The Alchemists of Sound

Sam Green's intimate portrait of Annea Lockwood shares with us a glimpse into the enthralling world of sound that she has been exploring and creating for many years. It is a touching and personal story of imagination and love.

Go inside the sound design of Star Wars: The Last Jedi. From the ignition of a lightsaber to the chirp of a porg, Star Wars would not be the same without the brilliant sound design and mixing created by Skywalker Sound.

Explores the elemental phenomenon of sound and its power to bend time, cross borders, and profoundly shape our perception of the world around us.

The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.

Isabella Rossellini, Kyle MacLachlan, Dennis Hopper, Laura Dern, and producer Fred Caruso are interviewed for this 68-minute documentary about the making of David Lynch's Blue Velvet

A look at the legendary Czech sound designer and his profession. Editor and documentary filmmaker Adéla Špaljová has her father Ivo Špalj talk about his life, career, and working methods. Over the course of his long life, sound designer Ivo Špalj (*1940) has collaborated on hundreds of films and become a mentor for at least one generation of men and women behind the mixing board. This gentle documentary also shows “Engi” (as he is known to his colleagues) again working with Jan Švankmajer, whose films he has lent their typical, dense, and sophisticated sound mix.

After tragedy strikes a bustling London neighbourhood, disarray ensues, and our hero becomes lost to their pain. A cherub-like spectre soon appears, embodying the change the community desperately craves. All bear witness as winds of hope and unity take shape and the seeds are sown for their growth out of grief

Supernatural visions and indigenous folk myths intrude in an unpredictable and dreamlike Mexican film about a family living in the shadow of the apocalypse. A living, organic work.

Aquela Mesma Estação

Ninety-year-old sound artist and comedian Henry “Sandy” Jacobs lives a quirky existence at the end of Sunnyside Drive, a steep and winding dirt road washed by fog from the Pacific Ocean. Sixty feet down the hill lives his eccentric 84-year-old friend and neighbor, architect and former Frank Lloyd Wright collaborator Daniel Liebermann. These extraordinary old men, influential artists in the 1950s and ’60s, continue, each in their own way, to search the world for perfection. Sunnyside takes us to an extraordinary place, a microcosm with its own distinctive rhythm and remarkable inhabitants. It is a film about creativity, the capacity to dream and, ultimately, the transience of life.

Doubts and fears arise in a dark room, where a man and a woman communicate without any apparent logical thread.

After playing a guided meditation to induce lucid dreaming, the protagonist begin to experience strange phenomena inside his home. As the dream deepens, the boundaries of reality blur, leading him toward a terrifying encounter with an unknown entity.

A routine tree inspection unexpectedly gives way to a journey into the deep. Set in a hidden subterranean world, ‘Sub Terra’ is the haunting mystery of a cryptic first-person perspective.

A quiet bus ride home from the city library turns into an aural nightmare for a book-reading commuter. With every stop the bus fills with people and sounds, becoming a chaotic cacophony joyful to everyone but her. Only when the bus finally reaches her seaside stop does she find escape, slipping back into her natural habitat where we discover she is not the average commuter.

After a period of time where her hearing begins to overtake her sight, Casandra searches for the cause of her problem, isolating herself from society. She starts having visions that remind her of the past and promise an apocalyptic future.

A fallen star, Chantal is looking for inspiration when they finally decides to leave their den.

A visual and auditory inferno

Zero One is a code-based generative video commissioned by Zero One Technology Festival 2018 in Shenzhen, PR China. This project consists of multiple interlinked generative systems, each of which has its customized features, but collectively share the core concept of an evolving elementary cellular automaton.

Catatonik is a multi sensory installation project which becomes part of my final study for the course design for social change. It is an attempt at trying to build spatial and sensorial elements which lets the body feel the microcosms of experiencing part of a coal mine and in turn an ingrained empathy as the effect of the experience. A consciously designed installation set to present the physicality of a place purely through an ethnographic reconstruction of sound and image in a different fabric of reality informed through research. The installation was entirely made in the campus of DJAD both the recording of the audio, video and its related textures.

A beautiful session between dancer Tanaka Min and director Wim Wenders that illustrates something before we started speaking with words.