The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.
A look at the legendary Czech sound designer and his profession. Editor and documentary filmmaker Adéla Špaljová has her father Ivo Špalj talk about his life, career, and working methods. Over the course of his long life, sound designer Ivo Špalj (*1940) has collaborated on hundreds of films and become a mentor for at least one generation of men and women behind the mixing board. This gentle documentary also shows “Engi” (as he is known to his colleagues) again working with Jan Švankmajer, whose films he has lent their typical, dense, and sophisticated sound mix.
After tragedy strikes a bustling London neighbourhood, disarray ensues, and our hero becomes lost to their pain. A cherub-like spectre soon appears, embodying the change the community desperately craves. All bear witness as winds of hope and unity take shape and the seeds are sown for their growth out of grief
Go inside the sound design of Star Wars: The Last Jedi. From the ignition of a lightsaber to the chirp of a porg, Star Wars would not be the same without the brilliant sound design and mixing created by Skywalker Sound.
Sam Green's intimate portrait of Annea Lockwood shares with us a glimpse into the enthralling world of sound that she has been exploring and creating for many years. It is a touching and personal story of imagination and love.
Isabella Rossellini, Kyle MacLachlan, Dennis Hopper, Laura Dern, and producer Fred Caruso are interviewed for this 68-minute documentary about the making of David Lynch's Blue Velvet
Supernatural visions and indigenous folk myths intrude in an unpredictable and dreamlike Mexican film about a family living in the shadow of the apocalypse. A living, organic work.
Explores the elemental phenomenon of sound and its power to bend time, cross borders, and profoundly shape our perception of the world around us.
Ninety-year-old sound artist and comedian Henry “Sandy” Jacobs lives a quirky existence at the end of Sunnyside Drive, a steep and winding dirt road washed by fog from the Pacific Ocean. Sixty feet down the hill lives his eccentric 84-year-old friend and neighbor, architect and former Frank Lloyd Wright collaborator Daniel Liebermann. These extraordinary old men, influential artists in the 1950s and ’60s, continue, each in their own way, to search the world for perfection. Sunnyside takes us to an extraordinary place, a microcosm with its own distinctive rhythm and remarkable inhabitants. It is a film about creativity, the capacity to dream and, ultimately, the transience of life.
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Catatonik is a multi sensory installation project which becomes part of my final study for the course design for social change. It is an attempt at trying to build spatial and sensorial elements which lets the body feel the microcosms of experiencing part of a coal mine and in turn an ingrained empathy as the effect of the experience. A consciously designed installation set to present the physicality of a place purely through an ethnographic reconstruction of sound and image in a different fabric of reality informed through research. The installation was entirely made in the campus of DJAD both the recording of the audio, video and its related textures.
A routine tree inspection unexpectedly gives way to a journey into the deep. Set in a hidden subterranean world, ‘Sub Terra’ is the haunting mystery of a cryptic first-person perspective.
A fallen star, Chantal is looking for inspiration when they finally decides to leave their den.
A quiet bus ride home from the city library turns into an aural nightmare for a book-reading commuter. With every stop the bus fills with people and sounds, becoming a chaotic cacophony joyful to everyone but her. Only when the bus finally reaches her seaside stop does she find escape, slipping back into her natural habitat where we discover she is not the average commuter.
Zero One is a code-based generative video commissioned by Zero One Technology Festival 2018 in Shenzhen, PR China. This project consists of multiple interlinked generative systems, each of which has its customized features, but collectively share the core concept of an evolving elementary cellular automaton.
A visual and auditory inferno
Uncover the secret world of Joe Biden and his family's relationship to China and the sinister business deals that enriched them at America's expense.
This hour-long documentary is a provocative look at a historical event of which few Americans are aware. In mid-January, 1893, armed troops from the U.S.S Boston landed at Honolulu in support of a treasonous coup d’état against the constitutional sovereign of the Hawaiian Kingdom, Queen Lili‘uokalani. The event was described by U.S. President Grover Cleveland as an "act of war."
This documentary is about the children's theater company "La Colmenita" from Cuba, which was founded in the darkest years of that country's special period. The documentary is supported by the testimonies of its founders, as well as artists of the stature of Silvio Rodríguez, Omara Portuondo, Kcho. They are an example of how childhood can be saved with love.
“When you don’t know your language or your culture, you don’t know who you are,” says 69-year-old Armand McArthur, one of the last fluent Nakota speakers in Pheasant Rump First Nation, Treaty 4 territory, in southern Saskatchewan. Through the wisdom of his words, Armand is committed to revitalizing his language and culture for his community and future generations.