Palestine Is Still the Issue

MOURNING IN LOD, takes a microcosmic look at the Israeli-Palestinian conflict through Musa, Yigal, and Randa — three people whose fates become inextricably linked in a vicious cycle of violence. Lod/Lydd is a “mixed” city inhabited by Arabs and Jews who live side by side in a strained coexistence. In May 2021, two of these three people lost their lives and and one regained hers — thanks to an unlikely organ transplant. The outpouring of love, anger, forgiveness and sorrow that follows in their wake is a ray of light that offsets a collective state of mourning with no end in sight.

Building on Forensic Architecture’s previous investigation into herbicidal warfare and its effects on Palestinian farmers along the eastern perimeter of the occupied Gaza Strip, this investigation marks Land Day in Palestine by examining the systematic targeting of orchards and greenhouses by Israeli forces since October 2023. Our analysis reveals that this destruction is a widespread and deliberate act of ecocide that has exacerbated the ongoing catastrophic famine in Gaza and is part of a wider pattern of deliberately depriving Palestinians of critical resources for survival.

A documentary film that brings testimonies taken just one week after the attack, from 7 different areas that were attacked in the events of Saturday, 10/7/23. The film is told from the point of view of the survivors. The evidence is unusually presented in the movie with the help of miniature models and animations that reinforce the hard evidence. The survivors share the survival experience they experienced during the long hours of the murderous terrorist attack. Those who ran away from the party, the houses they hid in, those who fought against the terrorists, and those who saved lives in the field. All with the choices they had to make in real-time, and saved their lives.

Soraïda is a Palestinian woman living in Ramallah, in the occupied territories. In this city under siege and a strict curfew, she fights her own battle: despite the military occupation, violence and oppression, she is determined not to lose her humanity.

Rising in vigorous defense of the nation-state of the Jewish people, distinguished Harvard Law School professor Alan Dershowitz presents incisive evidence from leading experts across the political spectrum to assert Israel's basic right to exist.

Najwa, Nawal, and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian Authority controls the back. At the entrance to the house is a military post; on the roof the Israeli army has placed a watch point over Palestinian Hebron. The three women, trapped in the middle and constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.

A detailed investigation into the political and economic interests that, since the beginning of the 20th century, have pulled the strings of the arms trade, hidden in the shadows, feeding the shameful corruption of politicians and government officials and promoting a state of permanent war throughout the world, while they cynically asked for a lasting and universal peace.

The story that was silenced for 91 years was revealed for the first time: in August 1933 the leaders of the Zionist Organization signed "transfer agreements" with Nazi Germany. As part of the agreement, about 60 thousand Jews with a lot of property will arrive in the Land of Israel. Is it permissible to make a "contract with the devil" to save people?

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

Hasan Hourani, a Palestinian poet and illustrator, died aged 29 in Jaffa while trying to rescue his nephew from the sea. Shortly after, the filmmaker Mais Darwazah discovers his drawings and poems and feels drawn to Hourani's world— a universe outside space and time; a place of wonder, discovery, and freedom. Motivated by this kinship, Darwazah embarks on a journey to her homeland, Palestine: a place she has never known.

Isobel Yeung and a team of BBC Investigative journalists navigate gun battles, combat raids and secretive meetings as they conduct an investigation deep inside the occupied West Bank. What they find raises serious questions about the conduct of the Israeli Military and uncovers a dangerous situation that is on the brink of exploding.

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.

A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M. Ochshorn. Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.

"There can only be an unhappy ending to this", people say when they hear about Palestinian Osama and his Israeli wife Jasmin’s love. Their home countries separate them through racist laws and lack of security. They choose exile, but soon rosy dreams turn into despair in an inhospitable Europe. Will their love survive?

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

The Palestinian Film Archive contained over 100 films showing the daily life and struggle of the Palestinian people. It was lost in the Israeli siege of Beirut in 1982. Here interviewees describe from memory key moments from the history of Palestinian cinema. These scenes are drawn and animated. Where film survives, the artist’s impressions are corroborated. This is a film about reconstruction and the idea that cinema is an expression of cultural identity – that cinema fuels memory.

Edward Said, Professor of English & Comparative Literature at Columbia University, was a prominent literary critic of the late 20th century and a leading spokesperson for the Palestinian cause in the US. Born to a Palestinian family in Al-Quds (Jerusalem) in 1935, he and his family were dispossessed in 1948 and settled in Cairo. Educated in the US, he lived in New York for many years. Said was a member of the Palestine National Council. After resigning from the PNC in 1991, Said wrote critically about the post-Oslo peace process, the political failures of Yasser Arafat and the PLO. Said was diagnosed with leukemia in 1991 and struggled with the disease while continuing to write and teach. He stopped giving interviews but made an exception less than a year before his death in 2003, speaking about his illness, work, Palestine, politics, life, and education. The last interview is the final testament of this passionately committed intellectual.

The shocking story of the establishment of the state of Israel told from the perspective of those who lived through the end of the British Mandate for Palestine in 1948.

Filmed between 1973 and 1975, L’Olivier was produced by the Vincennes Cinema Group. This activist collective of teachers and filmmakers, formed on the occasion of this film, attempts to explain the Palestinian problem through interviews. The Olivier was one of the first films to attempt to give substance to what was still largely ignored in the West: the existence of the Palestinian people and their fight to recover their rights. L'Olivier responds to a concern: the already weak support of French public opinion for the Palestinian cause diminished following the Munich operation of 1972. Structured in such a way as to tell the Palestinian story and explain the state of the struggle at the time, the film appeals to global militant solidarity and, in particular, to European political commitments.

Edward Said, Professor of English & Comparative Literature at Columbia University, was one of the most prominent literary critics of the late 20th century and a leading spokesperson for the Palestinian cause in the US. In this episode, Said examines Western attitudes to the Arabs and finds their origins in the Crusades, Hollywood and European empire building. He sees the Palestinian fate as the result of years of Western interference. One of the ten episodes of The Arabs: A Living History.