Sky, Wind, Fire, Water, Earth

The documentary film reflects on the war in Chechnya based on the experiences of young soldiers who return from the mission mentally and physically broken. Conceived as a montage of emotional confrontations, it gains from the closeness and trust between directors and protagonists. The young men's reflections are expanded and deepened by memories of an elderly Afghanistan veteran, scenes from the Moscow Committee of Soldiers' Mothers and images of a brutal operation by the Russian army against Chechens.

A film interpretation of the poem 'The Leaden Echo and the Golden Echo' by Gerard Manley Hopkins. Margaret Tait speaks the poem throughout the film.

We live in a new age. We are always rushing, rushing for no reason, rushing for nothing. As though time had sped up. Everything implies speed, urgency. But ultimately, why does time seem so short? This film is about the director’s conflict about time and the lack of it in today’s world; she reflects on civilization and the future of existence.

In 1971, author and film scholar Donald Richie published a poetic travelogue about his explorations of the islands of Japan’s Inland Sea, recording his search for traces of a traditional way of life as well as his own journey of self-discovery. Twenty years later, filmmaker Lucille Carra undertook a parallel trip inspired by Richie’s by-then-classic book, capturing images of hushed beauty and meeting people who still carried on the fading customs that Richie had observed. Interspersed with surprising detours—a visit to a Frank Sinatra-loving monk, a leper colony, an ersatz temple of plywood and plaster—and woven together by Richie’s narration as well as a score by celebrated composer Toru Takemitsu, The Inland Sea is an eye-opening voyage and a profound meditation on what it means to be a foreigner.

The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. The defender, Mikhail Finn, has managed to refute all the accusations against his client. Convinced of Krstic´s guilt, Catherine Lagrange, the prosecutor, summons a young man with incriminating evidence against Krstić. He claims to have been abandoned by his parents as a child and to have been one of Krstić’s soldiers. Defender Finn starts to investigate in order to verify the witness’ testimony – and soon encounters the young man’s family. Inspired by a true story.

A portrait of the internationally acclaimed Spanish film director Isabel Coixet and an analysis of her particular world and her sensibility as a creator: her fictional universe, her career and her life through the words of actors, technicians, family, friends, journalists, specialized critics and those filmmakers who have been inspired by her work.

In her essay film, Eva Hiller illustrates the nightly infrastructure of a large city, using Frankfurt am Main and Berlin as examples. Just as pet reptiles gone feral are reported to populate New York's sewers, so too is there bustling activity – often invisible to outsiders – when darkness falls on Germany’s metropolises.

A portrait of Haitian singer Toto Bissainthe, whose musical journey is marked by her desire to disseminate creole singing.

The story of a black lesbian's relationship with a white, upper middle class high school girl.

A set of three 'film poems' composed around the theme of the garden - the central one featuring hand scratched animated drawings. Margaret Tait described them as follows: 'Round the Garden' - right round and round again, 'Garden Fliers' - flighty cartoon and a stunner of a piano piece and 'Grove' - grave and sonorous.

When Bill Babbitt realizes his brother Manny has committed a crime he agonizes over his decision to call the police.

Chronicles the largest rape tribunal in Congo's history, offering an unprecedented glimpse into the lives of its women and the unshakable strength of the human spirit.

A documentary about the efforts taken to revitalize the Wampanoag language, which almost died out.

Starting from its source, this film tells the story of the Orquil Burn, Orkney.

TV series directed by Varda in which she gives thoughts to her favorite images and why she is drawn to them (in short one minute segments per image)

Chronicles the adventurous life of Hungarian-born Jewish lawyer Benjamin Ferencz, who fled to the USA as a child and later became chief war crime prosecutor in the Nuremberg Trials of 1945-1949 and one of the founding members of the International Criminal Court, which entered into force in 2002.

Up To and Including Her Limits extends the principles of Jackson Pollock's action painting. Schneemann is suspended from a rope harness, naked and drawing; her moving body becomes a measure of concentration, the sustained and variable movements of her extended drawing hand creates a dense web of strokes and marking. This video captures the concentration and raw intensity of Schneemann's presence and use of her own body. The piece was edited by Schneemann in 1984 from video footage of six performances: the Berkeley Museum, 1974; London Filmmaker's Cooperative, 1974; Artists Space, NY, 1974; Anthology Film Archives, NY, 1974; The Kitchen, NY, 1976; and the Studio Galerie, Berlin, 1976.

By building a Buddhist temple in the Netherlands, Mr. Hu attempts to bridge the gap between old and new, East and West.

The filmmaker, fighting ovarian cancer, stage 3, returns to her experimental roots, in a multilayered film of numerous chemotherapy sessions with images of light and movement that take her far from the hospital bed. A a cancer ‘thriver’ rather than ’survivor’, Barbara Hammer rides the red hills of Georgia O’Keefe’s Ghost Ranch in New Mexico, the grassy foothlls of the Big Horn in Wyoming, and leafy paths in Woodstock, New York changing illness into recovery. The haunting and wondrous music of Meredith Monk underscores and celebrates in this film that lifts us up when we might be most discouraged.

The story of the complex man and 75-year-old writer named Paul Gratzik, who worked as a Stasi informant in the GDR and was known as a “man of extremes”. However, after spying on friends and colleagues for more than 20 years, Gratzik decided to voluntarily expose himself in the 1980s.