Rhinoceros

Gobinchu, Marc's imaginary friend, has disappeared. Berta, his younger sister, hires detectives Blue & Malone, a giant cat and a plasticine dog, to investigate what happened. Together, they tour the house living many adventures and knowing and facing numerous fantastic creatures.

Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.

A clip-show music video for the album of the same name and vintage. Includes 5 songs from the album ("Mousetrap", "Disco Mickey Mouse", "Watch Out For Goofy", "Macho Duck", "Welcome To Rio").

The American Dad short film, which preceded the theatrical run of the 2005 feature Fever Pitch, is about Stan Smith touring his work days in the CIA and his "normal" everyday life.

Elephants Dream is the story of two strange characters exploring a capricious and seemingly infinite machine. The elder, Proog, acts as a tour-guide and protector, happily showing off the sights and dangers of the machine to his initially curious but increasingly skeptical protege Emo. As their journey unfolds we discover signs that the machine is not all Proog thinks it is, and his guiding takes on a more desperate aspect. Elephants Dream is a story about communication and fiction, made purposefully open-ended as the world’s first 3D animated “Open movie”. The film itself is released under the Creative Commons license, along with the entirety of the production files used to make it (roughly 7 Gigabytes of data). The software used to make the movie is the free/open source animation suite Blender along with other open source software, thus allowing the movie to be remade, remixed and re-purposed with only a computer and the data on the DVD or download.

Grandmother Koba has to take care of her grandchild Emma's digital horse farm.

Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.

Asterix and Obelix depart on an adventure to complete twelve impossible tasks to prove to Caesar that they are as strong as the Gods. You'll roar with laughter as they outwit, outrun, and generally outrage the very people who are trying to prove them "only human".

A deer, disillusioned by the consumerism that defines his life. A lizard, ostracized from society, forever wandering. A chance meeting in the middle of a field. Who will survive? And who will transcend existence? Preserved by the Academy Film Archive in 2009.

A Pop Art extravaganza by Fred Mogubgub from the late-1960s, innovative in the use of the quick cut, this film is a parade of pop icons of its time. Features a pre-Playboy, pre-N. O. W. Gloria Steinem.

A man wakes up in a blue room. He's stuck and he can't escape. A window is his only connection to the outer world. It filters the reality in a very mysterious way.

Animators and urban planners both create worlds, but Czech stop motion specialist Jiří Barta's ingenious paper cut-out short punctures the stifling architecture of communist housing. Skilled hands blueprint an apartment tower standardized specifications. Envelopes contain the elements of each home. Family dwellings, bachelor pads, scholarly studies and artist studios: different social configurations are permitted but restrained to the same uniform box. A dystopian revision of the REAR WINDOW scenario, THE DESIGN's darkly comic social critique still has teeth.

Sid the Sloth takes a school of children out on a camping trip from home, only to find that in typical Sid style, he is not a very good guide and the children he takes with him don't have a very good time.

Scrat tries to finish his rather large collection of acorns when things start going nutty.

A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.

The age-old story of Don Juan, played by giant puppets.

The Finger Wife is a domestic horror story with a delicious sense of humor - part 2D hand-drawn animation, part stop-motion, and all bizarro feminist propaganda! It’s 1975. A smart, ambitious woman (The Wife) is stuck in the kitchen. When feisty, martini-drinking Betty steps out of a 1950s cookbook, The Wife is confronted with what she really wants out of life (it's not to make another meatloaf). Faced with Betty’s tough love and in a desperate effort to find one goddamn minute for herself, The Wife takes matters into her own hands, with gleefully horrific results.

Wayne gets a new rookie partner, Lanny, after his previous partner got the promotion he wanted. Lanny has to remind Wayne of the Spirit of Christmas and the importance of being an elf in Santa's Prep and Landing elite unit.

In 'Rainbow's Children', Lloyd Williams reveals the dreamer awakening; erotic displacements of dreams are transformed into the erotic realities of life itself – although still poetically suffused with a dream like languor which the filmmaker cannot escape. The texture of flesh, the ambiguity of longing and the colors of psychedelic apotheosis all merge into a languorous ecstasy which Lloyd Williams is adept in translating into the medium of film. All the varieties of film technique: slow motion, multiple-exposure, fast motion, camera in full flight and frozen image, he uses for the revelation of his intense fantasy, whether from dreams or from real-life or from hallucinated contemplation. His work shows that the dreamer is, indeed, awakening into a whole new world of erotic fantasy, muted with desire. If hard core films shock you, the films of Lloyd Williams will caress you." –Charles Boultenhouse

Rod and Cherri are the unmistakable king and queen of Echo High. When new kid Spud arrives, he makes a faux pas so bad that Rod forces him to be his girl's slave. What unfolds is the tale of Cherri and Spud's blossoming relationship behind Rod's back, and their untimely demise on the night of the prom. A tale of tragedy that could only be as irreverent and sensational through the pen (or pencils, if you will) of Bill Plympton.