The Creation

To a sound-track of fun-house screams and cackles, Mirror People, a tribe of Halloween hallucinations, fuse into each other and get absorbed into their reflections and their environments in a universe where all is flux and nothing is stable, except for the constant delights of metamorphosis. Preserved by the Academy Film Archive in 2008.

A claymation short. Mo makes an "anti-worrying" home video for her mum, to stop her from making mollycoddling phonecalls.

Alice

An mutoscope motion picture installation commissioned for the 86th anniversary of the Guggenheim museum. Later preserved and turned into a short film. Preserved by the Academy Film Archive in 2000.

This special has the band hiring a slick-talking new manager in an attempt to make a comeback. Under his guidance, the Raisins try their hand at various new musical genres, including Disco Polka, Country Rap, and Demolition Rock, to humorous effect. The group's troubles begin to manifest, however, upon the replacement of singer A.C. with their manager's young protégé

Animated hijinks of a man whose car just will not start, no matter what he does.

Labirintus

Pszichoparádé

Preparing for a date is an important matter: personal hygiene, choosing the right clothes, adding that accessory that can be decisive during a conversation... Once on the street, the protagonist walks confidently toward the meeting place.

A lonely castaway who is drowning at sea calls for help incessantly. No one helps him, because everyone is busy with their own affairs...

Concerned schoolchildren sing out for clean water.

Computer and clay; dedicated to the Amazon rain forest. The first animated short to combine 3D computer animated characters with clay animation. As seen on MTV's Liquid Television.

An animated film drawn in india ink directly on 65 mm film. It was reduced optically to 35mm film with colour added. The story of the film concerns a rivalry between two simple stick figures characters for the championship in a unicycle race. Preserved by the Academy Film Archive in 2011.

Begins as a whimsical piece with 'sheets' of lines running down the screen, progressing into more and more complex geometic patterns but without deviating from the basic precepts of 'dot and line' animation. Jazz piano on a lazy Sunday afternoon, and a spring color palette. -- Stephanie Sapienza. Preserved by the Academy Film Archive in 2001.

Gore's second solo film, DREAM OF THE SPHINX is highly representative of his fluid, expressive line work and characteristic traversals through space. Preserved by the Academy Film Archive in partnership with CalArts and iotaCenter in 2009.

A collaborative piece by Gore and Beckett, the film begins with one of Gore's characters composing a letter, to eventual mail it. Beckett's animation takes over at this point, transforming the envelope into a looping, cascading form that seems to be perpetually turning itself inside out. A brief Gore finale bookends the piece, which is one of only two extant examples of Gore's unique animation work. This film is usually appended to Gore's own Dream of the Sphinx. [Source: Mark Toscano] Preserved by the Academy Film Archive in partnership with CalArts in 2009.

Claymation animator Young Man Kang uses traditional Korean images to portray his homeland.

Humans encounter various monsters, but each encounter has a consequence.

When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it's up to Shaun and the flock to return everyone safely to the green grass of home.

A massive army of workers sweat and strain to build a tower not unlike that of Babel. In spite of the ominous danger of the tower collapsing at any moment, they press on gloomily, incessantly forming column after column of labourers, like some enormous procession of lemmings.