Alban lives in a castle that he has just inherited in a small village in Charente-Maritime. Inside, the dilapidation has long since taken hold. He meets Jérôme, a young gypsy from the neighbouring town, with whom he has a sexual relationship. In this space that is impossible to rebuild, a strange intimacy is gradually invented, barely disturbed by the interruption of a young woman who has come to spend a few days in this residence.
Return to 'burn' only to find out you're already in that urn.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape, color, opera music and atmosphere to explore the Freudian truths about men's fear of women that Wedekind powerfully exposed. A kinetic melodrama of the rise of a femme-fatale and her fate at the hands of Jack-the-Ripper. Rethinking Pabst's silent film and Alban Berg's opera.
Visit He visits a city. The city already forgot him. The city is still sinking in his dream. The flicking segments of real life and illusion. Only the lighthouse has his memory. But the memory will may be vanished.
Features four distinct, bizarre, existential tales about people whose lives are in transition, who are each asking questions about themselves, their environments, and about God(s).
A man without his own half of the body is looking for the other half in the opposite sex. As for the integrity of his body, so for the sake of emotional healing.
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
Anônimo e incomum
Wax and wane until there is naught but boring pain.
A bohemian painter named Artist and a guitarist named James meet at a concert and have an instant connection. They start a philosophical discussion at her apartment, but they are interrupted by strange occurrences which reveal they are no longer in reality but an ominous dream world. Both Artist and James are confronted by characters and situations from their past, and they must work together to put the memory pieces together and escape to reality, if they can.
After his colleague Schweitzer goes missing during a drug raid, undercover cop Till Hager is tasked with tracking down a mysterious new drug called "Abaddon" - a substance which supposedly drags it's users down the deepest depths of hell.
A computer program named A.D.O.M tries to create a living being that will help to release both of them from their void. This film was created exclusively with stock video and royalty free music. Stock Elements from pixapay.com Music from filmmusic.io "The Descent" by Kevin MacLeod (incompetech.com) License: CC BY (creativecommons.org/licenses/by/4.0/)
DEAR ROBERT_
Hideo, a young man living away from his parents, is kept under constant surveillance by his doting mother via an omnipresent television monitor. Mama can only communicate with her beloved, absent son through the video screen.
Disillusioned English banker's wife Mary meets troubled Italian immigrant Bruno, with whom she is captivated by and they set off on a voyage on which they meet a variety of society's dropouts.
Experimental short film with focus on Bahia(Brazilian State) Christian iconography.
Lyudmila is a successful realtor in the capital. Pictures from the past pop up in her memory, and the viewer learns at what cost a single mother from the province managed to cherish Moscow's well-being. Lyudmila's story is typical, it reflects, like in a mirror, the pain points of modern life, forcing us to make our hourly choices. Is it worth a deal with the conscience of material comfort? Is it possible to achieve success in a megalopolis today and remain an honest person? Won't a "bright future" built on betrayal of one's own ideals lead to the decline of genuine human values?
Itamar and Thomas share a bed, walls, an apartment and electricity bills. Thomas commands, manages, and criticizes; Itamar is silent and listens. Between the apartment walls, frustration and loneliness unfold.
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.