The Nightengale (Chicago, IL), GLI.TC/H at STEIM (Amsterdam))

Viva Las Vergas! The synthesis of simulacrum and solar max. (Selected Screenings and Awards: Ann Arbor Film Festival, Dallas Video Festival, Athens International Film and Video Festival, New York Underground Film Festival)

A lost traveler encounters a talking clown puppet that won’t stop looking at a mysterious orange light.

Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”

Ken Jacobs applies his patented Eternalism process to 3D images he took of Jackson Pollock's 1954 splatter painting.

Date palms imported and cultivated decades ago flourish in the Coachella Valley in Southern California. A cacophony of voices from across generations reflect on the shifting landscape of the region; some remember the first few acres that were planted, while others enjoy the luxuries of new golf courses. Feet in Water, Head on Fire is a sensorially vibrant 16mm experience that takes us on a journey of past, present, and future. Director Terra Long hand-processed the footage utilizing leftover dates and native plants intertwining the environment into the fabric of the film. Through complex and nuanced scenes, non-sync interviews blossom into a wonderfully gentle but memorable portrait of a community in flux.

MÜ : Architectures protéiformes

Any body or object that projects forward.

The liberation of objects within objects. A tree is a Pollock.

Último Desejo

A man comes home and realizes that something else came home with him.

Inspired by moments of the Brazilian writer Gabriel Yared’s life and mixing storytelling and poetic declamations by the author himself, the film presents us the love overgrowing between two young man, Alex and Luís, their comfortable couple routine, and explores which limits that love can support when, like dry flowers, it faces the hard and cold earth of deceptions and expectation breaches, with the city of Macapá, in ther Northern Brazilian State of Amapá, as background.

A short film about the Nicholson School of Communication and Media building at the University of Central Florida.

Forced to paint, the artist will either create or be consumed. A modern gothic art film told through a series of striking still images.