The Eyes of Thailand

Janie Geiser takes us along on her search for the original meaning of the word 'algebra' with the help of a remarkable series of found objects, medical illustrations and a rich variety of animation techniques.

Anton Spielmann (18) and his two younger friends Basti Muxfeldt and Jonas Hinnerkort are living in their family homes with their parents in an idyllic village close to Hamburg. The three of them founded the band 1000 Robota. The band has an ambitious aim: „We want to cause creation not to remind of it”, and they want to live up to their ideals. In a society affected by economic pressure 1000 Robota are questioning themselves and others and they don‘t want to meet other people‘s expectations. In a world of excessive supply they are looking for significance and want to unite with others to create a new way of youth culture. But soon they have to face some serious difficulties.

‘Podwórka’ captures six groups of neighbourhood youth as they play in seemingly deserted yards, offering an intimate portrait of daily life in Łódź, Poland. Shot with a fixed camera, this single-channel video projection highlights American artist Sharon Lockhart’s concern for the interrelationship between the still and the moving image.

A document of the Riot Grrrl and Queercore scene in the 1990s, the film has been screened at film festivals around the world, written about in zines and academic books and has been included in the curriculum of a number of university courses.

In 1993, Bikini Kill toured the UK with grrrl associates Huggy Bear. Lucy Thane made a documentary about the trip, also featuring appearances from the Raincoats, Sister George, and Skinned Teen.

The Police Tapes is a 1977 documentary about a New York City police precinct in the South Bronx. The original ran ninety minutes and was produced for public television; a one-hour version later aired on ABC. Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time. They produced about 40 hours of videotape that they edited into a 90-minute documentary.

The compelling story of an extraordinary woman's journey from her birth in a paper thin shack in the cotton fields of Georgia to her recognition as a key writer of the twentieth Century.Walker made history as the first black woman to win a Pulitzer Prize for her groundbreaking novel, The Color Purple.

Director Maureen Blackwood harnesses the distinctive style of the Sankofa Film Collective to sketch the Abrew family tree. The achievements of the unique showbiz family are celebrated using rich archive material, including footage of family members in supporting film roles alongside Paul Robeson and intimate fireside-style testimony. The existence of Black British communities before Windrush is foregrounded, with insights into the Abrews' imprint on British culture beginning in 19th century Scotland.

For decades, American touring ice shows dominated family entertainment with their dazzling production and variety acts. This documentary honors them through interviews and archival footage, and depicts one skater's quest to keep this history alive.

A night flight through hysteria and police surveillance in suburban America.

In the summer of 1953, the Canadian government relocated seven Inuit families from Northern Québec to the High Arctic. They were promised an abundance of game and fish - in short, a better life. The government assured the Inuit that if things didn't work out, they could return home after two years. Two years later, another 35 people joined them. It would be thirty years before any of them saw their ancestral lands again. Abandoned in flimsy tents, the Inuit were left to fend for themselves in the desolate settlements of Resolute Bay and Grise Fiord, where the sea was nearly always frozen and darkness reigned for months on end. Suffering from hunger, extreme cold, sickness, alcoholism and poverty, Québec's Inuit had become the victims of a government policy supposedly designed to return them to their "native state". Evidence points to the government's wish to strengthen Canada's sovereignty in the Arctic as playing a part in the decision to relocate.

Tan Pin Pin employs a strictly external perspective for this portrait of her hometown, the tropical economic powerhouse of Singapore, interviewing political exiles in London, Thailand and Malaysia, who are to this day unable to return home.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

in complete world is a feature-length documentary made up of street interviews done throughout NYC. Mixing political questions (Are we responsible for the government we get?) with more broadly existential ones (Do you feel you have control over your life?), the film centers on the tension between individual and collective responsibility. The film can be seen as a user's manual for citizenship in the 21st century, as well as a glimpse into the opinions and self-perceptions of a diverse group of Americans. It is a testament to the people of NYC in this new millennium, who freely offer up thoughtful, provocative and at times tender revelations to a complete stranger, just because she asked.

In 2002, a woman from the Pakistani countryside named Mukhtar Mai made world headlines. After the rumour that her 12-year-old brother was having a relationship with a woman from another clan, Mukhtar was gang-raped by order of the village council. Instead of committing suicide, she spoke out and the six men were sentenced to death, although five of them were eventually acquitted. Against all the codes of her society, Mukhtar took her case to the Supreme Court. After the Rape doesn't comment on the outcome of her case. What the film does show is the environment that the assertive Muhktar managed to create in the wake of the incident.

Filmmakers Sue Marx and Pamela Conn document the romance between Sue's father Louis Gothelf and Reva Shwayder, each in their mid-80s. Both artists and residents of the Detroit suburbs, they met on a group tour of England after being widowed, and quickly formed a strong connection over shared interests. The two discuss concerns over living together without being married; Louis also talks about his caring for his first wife during her ten-year struggle with Alzheimer's disease, while Reva talks about the deaths of two sons several years after her husband's death.

The main character of this documentary is one of Georgia's most popular actors, Kakhi Kavsadze, who walks us through this chronicle of the Kavsadzes, a family of famous Georgian folk singers and actors.

Who We Were

Prostitutes of old age make their living in Praça da Luz, in São Paulo. Unusual and surprising accounts of five women who reveal in detail their experiences in all these years of profession.