Angel Mine

Constance is a bored, movie-loving schoolteacher in post-WW2 New Zealand who begins to fantasize that she's a Hollywood star - with tragic consequences.

Five years have passed and Jake has turned his back on his family. He's still up to his usual tricks in McClutchy's Bar, unaware, as he downs his latest opponent, that his eldest son, Nig, has died in a gang fight. The uncomfortable family reunion at Nig's funeral sparks a confrontation with second son, Sonny, and sets Jake and Sonny on a downward spiral.

Will Bastion returns home from the army after an absence of 20 years to bury his father, the former chief of thee Maori tribe, Ngati Kaipuku. The eldest son, he is reluctant to inherit his fathers role, so it is taken more willingly by his younger brother, Kahu. Kahu is the leader of a band of drug dealers and trouble-makers who ride horses through the middle of town, wrecking peoples gardens. Under the guise of refusal of a land settlement, Kahu makes a large marijuana deal with some murdering city folk. Will must choose between loyalty for his brother and his father, Maori tradition, and contemporary financial issues.

When a recent widow moves to New Zealand from India, she's forced to confront her grief by completing an ordinary ritual in an extraordinary circumstance: quarantine.

In a sweeping tale that spans 1000 years and multiple generations – from the distant past to the 19th century, the present day and a strange, dystopian future – this landmark collection traces the collective histories of Indigenous peoples across Australia, New Zealand and the South Pacific. Diverse in perspective, content and form, traversing the terrain of grief, love and dispossession, they each bear witness to these cultures’ ongoing struggles against patriarchy, colonialism and racism.

The film told the Māori legend of Hinemoa and Tutanekai. It is the first dramatic feature film produced in New Zealand.

A man wakes up in an endless white void, unable to remember how he got there, he soon encounters an A.I. who takes the man through old memories of himself until he realizes his tragic purpose in the white room.

Lost somewhere over the Pacific in a single-engine Cessna with low fuel, a pilot (Scott Bakula) awaits rescue.

When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.

War journalist Paul Prior returns to his New Zealand hometown after his father’s death, rekindling strained relationships with his brother and memories of a troubled past. He befriends Celia, a curious and aspiring writer, who shares a fascination with his world. When Celia mysteriously disappears, Paul becomes the prime suspect, forcing him to confront buried secrets and uncover the dark truths of his family and community.

A contemporary story of love, rejection, and triumph as a young Maori girl fights to fulfill a destiny her grandfather refuses to recognize.

In a violent relationship, it takes a mother’s strength to save herself and her children from the man she loved. Once Were Warriors is a violent love story set against a contemporary urban backdrop.

Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.

Eight Pan-Asian female filmmakers’ powerful anthology film illuminates the immigrant experience in Aotearoa New Zealand through the lives of eight Asian women connected by the house they call home.

When a young fakaleiti falls in love at St Valentine’s Highschool, she must navigate her way through a world of intolerance and bigotry to find happiness - in an unexpected place.

The vampire myth is given a stylish 1960s treatment, where a human cop partners with a vampire cop to stop a vamp bent on creating a war between the two "separate but equal" races.

Two brothers take their father into the city for the weekend for a rugby game and a night on the town. However, the old man dies in their hotel and the boys need to smuggle his body back to their farm and make it appear that he died there to satisfy a clause in his will or else they won't inherit the property.

Something pierces the boredom and unconscious dailiness of life for a young woman working in a dress shop.

Set in 1965, a true story of one man’s struggle to bring rock music to a nation, an iconic New Zealand story with a universal ‘David and Goliath’ theme. The youth will find it incredible this actually happened and existed as part of New Zealand society in the 1960′s. It’s a titanic struggle for freedom and ‘the choice to choose’.

A baby is washed up on a Pacific Island and is adopted by a childless woman. The tribal priest takes an instant dislike to the child, proclaiming him a demon. The child is deaf and mute and therefore excluded from hunting with the other young men. Out of loneliness, he befriends a white turtle. When a drought befalls the island, the priest blames the silent one. When the chief protects the boy, the priest plots the chiefs' downfall.